The effects of psychoactive drugs have been closely linked to all forms of literature for as long as humans have been writing, but a review of the subject is currently very topical. Although the problems of alcohol have long been a theme covered by authors, other drugs have not been as well represented in mainstream publishing until the past few decades. However, the escalation of the drug problem in the Western world has had an influence on popular fiction and led to a rekindling of interest in an older literature that explored these themes. The work of the 19th-century Romantics and of the Beat Generation and counter-culture of the 1960s has been developed by the ‘chemical generation’, with ecstasy (methylenedioxymethamphetamine (MDMA)) joining the opiates, cocaine, cannabis, lysergic acid diethylamide (LSD) and amphetamines as a backdrop to popular fiction.

Writers and alcohol

Alcohol, in particular, has been strongly linked to creativity, and John Sutherland, a professor of English literature in London and a self-confessed ‘recovering drunk’, has written extensively in this area. His book Last Drink to LA (Sutherland, 2001)1 provides some literary signposts on the path to understanding alcohol addiction and describes his own experiences at Alcoholics Anonymous (AA). Through his attendance at AA meetings, Sutherland has come to see addicts primarily as storytellers, believing that ‘telling tales (most of them tall, many of them self-serving) is one of the few things that booze makes you good at’ (Sutherland, 2001: p. 73).

Analysis of the lives of many famous writers reveals evidence of heavy alcohol consumption, mental illness, physical disease, family breakdown, suicide and premature death (Post, 1994).