Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-sjtt6 Total loading time: 0 Render date: 2024-06-24T14:16:22.319Z Has data issue: false hasContentIssue false

3 - Ireland

from Part One - Europe

Published online by Cambridge University Press:  05 August 2013

Martin McLoone
Affiliation:
University of Ulster
Mette Hjort
Affiliation:
Lingnan University, Hong Kong
Duncan Petrie
Affiliation:
University of York
Get access

Summary

Between them, the film industries in Ireland and Northern Ireland turn out on average about ten feature films a year and support the production of very many more short films, animations and documentaries. This is achieved through collaboration and co-operation across borders and involves a complex mix of internal sources (state-funded production agencies, the broadcasters, independent producers and the increasing number of schools and colleges that now teach filmmaking) and external provision (larger supra-state funding agencies as well as the international commercial film industry). In this regard the Irish film industry resembles that of most other medium- and small-scale European industries, in that film production is the result of a complex structure of national and transnational funding initiatives in a mixed economy with private capital. As in other European industries, in Ireland state support for film production is designed to promote an indigenous film industry and to develop a more pluralist film culture in a country where cinema screens are dominated by Hollywood films.

Ireland, however, differs from most other small-scale European national film industries in one major respect. Although the native language (Irish Gaelic) is still spoken in small pockets of the country, Ireland reflects its status as a former colony of Britain in the fact that it is now an overwhelmingly English-speaking culture with an Anglophone cinema.

Type
Chapter
Information
Publisher: Edinburgh University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×