Book contents
- Frontmatter
- Contents
- List of illustrations
- Preface
- List of abbreviations
- Introduction
- 1 Raiding the nest: a company biography
- 2 ‘Proper gallants wordes’: comedy and the theatre audience
- 3 ‘Grief, and joy, so suddenly commixt’: company politics and the development of tragicomedy
- 4 ‘Ieronimo in Decimo sexto’: tragedy and the text
- Conclusion
- Appendix A The Chapel/Queen's Revels repertory (Summary)
- Appendix B The Chapel/Queen's Revels repertory (Data and analysis)
- Appendix C Biographical summary
- Appendix D Actor lists
- Appendix E Court and touring performances, 1600–13
- Notes
- Bibliography
- Index
Appendix B - The Chapel/Queen's Revels repertory (Data and analysis)
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- List of illustrations
- Preface
- List of abbreviations
- Introduction
- 1 Raiding the nest: a company biography
- 2 ‘Proper gallants wordes’: comedy and the theatre audience
- 3 ‘Grief, and joy, so suddenly commixt’: company politics and the development of tragicomedy
- 4 ‘Ieronimo in Decimo sexto’: tragedy and the text
- Conclusion
- Appendix A The Chapel/Queen's Revels repertory (Summary)
- Appendix B The Chapel/Queen's Revels repertory (Data and analysis)
- Appendix C Biographical summary
- Appendix D Actor lists
- Appendix E Court and touring performances, 1600–13
- Notes
- Bibliography
- Index
Summary
All Fools (c.1601?; 1604–5)
Dramatist: Chapman
Provenance: Performed at court 1 January 1605 (see Appendix E); Q1605: ‘Presented at the Black | Fryers, And lately before | his Maiestie’. May originally have been written c.1601, or have been an adaptation of Admiral's Men's All Fools but the Fool (1599). ES, vol. 3, 252; Parrot, Comedies, vol. 2, 709; Tricomi, ‘Dates’, 243–5.
Editions: 1605
Amends for Ladies (c.1611)
Dramatist: Field
Provenance: Q1618: ‘acted at the Blacke-Fryers, | both by the PRINCES Seruants, and | the Lady ELIZABETHS’ (presumably the short-lived Porter's Hall playhouse). This was probably a revival, and original performance is usually ascribed to Whitefriars, c.1611 (Peery, Plays of Nathan Field, 143). Cameo appearance of Moll Cutpurse, a central figure in the Prince's Men's The Roaring Girl (c.1610), supports this dating.
Editions: 1618, 1639
Bussy D'Ambois (c.1604; c.1611)
Dramatist: Chapman
Provenance: Q1607/8: ‘often presented at Paules’; generally thought that this came after earlier performances at Blackfriars c.1604 (Tricomi, ‘Dates’, 252–5). The part of Bussy was (according to 1641 prologue) first played by Nathan Field. Probable that Bussy and The Fawn were taken to Paul's by Edward Kirkham in early 1606, and that Bussy was reclaimed by Queen's Revels and performed with its sequel at Whitefriars c.1611. Later property of King's Men (JCS, vol. 1, 118).
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- Information
- Children of the Queen's RevelsA Jacobean Theatre Repertory, pp. 170 - 178Publisher: Cambridge University PressPrint publication year: 2005