Book contents
- Frontmatter
- Dedication
- Contents
- List of Figures
- Preface
- Acknowledgments
- Spelling and Orthography
- 1 Introduction: Encountering the Sphinx
- 2 ‘Welcome to Athens’: Theories of Hybridity
- 3 Hybrids around the Corrupting Sea
- 4 Hybrids, Contact Zones and Margins
- 5 Heads or Tails: Gorgons, Satyrs and Other Composites
- 6 Centaurs and Other Horses
- 7 Snakes and the Perils of Autochthony
- 8 Hermaphrodites and Other Bodies
- 9 Adynata, Ethnography and Paradox
- 10 Conclusions
- Bibliography
- Index
5 - Heads or Tails: Gorgons, Satyrs and Other Composites
Published online by Cambridge University Press: aN Invalid Date NaN
- Frontmatter
- Dedication
- Contents
- List of Figures
- Preface
- Acknowledgments
- Spelling and Orthography
- 1 Introduction: Encountering the Sphinx
- 2 ‘Welcome to Athens’: Theories of Hybridity
- 3 Hybrids around the Corrupting Sea
- 4 Hybrids, Contact Zones and Margins
- 5 Heads or Tails: Gorgons, Satyrs and Other Composites
- 6 Centaurs and Other Horses
- 7 Snakes and the Perils of Autochthony
- 8 Hermaphrodites and Other Bodies
- 9 Adynata, Ethnography and Paradox
- 10 Conclusions
- Bibliography
- Index
Summary
Chapter 5 begins with griffins and gorgons, exploring the connections between wondrous objects and hybrids. Gorgons also prompt a discussion of gender and hybridity. This chapter juxtaposes the gorgon and other female demons who threaten mothers and children with the satyr, an exaggerated figure of the man identified by and with his penis. These matched exaggerations, by turns horrific and comic, illustrate the function of the hybrid as a projection of certain human anxieties: what if the man were no more than his erection? What if the woman were as dangerous as she is beautiful? What if a mother devoured her children instead of protecting them? Each caricature exists as a counterpoint to the ordinary men and women encountered in our daily lives, but in recognizing these alternatives the Greeks are also using the contrafactual to ask what exactly it means to be human. For this reason, transformation is a recurring theme in early Greek culture, with a wide range of applications from the stage to ritual initiation. Here too the cosmos is a space of entanglement. If a human shares some characteristic with an animal, does the divine also partake of this mutability?
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- Chapter
- Information
- Centaurs and Snake-KingsHybrids and the Greek Imagination, pp. 136 - 170Publisher: Cambridge University PressPrint publication year: 2024