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31 - Spectacles of Violence in China

from Part VII - Representations and Constructions of Violence

Published online by Cambridge University Press:  13 March 2020

Robert Antony
Affiliation:
Guangzhou University
Stuart Carroll
Affiliation:
University of York
Caroline Dodds Pennock
Affiliation:
University of Sheffield
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Summary

In the highly competitive and conflictual world of early modern China, aggression and violence were a regular part of life. People not only came to blows with other people, but also with ghosts and demons that infested their world with evils and afflictions. The rock fights, cockfights, self-mortifying shamans, sword-wielding exorcists, public floggings and bloody beheadings discussed in this chapter were common spectacles of public violence. China’s educated elites, who associated such acts with vulgar lower-class culture, disparaged popular forms of violence because they were wild, senseless and uncontrollable. For the lower orders, however, violence was purposeful. It gave power to the powerless and prestige to the disreputable. Regular displays were necessary to gain respect and could even ensure social mobility. Violence was essential to masculinity and gave meaning to men’s lives, providing them with ambition and dignity. The shedding of blood also gave meaning to violence. Blood was the vital force of life important in warding off evil spirits, curing illnesses, ensuring fertility and bringing good luck. These acts were part of a well-established, but heterodox, folk tradition whereby violence and bloody rituals were deeply rooted in the everyday life and popular culture of early modern China.

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Publisher: Cambridge University Press
Print publication year: 2020

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