Book contents
- The Cambridge History of Latina/o American Literature
- The Cambridge History of Latina/o American Literature
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Chronology
- Introduction
- Part I Rereading the Colonial Archive
- Part II The Roots and Routes of Latina/o Literature
- Part III Negotiating Literary Modernity
- Part IV Literary Migrations across the Americas, 1980–2017
- 22 Undocumented Immigration in Latina/o Literature
- 23 Latina Feminist Theory and Writing
- 24 Invisible No More
- 25 Latina/o Life Narratives
- 26 Poetics of the “Majority Minority”
- 27 The Quisqueya Diaspora
- 28 Listening to Literature
- 29 Brazuca Literature
- 30 Staging Latinidad and Interrogating Neoliberalism in Contemporary Latina/o Performance and Border Art
- 31 Trans-American Popular Forms of Latina/o Literature
- 32 Trauma, Translation, and Migration in the Crossfire of the Americas
- 33 The Mesoamerican Corridor, Central American Transits, and Latina/o Becomings
- 34 Differential Visions
- 35 Temporal Borderlands
- Epilogue
- Bibliography
- Index
- References
25 - Latina/o Life Narratives
Crafting Self-Referential Forms in the Colonial Milieu of the Americas
from Part IV - Literary Migrations across the Americas, 1980–2017
Published online by Cambridge University Press: 16 February 2018
Book contents
- The Cambridge History of Latina/o American Literature
- The Cambridge History of Latina/o American Literature
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Chronology
- Introduction
- Part I Rereading the Colonial Archive
- Part II The Roots and Routes of Latina/o Literature
- Part III Negotiating Literary Modernity
- Part IV Literary Migrations across the Americas, 1980–2017
- 22 Undocumented Immigration in Latina/o Literature
- 23 Latina Feminist Theory and Writing
- 24 Invisible No More
- 25 Latina/o Life Narratives
- 26 Poetics of the “Majority Minority”
- 27 The Quisqueya Diaspora
- 28 Listening to Literature
- 29 Brazuca Literature
- 30 Staging Latinidad and Interrogating Neoliberalism in Contemporary Latina/o Performance and Border Art
- 31 Trans-American Popular Forms of Latina/o Literature
- 32 Trauma, Translation, and Migration in the Crossfire of the Americas
- 33 The Mesoamerican Corridor, Central American Transits, and Latina/o Becomings
- 34 Differential Visions
- 35 Temporal Borderlands
- Epilogue
- Bibliography
- Index
- References
Summary
In this essay, I analyze the specific genre innovations employed by Latin@ authors to render visible both individuals in the United States and communities with transnational ties to Latin America and the Caribbean as they employ various autobiographical strategies to establish a self-narrated tradition that ultimately leads to the making and remaking of an entire corpus of particularized identity discourses. I compile a case study on formal evolutions in Chican@ autobiographical discourses as informed by the field's theoretical frameworks to show how reimagined self-referential genres negotiate entry into global modernity via modern capitalism, the nation-state, and the diasporas that resulted from these conjunctions. The persistency of these genre innovator-activists, those who were willing to look across racial, cultural, sexual, and class boundaries to examine the relationality of their intersectional identities while arguing for their rightful insertion into our (trans-)national American master narratives, has carved open the spaces for those currently writing and finding publishers in the twenty-first century
- Type
- Chapter
- Information
- The Cambridge History of Latina/o American Literature , pp. 532 - 548Publisher: Cambridge University PressPrint publication year: 2018
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