Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- 31 Alternative Cultural Projects and Their Histories
- 32 Ediciones Vigía and the Cultural Legacies of Matanzas
- 33 The Fiction of Cuba’s Special Period
- 34 Critique and Decentralization in Cuban Film After 1989
- 35 The Temporality of Twentieth- and Twenty-First-Century Cuban Theater
- 36 The Long Reach of Haiti in Cuban Literature
- 37 Cuban Afterlives of the Cuban and Angolan Revolutions
- 38 Anti-Exceptionalism in Detective Fiction, Speculative Fiction, and Graphic Novels
- 39 Cuban Women’s Writing at the Turn of the Millennium
- 40 Queering the Revolution and Its Diasporas
- 41 The Performance Art of Global Cuba
- 42 Twenty-First-Century Cuban Film and Diaspora
- 43 Cuba’s Poetic Imaginary (1989–2020)
- 44 Prose Narratives from Cuban America
- 45 Cuban Theater of the Diaspora in the United States
- Epilogue
- Select Bibliography
- Index
- References
42 - Twenty-First-Century Cuban Film and Diaspora
from Part V - Cuba and Its Diasporas into the New Millennium
Published online by Cambridge University Press: aN Invalid Date NaN
Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- 31 Alternative Cultural Projects and Their Histories
- 32 Ediciones Vigía and the Cultural Legacies of Matanzas
- 33 The Fiction of Cuba’s Special Period
- 34 Critique and Decentralization in Cuban Film After 1989
- 35 The Temporality of Twentieth- and Twenty-First-Century Cuban Theater
- 36 The Long Reach of Haiti in Cuban Literature
- 37 Cuban Afterlives of the Cuban and Angolan Revolutions
- 38 Anti-Exceptionalism in Detective Fiction, Speculative Fiction, and Graphic Novels
- 39 Cuban Women’s Writing at the Turn of the Millennium
- 40 Queering the Revolution and Its Diasporas
- 41 The Performance Art of Global Cuba
- 42 Twenty-First-Century Cuban Film and Diaspora
- 43 Cuba’s Poetic Imaginary (1989–2020)
- 44 Prose Narratives from Cuban America
- 45 Cuban Theater of the Diaspora in the United States
- Epilogue
- Select Bibliography
- Index
- References
Summary
This chapter explores approaches to the theme of diaspora in twenty-first-century Cuban film, demonstrating how archipelagic thinking can help elucidate the transnational connections, translations, and collaborations constituting Cuban cinema and that entail a difficult reckoning with geographical or temporal limits for structuring the analysis of literary-cultural production. The chapter dissects this landscape using four categories – outgoing journeys, returning diasporas, on-island films about migration, and representations of exile from inside Cuba – in an analysis of Juan Pablo Daranas’s Ángela (2018), Sebastián and Rodrigo Barriuso’s 2018 Un traductor [A Translator], Armando Capó’s Agosto (2019), and José Luis Aparicio’s 2021 Sueños al pairo [Dreams Adrift].
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- Information
- The Cambridge History of Cuban Literature , pp. 656 - 672Publisher: Cambridge University PressPrint publication year: 2024
References
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