Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- 13 The Literary Intellectuals of the Early Cuban Republic
- 14 The Invention of the Black Cuban in the Early Twentieth Century
- 15 The Fluid Expressive Communities of Cuba’s Interwar Avant-Gardes
- 16 Lydia Cabrera and Afro-Caribbean Imaginaries
- 17 The Fictions of New Urban Subjects
- 18 The Esthetics of Dulce María Loynaz
- 19 José Lezama Lima and the Orbits of Orígenes
- 20 Alejo Carpentier and Cuba’s Literary Twentieth Century
- 21 The Weighted Literary Islands of Virgilio Piñera
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- Epilogue
- Select Bibliography
- Index
- References
18 - The Esthetics of Dulce María Loynaz
from Part III - Literary and Intellectual Culture in the Twentieth-Century Republic
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Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- 13 The Literary Intellectuals of the Early Cuban Republic
- 14 The Invention of the Black Cuban in the Early Twentieth Century
- 15 The Fluid Expressive Communities of Cuba’s Interwar Avant-Gardes
- 16 Lydia Cabrera and Afro-Caribbean Imaginaries
- 17 The Fictions of New Urban Subjects
- 18 The Esthetics of Dulce María Loynaz
- 19 José Lezama Lima and the Orbits of Orígenes
- 20 Alejo Carpentier and Cuba’s Literary Twentieth Century
- 21 The Weighted Literary Islands of Virgilio Piñera
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- Epilogue
- Select Bibliography
- Index
- References
Summary
In a detailed analysis of selections from Dulce María Loynaz’s poetry and nonfiction prose, and her radically experimental avant-garde novel Jardín (1951), this chapter demonstrates that this 1992 winner of the prestigious Cervantes Prize, who wrote much of her important work in the interwar years but maintained during her long life an ear attuned to changing times and shifting literary styles, consistently resisted classification in any category other than, perhaps, the paradoxical. The essay highlights throughout the “mixed signals” that emerge from the work of a formidable literary figure who was simultaneously romantic and modern, avant-garde and critical of the avant-gardes, intimist and anchored in the historical context.
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- The Cambridge History of Cuban Literature , pp. 290 - 303Publisher: Cambridge University PressPrint publication year: 2024
References
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