Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-848d4c4894-cjp7w Total loading time: 0 Render date: 2024-07-01T16:40:13.269Z Has data issue: false hasContentIssue false

21 - Creativity and Personality Research

Themes and Future Directions

from Part III - Creativity and Personality

Published online by Cambridge University Press:  19 May 2017

By
Patricia O’Rourke ,
James C. Kaufman ,
Gregory J. Feist  and
Roni Reiter-Palmon
Edited by
Gregory J. Feist ,
Roni Reiter-Palmon  and
James C. Kaufman
Gregory J. Feist
Affiliation:
San José State University, California
Roni Reiter-Palmon
Affiliation:
University of Nebraska, Omaha
James C. Kaufman
Affiliation:
University of Connecticut
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge Handbook of Creativity and Personality Research , pp. 405 - 413
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Barron, F. (1955). The disposition towards originality. Journal of Abnormal and Social Psychology, 51, 478–85.CrossRefGoogle Scholar
DeYoung, C. G. (2015). Cybernetic Big Five theory. Journal of Research in Personality, 56, 33–58.CrossRefGoogle Scholar
Eysenck, H. J. (1995). Genius: The Natural History of Creativity. Cambridge University Press.CrossRefGoogle Scholar
Freud, S. (1908/1959). Creative Writers and Daydreaming. In Strachey, J. (ed.). The Standard Edition of the Complete Works of Sigmund Freud (Vol. 9, pp. 143–53). London: Hogarth Press.Google Scholar
Fromm, E. (1959). The Creative Attitude. In Anderson, H. H. (ed.), Creativity and Its Cultivation (pp. 44–54). New York: Harper.Google Scholar
Goldberg, L. R. (1992). The development of markers for the Big Five factor structure. Psychological Assessment, 4, 26–42.CrossRefGoogle Scholar
Gough, H. G. (1976). What happens to creative medical students? Journal of Medical Education, 51, 461–7.Google ScholarPubMed
Helson, R. (1971). Women mathematicians and the creative personality. Journal of Consulting and Clinical Psychology, 36, 210–20.CrossRefGoogle ScholarPubMed
Jung, C. G. (1923). On the relation of analytic psychology to poetic art. British Journal of Medical Psychology, 3, 213–31.CrossRefGoogle Scholar
Kaufman, J. C., & Beghetto, R. A. (2009). Beyond big and little: the four-C model of creativity. Review of General Psychology, 13, 1–12.CrossRefGoogle Scholar
MacKinnon, D. W. (1978). In Search of Human Effectiveness. Buffalo, NY: Bearly.Google Scholar
Maslow, A. (1959). Creativity in Self-Actualizing People. In Anderson, H. H. (ed.), Creativity and Its Cultivation (pp. 83–95). New York: Harper.Google Scholar
McCrae, R. R., & Costa, P. T. Jr. (1997). Personality trait structure as a human universal. American Psychologist, 52, 509–16.CrossRefGoogle ScholarPubMed
Rhodes, M. (1962). An analysis of creativity. Phi Delta Kappan, 42, 305–11.Google Scholar
Rogers, C. (1959). Toward a Theory of Creativity. In Anderson, H. H. (ed.), Creativity and Its Cultivation (pp. 69–82). New York: Harper.Google Scholar
Skinner, B. F. (1972). A Lecture on “Having” a Poem. In Skinner, B. F., Cumulative Record: A Selection of Papers (3rd edn.). Englewood Cliffs, NJ: Prentice-Hall.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×