Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-2lccl Total loading time: 0 Render date: 2024-04-26T18:45:09.156Z Has data issue: false hasContentIssue false

66 - Traditional Entertainments and Celebrations

from Part VII - Popular Culture

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Aubrey, John. Remains of Gentilisme and Judaisme. London: 1686–87. Rpt. Ed. James Britten. London: Folklore Society, 1881.Google Scholar
Davis, Natalie Zemon. Society and Culture in Early Modern France. Stanford: Stanford UP, 1975.CrossRefGoogle Scholar
Dekker, Thomas. The Honest Whore, Part One. The Dramatic Works of Thomas Dekker. Ed. Bowers, Fredson. Vol. 2. Cambridge: Cambridge University Press, 1955.Google Scholar
Kerrigan, John, ed. Shakespeare: The Sonnets and A Lover’s Complaint. Harmondsworth: Penguin, 1986.Google Scholar
Lamb, Mary Ellen. “Virtual Audiences and Virtual Authors: The Winter’s Tale, The Tempest, and Old Wives’ Tales.” Staging Early Modern Romance: Prose Fiction, Dramatic Romance, and Shakespeare. Ed. Lamb, Mary Ellen and Wayne, Valerie. New York: Routledge, 2009. 122–42.CrossRefGoogle Scholar
Laqueur, Thomas. Making Sex, Body and Gender from the Greeks to Freud. Cambridge: Harvard UP, 1990.Google Scholar
Laroque, François. Shakespeare’s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage. Cambridge: Cambridge University Press, 1991.Google Scholar
Laslett, Peter. The World We Have Lost. London: Methuen, 1965.Google Scholar
Liebler, Naomi. Shakespeare’s Festive Tragedy: The Ritual Foundations of Genre. London: Routledge, 1995.Google Scholar
Montrose, Louis. The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre. Chicago: U of Chicago P, 1996.Google Scholar
Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: U of Chicago P, 1999.Google Scholar
Stubbes, Philip. The Anatomy of Abuses. 1583. Ed. Kidnie, Margaret Jane. Tempe: Arizona Center for Medieval and Renaissance Studies in conjunction with Renaissance English Text Society, 2002.Google Scholar
Wiles, David. Shakespeare’s Almanac: A Midsummer Night’s Dream, Marriage and the Elizabethan Calendar. Cambridge: Derek Brewer, 1993.Google Scholar
Wiles, David. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press, 1987.Google Scholar
Wilson, Richard. “Making Men of Monsters.” Shakespeare 1.1–2 (2005): 828.CrossRefGoogle Scholar
Woodbridge, Linda. The Scythe of Saturn: Shakespeare and Magical Thinking. Urbana: U of Illinois P, 1994.Google Scholar

Further reading

Bakhtin, Mikhail. Rabelais and His World. 1965. Trans. Iswolsky, Hélène. Bloomington: Indiana UP, 1984.Google Scholar
Barber, C. L. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. Princeton: Princeton UP, 1959.Google Scholar
Bristol, Michael D. Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England. New York: Routledge, 1985.Google Scholar
Bristol, Michael D.In Search of the Bear: Spatiotemporal Form and the Heterogeneity of Economies in The Winter’s Tale.” Shakespeare Quarterly 42.2 (summer 1991): 145–67.CrossRefGoogle Scholar
Cressy, David. Bonfire & Bells: National Memory and the Protestant Calendar in Elizabethan and Stuart England. London: Weidenfeld and Nicolson, 1989.Google Scholar
Gallenca, Christiane. “Ritual and Folk Custom in The Merry Wives of Windsor.” Cahiers Élisabéthains 27 (1985): 2741.CrossRefGoogle Scholar
Hutton, Ronald. The Rise and Fall of Merry England: The Ritual Year, 1400–1700. Oxford: Oxford UP, 1994.CrossRefGoogle Scholar
Knowles, Ronald, ed. Shakespeare and Carnival: After Bakhtin. Basingstoke: Macmillan, 1998.CrossRefGoogle Scholar
Laroque, François. “The Jack Cade Scenes Reconsidered: Popular Rebellion, Utopia, or Carnival?Shakespeare and Cultural Traditions. Ed. Kishi, Tetsuo, Pringle, Roger, and Wells, Stanley. Newark: U of Delaware P; London: Associated UP, 1994. 7689.Google Scholar
Marcus, Leah S.Levelling Shakespeare: Local Customs and Local Texts.” Shakespeare Quarterly 42.2 (summer 1991): 168–78.CrossRefGoogle Scholar
Marcus, Leah S. The Politics of Mirth: Jonson, Herrick, Milton, Marvell and the Defense of Old Holiday Pastimes. Chicago: U of Chicago P, 1986.Google Scholar
Ruiter, David. Shakespeare’s Festive History: Feasting, Festivity, Fasting and Lent in the Second Henriad. London: Ashgate, 2003.Google Scholar
Sohmer, Steve. Shakespeare’s Mystery Play: The Opening of the Globe Theatre, 1599. Manchester: Manchester UP, 1999.Google Scholar
Stallybrass, Peter. “‘We feaste in our Defense’: Patrician Carnival in Early Modern England and Robert Herrick’s ‘Hesperides.’English Literary Renaissance 16 (1986): 234–52.Google Scholar
Thomas, Keith. “The Place of Laughter in Tudor and Stuart England.” Times Literary Supplement 21 January 1977: 7781.Google Scholar
Thomas, Keith. Religion and the Decline of Magic: Studies in Popular Beliefs in Sixteenth and Seventeenth Century England. London: Weidenfeld and Nicolson, 1971.Google Scholar
Underdown, David. Revel, Riot and Rebellion: Popular Politics and Culture in England, 1603–1660. Oxford: Oxford UP, 1985.Google Scholar
Weimann, Robert. Shakespeare and the Popular Tradition in the Theater. Ed. Schwartz, Robert. Baltimore: Johns Hopkins UP, 1978.CrossRefGoogle Scholar
Wilson, Richard. Will Power: Essays on Shakespearean Authority. Hemel Hempstead: Hertfordshire, 1993.Google Scholar
Woodbridge, Linda, and Berry, Edward, eds. True Rites and Maimed Rites: Ritual and Anti-ritual in Shakespeare and His Age. Urbana: U of Illinois P, 1992.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×