Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Introduction
- 79 Sorts, Classes, Hierarchies
- 80 Trade and Commerce: Mercantilism
- 81 Shakespeare’s Money
- 82 Birth, Marriage, and Death
- 83 Gender Relations and the Position of Women
- 84 The Law in Shakespeare’s Theater
- 85 Education
- 86 Race and Nation
- 87 England’s Place in the International Order
- 88 Shakespeare’s National Types
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
88 - Shakespeare’s National Types
from Part IX - England, 1560–1650
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Introduction
- 79 Sorts, Classes, Hierarchies
- 80 Trade and Commerce: Mercantilism
- 81 Shakespeare’s Money
- 82 Birth, Marriage, and Death
- 83 Gender Relations and the Position of Women
- 84 The Law in Shakespeare’s Theater
- 85 Education
- 86 Race and Nation
- 87 England’s Place in the International Order
- 88 Shakespeare’s National Types
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
alcoholic consumptionAll’s Well That Ends WellThe Comedy of Errorsthe ContinentCymbelineDekker, Thomasthe DutchEndymionthe Englishthe Frenchthe GermansGolding, WilliamGreene, RobertHamletHenry IV, Part 1Henry IV, Part 2Henry VHenry VI, Part 1the IrishJonson, BenKing JohnKing LearLondonLouis VIII, King of FranceLouis IX, King of FranceLove’s Labour’s LostLyly, JohnMarlowe, ChristopherThe Merchant of VeniceMiddleton, ThomasA Midsummer Night’s DreamMuch Ado about Nothingnational typesOthelloOvidPeele, GeorgePlautusElizabeth IRichard IIRichard IIIRomeo and Julietsatirethe ScotsSenecathe Spanishthe Spanish ArmadaSpenser, EdmundStratford-upon-AvonVirgilthe WelshWilliam I
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 674 - 680Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Bevington, David. “Imagining the East and Shakespeare’s Asia.” Shakespeare in Hollywood, Asia, and Cyberspace. Ed. Huang, Alexa and Ross, Charles S.. Purdue Monograph Series of Books in Comparative Cultural Studies. West Lafayette: Purdue UP, 2009. 67–77.CrossRefGoogle Scholar
Bevington, David. “Imagining the East: Shakespeare’s Asia.” NTU Studies in Language and Literature [National Taiwan University] 14 (2005): 107–22.Google Scholar
Further reading
Anderson, Benedict R. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983.Google Scholar
Helgerson, Richard. Forms of Nationhood: The Elizabethan Writing of England. Chicago: U of Chicago P, 1992.Google Scholar
McEachern, Claire. The Poetics of English Nationhood, 1590–1612. Cambridge: Cambridge University Press, 1996.Google Scholar
Penrose, Boies. Travel and Discovery in the Renaissance, 1420–1620. Cambridge: Harvard UP, 1955.Google Scholar