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76 - Music

from Part VIII - High Culture

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Further reading

Austern, Linda. Music in English Children’s Drama of the Later Renaissance. New York: Gordon and Breach, 1992.Google Scholar
Chiasson-Taylor, Rachelle. “Musicians and Intelligence Operations, 1570–1612: Politics, Surveillance, and Patronage in the Late Tudor and Early Stuart Years.” PhD diss., McGill U, 2006.Google Scholar
Dusinberre, Juliet. “Pancakes and a Date for As You Like It.” Shakespeare Quarterly 54 (2003): 371405.CrossRefGoogle Scholar
Holman, Peter. Four and Twenty Fiddlers: The Violin at the English Court, 1540–1690. Oxford: Clarendon, 1993.Google Scholar
Jensen, Phebe. Religion and Revelry in Shakespeare’s Festive World. Cambridge: Cambridge University Press, 2008.Google Scholar
Lindley, David. “Blackfriars, Music and Masque: Theatrical Contexts of the Last Plays.” The Cambridge Companion to Shakespeare’s Last Plays. Ed. Alexander, Catherine M. S.. Cambridge: Cambridge University Press, 2009. 2945.Google Scholar
Minear, Erin. Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation. Farnham: Ashgate, 2011.Google Scholar
Owens, Jessie Ann, ed. “Noyses, Sounds, and Sweet Aires”: Music in Early Modern England. Washington: Folger Shakespeare Library, 2006.Google Scholar
Smith, Jeremy. Thomas East and Music Publishing in Renaissance England. Oxford: Oxford UP, 2003.Google Scholar
Wilson, Christopher R. Shakespeare’s Musical Imagery. London: Continuum, 2011.Google Scholar

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