Book contents
- The Cambridge Companion to Postmodern American Fiction
- The Cambridge Companion to Postmodern American Fiction
- Copyright page
- Contents
- Contributors
- Chronology
- Introduction
- 1 Postmodern Precursors
- 2 Prolonged Periodization
- 3 Postmodern American Fiction and Global Literature
- 4 Philosophical Skepticism and Narrative Incredulity
- 5 History and Fiction
- 6 Gender and Sexuality
- 7 Pluralism and Postmodernism
- 8 The Zombie in the Mirror
- 9 Postmodern Styles
- 10 Between Word and Image
- 11 Electronic Fictions
- Index
- Cambridge Companions To…
- References
10 - Between Word and Image
The Textual and the Visual in Postmodern American Fiction
Published online by Cambridge University Press: 18 May 2017
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Book contents
- The Cambridge Companion to Postmodern American Fiction
- The Cambridge Companion to Postmodern American Fiction
- Copyright page
- Contents
- Contributors
- Chronology
- Introduction
- 1 Postmodern Precursors
- 2 Prolonged Periodization
- 3 Postmodern American Fiction and Global Literature
- 4 Philosophical Skepticism and Narrative Incredulity
- 5 History and Fiction
- 6 Gender and Sexuality
- 7 Pluralism and Postmodernism
- 8 The Zombie in the Mirror
- 9 Postmodern Styles
- 10 Between Word and Image
- 11 Electronic Fictions
- Index
- Cambridge Companions To…
- References
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- The Cambridge Companion to Postmodern American Fiction , pp. 163 - 180Publisher: Cambridge University PressPrint publication year: 2017
References
Further Reading
Baetens, Jan, and Frey, Hugo. The Graphic Novel: An Introduction. Cambridge: Cambridge University Press, 2015.Google Scholar
Chute, Hillary. “Graphic Narrative,” in Bray, Joe, Gibbons, Alison, and McHale, Brian, eds., The Routledge Companion to Experimental Literature. New York: Routledge, 2012. 407–419.Google Scholar
Chute, Hillary, and Jagoda, Patrick, eds. Comics & Media. A special issue of Critical Inquiry 40, no. 3 (Spring 2014): 1–284.Google Scholar
Drucker, Johanna. The Visible Word: Experimental Typography and Modern Art, 1909–1923. Chicago: University of Chicago Press, 1994.Google Scholar
Gardner, Jared. Projections: Comics and the History of Twenty-First Century Storytelling. Stanford, CA: Stanford University Press, 2012.Google Scholar
Gardner, Jared, and Herman, David, eds. Graphic Narratives and Narrative Theory. A special issue of SubStance: A Review of Theory and Literary Criticism 40, no. 1, issue 124 (2011): 3–202.Google Scholar
McCloud, Scott. Understanding Comics: The Invisible Art. New York: HarperPerennial, 1994.Google Scholar
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