Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-25wd4 Total loading time: 0 Render date: 2024-04-26T13:51:55.446Z Has data issue: false hasContentIssue false

Guide to Further Reading

Published online by Cambridge University Press:  16 March 2023

Andrew Bennett
Affiliation:
University of Bristol
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

A Pale View of Hills. London: Faber & Faber, 1982.Google Scholar
An Artist of the Floating World. London: Faber & Faber, 1986.Google Scholar
The Remains of the Day. London: Faber & Faber, 1989.Google Scholar
The Unconsoled. London: Faber & Faber, 1995.Google Scholar
When We Were Orphans. London: Faber & Faber, 2000.Google Scholar
Never Let Me Go. London: Faber & Faber, 2005.Google Scholar
Nocturnes: Five Stories of Music and Nightfall. London: Faber & Faber, 2009.Google Scholar
The Buried Giant. London: Faber & Faber, 2015.Google Scholar
Klara and the Sun. London: Faber & Faber, 2021.Google Scholar
‘A Strange and Sometimes Sadness’. Bananas (June 1980). Reprinted in Introduction 7: Stories by New Writers. London: Faber & Faber, 1981. 13–27.Google Scholar
‘Getting Poisoned’. Introduction 7: Stories by New Writers. London: Faber & Faber, 1981. 38–51.Google Scholar
‘Waiting for J’. Introduction 7: Stories by New Writers. London: Faber & Faber, 1981. 28–37.Google Scholar
A Family Supper’. Firebird 2: Writing Today. Ed. Binding, T. J.. Harmondsworth: Penguin, 1983. 121–31.Google ScholarGoogle Scholar
‘Summer after the War’. Granta 7 (1983): 121–37.Google Scholar
‘October, 1948’. Granta 17 (1985): 177–85.Google Scholar
‘The Gourmet’. Granta 43 (1993): 89–127.Google Scholar
‘A Village after Dark’. The New Yorker, 14 May 2001. Online: www.newyorker.com/magazine/2001/05/21/a-village-after-dark.Google Scholar
A Profile of Arthur J. Mason. Unpublished manuscript. Dir. Michael Whyte. First broadcast: Channel 4, 18 October 1984.Google Scholar
‘The Gourmet’. Granta 43 (1993): 89–127. Dir. Michael Whyte. First broadcast: Channel 4, 8 May 1986.Google Scholar
The Saddest Music in the World. Unpublished manuscript. Dir. Guy Maddin. Released in the UK, 25 October 2003.Google Scholar
The White Countess. Unpublished manuscript. Dir. James Ivory. Released 21 December 2005.Google Scholar
‘The Ice Hotel’, ‘I Wish I Could Go Travelling Again’, ‘Breakfast on the Morning Tram’, ‘So Romantic’. Kent, Stacey, Breakfast on the Morning Tram (CD, 2007).Google Scholar
‘Postcard Lovers’. Kent, Stacey, Dreamer in Concert (CD, 2011).Google Scholar
‘The Summer We Crossed Europe in the Rain’, ‘Waiter, Oh Waiter’, ‘The Changing Lights’. Kent, Stacey, The Changing Lights (CD, 2013).Google Scholar
‘Bullet Train’. Kent, Stacey, I Know I Dream (CD, 2017).Google Scholar
‘I Wish I Could Go Travelling Again’, ‘Craigie Burn’, ‘Tango in Macao’. Kent, Stacey, Songs from Other Places (CD, 2021).Google Scholar
Introduction’. In Kawabata, Yasunari, Snow Country and Thousand Cranes. Trans. Seidensticker, Edward G.. London: Penguin, 1986.Google Scholar
Letter to Salman Rushdie’. In The Rushdie Letters: Freedom to Speak, Freedom to Write. Ed. MacDonogh, Steve. London: Brandon, 1993. 7980.Google Scholar
Liner notes to Kent, Stacey’s In Love Again (CD, 2003).Google Scholar
My Twentieth-Century Evening and Other Small Breakthroughs: London: Faber & Faber, 2017.Google Scholar
Liner notes to Chopin: Favourite Piano Works CD, performed by Ashkenazy, Vladimir (CD, 1998).Google Scholar
Shaffer, Brian W. and Wong, Cynthia F.. Eds. Conversations with Kazuo Ishiguro. Jackson: University Press of Mississippi, 2008.Google Scholar
For a summary of drafted but unpublished works in the Ishiguro Archive at the Harry Ransom Center in Austin, Texas, see Vanessa Guignery, ‘The Ishiguro Archive’ (Chapter 6, above), p.93 and nn. 6–13.Google Scholar

Secondary Sources

A Pale View of Hills. London: Faber & Faber, 1982.Google Scholar
An Artist of the Floating World. London: Faber & Faber, 1986.Google Scholar
The Remains of the Day. London: Faber & Faber, 1989.Google Scholar
The Unconsoled. London: Faber & Faber, 1995.Google Scholar
When We Were Orphans. London: Faber & Faber, 2000.Google Scholar
Never Let Me Go. London: Faber & Faber, 2005.Google Scholar
Nocturnes: Five Stories of Music and Nightfall. London: Faber & Faber, 2009.Google Scholar
The Buried Giant. London: Faber & Faber, 2015.Google Scholar
Klara and the Sun. London: Faber & Faber, 2021.Google Scholar
‘A Strange and Sometimes Sadness’. Bananas (June 1980). Reprinted in Introduction 7: Stories by New Writers. London: Faber & Faber, 1981. 13–27.Google Scholar
‘Getting Poisoned’. Introduction 7: Stories by New Writers. London: Faber & Faber, 1981. 38–51.Google Scholar
‘Waiting for J’. Introduction 7: Stories by New Writers. London: Faber & Faber, 1981. 28–37.Google Scholar
A Family Supper’. Firebird 2: Writing Today. Ed. Binding, T. J.. Harmondsworth: Penguin, 1983. 121–31.Google ScholarGoogle Scholar
‘Summer after the War’. Granta 7 (1983): 121–37.Google Scholar
‘October, 1948’. Granta 17 (1985): 177–85.Google Scholar
‘The Gourmet’. Granta 43 (1993): 89–127.Google Scholar
‘A Village after Dark’. The New Yorker, 14 May 2001. Online: www.newyorker.com/magazine/2001/05/21/a-village-after-dark.Google Scholar
A Profile of Arthur J. Mason. Unpublished manuscript. Dir. Michael Whyte. First broadcast: Channel 4, 18 October 1984.Google Scholar
‘The Gourmet’. Granta 43 (1993): 89–127. Dir. Michael Whyte. First broadcast: Channel 4, 8 May 1986.Google Scholar
The Saddest Music in the World. Unpublished manuscript. Dir. Guy Maddin. Released in the UK, 25 October 2003.Google Scholar
The White Countess. Unpublished manuscript. Dir. James Ivory. Released 21 December 2005.Google Scholar
‘The Ice Hotel’, ‘I Wish I Could Go Travelling Again’, ‘Breakfast on the Morning Tram’, ‘So Romantic’. Kent, Stacey, Breakfast on the Morning Tram (CD, 2007).Google Scholar
‘Postcard Lovers’. Kent, Stacey, Dreamer in Concert (CD, 2011).Google Scholar
‘The Summer We Crossed Europe in the Rain’, ‘Waiter, Oh Waiter’, ‘The Changing Lights’. Kent, Stacey, The Changing Lights (CD, 2013).Google Scholar
‘Bullet Train’. Kent, Stacey, I Know I Dream (CD, 2017).Google Scholar
‘I Wish I Could Go Travelling Again’, ‘Craigie Burn’, ‘Tango in Macao’. Kent, Stacey, Songs from Other Places (CD, 2021).Google Scholar
Introduction’. In Kawabata, Yasunari, Snow Country and Thousand Cranes. Trans. Seidensticker, Edward G.. London: Penguin, 1986.Google Scholar
Letter to Salman Rushdie’. In The Rushdie Letters: Freedom to Speak, Freedom to Write. Ed. MacDonogh, Steve. London: Brandon, 1993. 7980.Google Scholar
Liner notes to Kent, Stacey’s In Love Again (CD, 2003).Google Scholar
My Twentieth-Century Evening and Other Small Breakthroughs: London: Faber & Faber, 2017.Google Scholar
Liner notes to Chopin: Favourite Piano Works CD, performed by Ashkenazy, Vladimir (CD, 1998).Google Scholar
Shaffer, Brian W. and Wong, Cynthia F.. Eds. Conversations with Kazuo Ishiguro. Jackson: University Press of Mississippi, 2008.Google Scholar
For a summary of drafted but unpublished works in the Ishiguro Archive at the Harry Ransom Center in Austin, Texas, see Vanessa Guignery, ‘The Ishiguro Archive’ (Chapter 6, above), p.93 and nn. 6–13.Google Scholar
Beedham, Matthew. The Novels of Kazuo Ishiguro. London: Palgrave Macmillan, 2010.Google Scholar
Cheng, Chu-chueh. The Margin without Centre: Kazuo Ishiguro. Oxford: Peter Lang, 2010.Google Scholar
Drag, Wojciech. Revisiting Loss: Memory, Trauma and Nostalgia in the Novels of Kazuo Ishiguro. Newcastle: Cambridge Scholars Press, 2014.Google Scholar
Lewis, Barry. Kazuo Ishiguro. Manchester: Manchester University Press, 2000.Google Scholar
Shaffer, Brian W. Understanding Kazuo Ishiguro. Durham: University of South Carolina Press, 1998.Google Scholar
Sim, Wai-chew. Kazuo Ishiguro. Abingdon: Routledge, 2010.Google Scholar
Sloane, Peter. Kazuo Ishiguro’s Gestural Poetics. London: Bloomsbury, 2021.CrossRefGoogle Scholar
Suter, Rebecca. Two-World Literature: Kazuo Ishiguro’s Early Novels. Honolulu: University of Hawai‘i Press, 2020.Google Scholar
Teo, Yugin. Kazuo Ishiguro and Memory. London: Palgrave Macmillan, 2014.Google Scholar
Wang, Ching-chih. Homeless Strangers in the Novels of Kazuo Ishiguro: Floating Characters in a Floating World. New York: Edwin Mellen, 2008.Google Scholar
Wong, Cynthia F. Kazuo Ishiguro. 2nd ed. Tavistock: Northcote House, 2005.CrossRefGoogle Scholar
Groes, Sebastian and Lewis, Barry, eds. Kazuo Ishiguro: New Critical Visions of the Novels. London: Palgrave Macmillan, 2011.Google Scholar
Holmes, Chris and Kelly, Mee Rich, eds. Special Issue: Ishiguro after the Nobel. MFS: Modern Fiction Studies 67:1 (2021).Google Scholar
Matthews, Sean and Groes, Sebastian, eds. Kazuo Ishiguro: Contemporary Critical Perspectives. London: Continuum, 2009.Google Scholar
Matthews, Sean and Mitrea, Alexandra, eds. Special Issue: Kazuo Ishiguro. American, British and Canadian Studies 31 (2018).Google Scholar
Shaw, Kristian and Sloane, Peter, eds. Kazuo Ishiguro: New Insights. Manchester: Manchester University Press, 2022.Google Scholar
Wong, Cynthia F., Yildiz, Hülya, and Walkowitz, Rebecca L., eds. Kazuo Ishiguro in a Global Context. Burlington, VT: Ashgate, 2015.Google Scholar
Bedggood, Daniel. ‘Kazuo Ishiguro: Alternate Histories’. The Contemporary British Novel since 2000. Ed. Acheson, James. Edinburgh: Edinburgh University Press, 2017. 109–18.Google Scholar
Colombino, Laura. ‘Idealism, Farce and International Heterotopias: Aristocracy in Kazuo Ishiguro’s The Remains of the Day’. The British Aristocracy in Popular Culture: Essays on 200 Years of Representations. Eds. Michelucci, Stefania, Duncan, Ian, and Villa, Luisa. Jefferson, NC: McFarland, 2020. 185–99.Google Scholar
Holmes, Frederick M.Realism, Dreams and the Unconscious in the Novels of Kazuo Ishiguro’. The Contemporary British Novel. Eds. Acheson, James and Ross, Sarah. Edinburgh: Edinburgh University Press, 2005. 1122.Google Scholar
Horton, Emily. ‘Shifting Perspectives and Alternate Landscapes: Culture and Cultural Politics in the Fiction of Kazuo Ishiguro’. Contemporary Crisis Fictions: Affect and Ethics in the Modern British Novel. Basingstoke: Palgrave Macmillan, 2014. 159216.CrossRefGoogle Scholar
James, David. ‘Apprehensive Alleviation’. Discrepant Solace: Contemporary Literature and the Work of Consolation. Oxford: Oxford University Press, 2019. 175–92.Google Scholar
Ostrovskaya, Maria. ‘Reframing the Nonhuman: Grievability and the Value of Life in Kazuo Ishiguro’s Never Let Me Go’. Nonhuman Agencies in the Twenty-First-Century Anglophone Novel. Eds. Liebermann, Yvonne, Rahn, Judith, and Burger, Bettina. London: Palgrave Macmillan, 2021. 129–45.Google Scholar
Rushdie, Salman. ‘Kazuo Ishiguro’. Imaginary Homelands: Essays and Criticism, 1981–1991. London: Viking, 1991. 244–6.Google Scholar
Sim, Wai-chew. ‘Aesthetic Innovation and Radical Nostalgia in Kazuo Ishiguro’s When We Were Orphans’. British Asian Fiction: Framing the Contemporary. Eds. Murphy, Neil and Sim, Wai-chew. Amherst, NY: Cambria Press, 2008. 329–49.Google Scholar
Adelman, Gary. ‘Doubles on the Rocks: Ishiguro’s The Unconsoled’. Critique: Studies in Contemporary Fiction 42:2 (2001): 166–79.Google Scholar
Bain, Alexander M.International Settlements: Ishiguro, Shanghai, Humanitarianism’. Novel: A Forum on Fiction 40:3 (2007): 240–64.Google Scholar
Battersby, Doug. ‘Reading Ishiguro Today: Suspicion and Form’. Modern Fiction Studies 67:1 (2021): 6788.Google Scholar
Black, Shameem. ‘Ishiguro’s Inhuman Aesthetics’. Modern Fiction Studies 55:4 (2009): 785807.CrossRefGoogle Scholar
Cheng, Chu-chueh. ‘Cosmopolitan Alterity: America as the Mutual Alien of Britain and Japan in Kazuo Ishiguro’s Novels’. The Journal of Commonwealth Literature 45:2 (2010): 227–44.Google Scholar
Christou, Maria. ‘Kazuo Ishiguro’s Nonactors’. Novel: A Forum on Fiction 53:3 (2020): 360–82.Google Scholar
Dean, Dominic. ‘Violent Authenticity: The Politics of Objects and Images in Ishiguro’. Textual Practice 35:1 (2021): 129–51.Google Scholar
Eatough, Matthew. ‘The Time That Remains: Organ Donation, Temporal Duration, and Bildung in Kazuo Ishiguro’s Never Let Me Go’. Literature and Medicine 29:1 (2011): 132–60.Google Scholar
Eatough, Matthew. ‘“Are They Going to Say This Is Fantasy?”: Kazuo Ishiguro, Untimely Genres, and the Making of Literary Prestige’. Modern Fiction Studies 67:1 (2021): 4066.Google Scholar
Fairbanks, A. Harris. ‘Ontology and Narrative Technique in Kazuo Ishiguro’s The Unconsoled’. Studies in the Novel 45:4 (2013): 603–19.Google Scholar
Furst, Lilian R.Memory’s Fragile Power in Kazuo Ishiguro’s Remains of the Day and W. G. Sebald’s Max Ferber’. Contemporary Literature 48:4 (2007): 530–53.Google Scholar
Garland-Thomson, Rosemarie. ‘Eugenic World Building and Disability: The Strange World of Kazuo Ishiguro’s Never Let Me Go’. Journal of Medical Humanities 38:2 (2017): 133–45.Google Scholar
Garrido Castellano, Carlos. ‘Ryder Meets Bourriaud: Kazuo Ishiguro’s The Unconsoled and the Contradictions of “Creative Capitalism”’. Critique: Studies in Contemporary Fiction 61:2 (2020): 236–47.Google Scholar
Gehlawat, Monika. ‘Myth and Mimetic Failure in The Remains of the Day’. Contemporary Literature 54:3 (2013): 491519.CrossRefGoogle Scholar
Gill, Josie. ‘Written on the Face: Race and Expression in Kazuo Ishiguro’s Never Let Me Go’. Modern Fiction Studies 60:4 (2014): 844–62.Google Scholar
Griffin, Gabriele. ‘Science and the Cultural Imaginary: The Case of Kazuo Ishiguro’s Never Let Me Go’. Textual Practice 23:4 (2009): 645–63.Google Scholar
Guth, Deborah. ‘Submerged Narratives in Kazuo Ishiguro’s The Remains of the Day’. Forum for Modern Language Studies 35:2 (1999): 126–37.Google Scholar
Holmes, Chris. ‘Ishiguro at the Limit: The Corporation and the Novel’. Novel: A Forum on Fiction 52:3 (2019): 386405.Google Scholar
Howard, Ben. ‘A Civil Tongue: The Voice of Kazuo Ishiguro’. Sewanee Review 109:3 (2001): 398417.Google Scholar
Hu, Jane. ‘Typical Japanese: Kazuo Ishiguro and the Asian Anglophone Historical Novel’. Modern Fiction Studies 67:1 (2021): 123–48.Google Scholar
Johansen, Emily. ‘Bureaucracy and Narrative Possibilities in Kazuo Ishiguro’s Never Let Me Go’. Journal of Commonwealth Literature 51:3 (2016): 416–31.Google Scholar
Kanyusik, Will. ‘Eugenic Nostalgia: Self-Narration and Internalized Ableism in Kazuo Ishiguro’s Never Let Me Go’. Journal of Literary and Cultural Disability Studies 14:4 (2020): 437–52.Google Scholar
Lang, James M.Public Memory, Private History: Kazuo Ishiguro’s The Remains of the Day’. CLIO 29:2 (2000): 143–65.Google Scholar
Lee, Ji Eun. ‘Norfolk and the Sense of Loss: The Bildungsroman and Colonial Subjectivity in Kazuo Ishiguro’s Never Let Me Go’. Texas Studies in Literature and Language 61:3 (2019): 270–90.Google Scholar
Lessinger, Enora. ‘Genesis of a Self-Translation: Inside the Archive of Kazuo Ishiguro’s A Pale View of Hills’. Palimpsestes: Revue de Traduction 34 (2020): 84100.Google Scholar
McCombe, John P.The End of (Anthony) Eden: Ishiguro’s The Remains of the Day and Midcentury Anglo-American Tensions’. Twentieth Century Literature 48:1 (2002): 7799.Google Scholar
McDonald, Keith. ‘Days of Past Futures: Kazuo Ishiguro’s Never Let Me Go as “Speculative Memoir”’. Biography 30:1 (2007): 7483.Google Scholar
Mazullo, Mark. ‘Alone: Kazuo Ishiguro and the Problem of Musical Empathy’. Yale Review 100:2 (2012): 7898.Google Scholar
Mead, Matthew. ‘Caressing the Wound: Modalities of Trauma in Kazuo Ishiguro’s The Unconsoled’. Textual Practice 28:3 (2014): 501–20.CrossRefGoogle Scholar
Mickalites, Carey, ‘Kazuo Ishiguro and the Remains of Empire’. Critique: Studies in Contemporary Fiction 60:1 (2019): 111–24.Google Scholar
Molino, Michael R.Traumatic Memory and Narrative Isolation in Ishiguro’s A Pale View of Hills’. Critique: Studies in Contemporary Fiction 53:4 (2012): 322–36.Google Scholar
Ng, Lynda. ‘Fixing to Die: Kazuo Ishiguro’s Reinvention of the Bildungsroman’. Textual Practice 34:12 (2020): 2167–83.CrossRefGoogle Scholar
O’Brien, Susie. ‘Serving a New World Order: Postcolonial Politics in Kazuo Ishiguro’s The Remains of the Day’. Modern Fiction Studies 42:4 (1996): 787806.Google Scholar
Parkes, Adam. ‘Ishiguro’s “Rubbish”: Style and Sympathy in Never Let Me Go’. Modern Fiction Studies 67:1 (2021): 171204.Google Scholar
Quarrie, Cynthia. ‘Impossible Inheritance: Filiation and Patrimony in Kazuo Ishiguro’s The Unconsoled’. Critique: Studies in Contemporary Fiction 55:2 (2014): 138–51.Google Scholar
Query, Patrick R.Never Let Me Go and the Horizons of the Novel’. Critique: Studies in Contemporary Fiction 56:2 (2015): 155–72.Google Scholar
Rajiva, Jay. ‘Never Let Me Finish: Ishiguro’s Interruptions’. Studies in the Novel 52:1 (2020): 7593.Google Scholar
Reitano, Natalie. ‘The Good Wound: Memory and Community in The Unconsoled’. Texas Studies in Literature and Language 49:4 (2007): 361–86.Google Scholar
Robbins, Bruce. ‘Very Busy Just Now: Globalization and Harriedness in Ishiguro’s The Unconsoled’. Comparative Literature 53:4 (2001): 426–41.CrossRefGoogle Scholar
Robbins, Bruce. ‘Cruelty Is Bad: Banality and Proximity in Never Let Me Go’. Novel: A Forum on Fiction 40:3 (2007): 289302.Google Scholar
Robinson, Richard. ‘Nowhere, in Particular: Kazuo Ishiguro’s The Unconsoled and Central Europe’. Critical Quarterly 48:4 (2006): 107–30.Google Scholar
Russell, Richard Rankin. ‘Monsters of Anti-Semitism in Ishiguro’s Rural English Landscape: Re-reading The Remains of the Day as Ethical Fantasy Novel’. Critique: Studies in Contemporary Fiction 61:4 (2020): 440–52.Google Scholar
Sloane, Peter. ‘Literatures of Resistance under US “Cultural Siege”: Kazuo Ishiguro’s Narratives of Occupation’. Critique: Studies in Contemporary Fiction 59:2 (2018): 154–67.Google Scholar
Stacy, Ivan. ‘Looking Out into the Fog: Narrative, Historical Responsibility, and the Problem of Freedom in Kazuo Ishiguro’s The Buried Giant’. Textual Practice 35:1 (2021): 109–28.Google Scholar
Tamaya, Meera. ‘Ishiguro’s Remains of the Day: The Empire Strikes Back’. Modern Language Studies 22:2 (1992): 4556.Google Scholar
Tan, Jerrine. ‘Screening Japan: Kazuo Ishiguro’s Early Japan Novels and the Way We Read World Literature’. Modern Fiction Studies 67:1 (2021): 89122.Google Scholar
Tsao, Tiffany. ‘The Tyranny of Purpose: Religion and Biotechnology in Ishiguro’s Never Let Me Go’. Literature and Theology 26:2 (2012): 214–32.Google Scholar
Vernon, Matthew and Miller, Margaret A.. ‘Navigating Wonder: The Medieval Geographies of Kazuo Ishiguro’s The Buried Giant’. Arthuriana 28:4 (2018): 6889.Google Scholar
Walkowitz, Rebecca. ‘Ishiguro’s Floating Worlds’. ELH 68:4 (2001): 1049–76.Google Scholar
Walkowitz, Rebecca. ‘Unimaginable Largeness: Kazuo Ishiguro, Translation, and the New World Literature’. Novel: A Forum on Fiction 40:3 (2007): 216–39.Google Scholar
Watson, George. ‘The Silence of the Servants’. Sewanee Review 103:3 (1995): 480–6.Google Scholar
Westerman, Molly. ‘Is the Butler Home? Narrative and the Split Subject in The Remains of the Day’. Mosaic 37:3 (2004): 157–70.Google Scholar
Weston, Elizabeth. ‘Commitment Rooted in Loss: Kazuo Ishiguro’s When We Were Orphans’. Critique: Studies in Contemporary Fiction 53:4 (2012): 337–54.Google Scholar
Whitehead, Anne. ‘Writing with Care: Kazuo Ishiguro’s Never Let Me Go’. Contemporary Literature 52:1 (2011): 5483.Google Scholar
Whitehead, Anne. ‘Kazuo Ishiguro’s Nocturnes: Between Archive and Repertoire’. Modern Fiction Studies 67:1 (2021): 2039.Google Scholar
Wright, Timothy. ‘No Homelike Place: The Lesson of History in Kazuo Ishiguro’s An Artist of the Floating World’. Contemporary Literature 55:1 (2014): 5888.Google Scholar
Yiping, Wang. ‘Ethnic War and the Collective Memory in Kazuo Ishiguro’s The Buried Giant’. English Studies 102:2 (2021): 227–42.Google Scholar
Beedham, Matthew. The Novels of Kazuo Ishiguro. London: Palgrave Macmillan, 2010.Google Scholar
Cheng, Chu-chueh. The Margin without Centre: Kazuo Ishiguro. Oxford: Peter Lang, 2010.Google Scholar
Drag, Wojciech. Revisiting Loss: Memory, Trauma and Nostalgia in the Novels of Kazuo Ishiguro. Newcastle: Cambridge Scholars Press, 2014.Google Scholar
Lewis, Barry. Kazuo Ishiguro. Manchester: Manchester University Press, 2000.Google Scholar
Shaffer, Brian W. Understanding Kazuo Ishiguro. Durham: University of South Carolina Press, 1998.Google Scholar
Sim, Wai-chew. Kazuo Ishiguro. Abingdon: Routledge, 2010.Google Scholar
Sloane, Peter. Kazuo Ishiguro’s Gestural Poetics. London: Bloomsbury, 2021.CrossRefGoogle Scholar
Suter, Rebecca. Two-World Literature: Kazuo Ishiguro’s Early Novels. Honolulu: University of Hawai‘i Press, 2020.Google Scholar
Teo, Yugin. Kazuo Ishiguro and Memory. London: Palgrave Macmillan, 2014.Google Scholar
Wang, Ching-chih. Homeless Strangers in the Novels of Kazuo Ishiguro: Floating Characters in a Floating World. New York: Edwin Mellen, 2008.Google Scholar
Wong, Cynthia F. Kazuo Ishiguro. 2nd ed. Tavistock: Northcote House, 2005.CrossRefGoogle Scholar
Groes, Sebastian and Lewis, Barry, eds. Kazuo Ishiguro: New Critical Visions of the Novels. London: Palgrave Macmillan, 2011.Google Scholar
Holmes, Chris and Kelly, Mee Rich, eds. Special Issue: Ishiguro after the Nobel. MFS: Modern Fiction Studies 67:1 (2021).Google Scholar
Matthews, Sean and Groes, Sebastian, eds. Kazuo Ishiguro: Contemporary Critical Perspectives. London: Continuum, 2009.Google Scholar
Matthews, Sean and Mitrea, Alexandra, eds. Special Issue: Kazuo Ishiguro. American, British and Canadian Studies 31 (2018).Google Scholar
Shaw, Kristian and Sloane, Peter, eds. Kazuo Ishiguro: New Insights. Manchester: Manchester University Press, 2022.Google Scholar
Wong, Cynthia F., Yildiz, Hülya, and Walkowitz, Rebecca L., eds. Kazuo Ishiguro in a Global Context. Burlington, VT: Ashgate, 2015.Google Scholar
Bedggood, Daniel. ‘Kazuo Ishiguro: Alternate Histories’. The Contemporary British Novel since 2000. Ed. Acheson, James. Edinburgh: Edinburgh University Press, 2017. 109–18.Google Scholar
Colombino, Laura. ‘Idealism, Farce and International Heterotopias: Aristocracy in Kazuo Ishiguro’s The Remains of the Day’. The British Aristocracy in Popular Culture: Essays on 200 Years of Representations. Eds. Michelucci, Stefania, Duncan, Ian, and Villa, Luisa. Jefferson, NC: McFarland, 2020. 185–99.Google Scholar
Holmes, Frederick M.Realism, Dreams and the Unconscious in the Novels of Kazuo Ishiguro’. The Contemporary British Novel. Eds. Acheson, James and Ross, Sarah. Edinburgh: Edinburgh University Press, 2005. 1122.Google Scholar
Horton, Emily. ‘Shifting Perspectives and Alternate Landscapes: Culture and Cultural Politics in the Fiction of Kazuo Ishiguro’. Contemporary Crisis Fictions: Affect and Ethics in the Modern British Novel. Basingstoke: Palgrave Macmillan, 2014. 159216.CrossRefGoogle Scholar
James, David. ‘Apprehensive Alleviation’. Discrepant Solace: Contemporary Literature and the Work of Consolation. Oxford: Oxford University Press, 2019. 175–92.Google Scholar
Ostrovskaya, Maria. ‘Reframing the Nonhuman: Grievability and the Value of Life in Kazuo Ishiguro’s Never Let Me Go’. Nonhuman Agencies in the Twenty-First-Century Anglophone Novel. Eds. Liebermann, Yvonne, Rahn, Judith, and Burger, Bettina. London: Palgrave Macmillan, 2021. 129–45.Google Scholar
Rushdie, Salman. ‘Kazuo Ishiguro’. Imaginary Homelands: Essays and Criticism, 1981–1991. London: Viking, 1991. 244–6.Google Scholar
Sim, Wai-chew. ‘Aesthetic Innovation and Radical Nostalgia in Kazuo Ishiguro’s When We Were Orphans’. British Asian Fiction: Framing the Contemporary. Eds. Murphy, Neil and Sim, Wai-chew. Amherst, NY: Cambria Press, 2008. 329–49.Google Scholar
Adelman, Gary. ‘Doubles on the Rocks: Ishiguro’s The Unconsoled’. Critique: Studies in Contemporary Fiction 42:2 (2001): 166–79.Google Scholar
Bain, Alexander M.International Settlements: Ishiguro, Shanghai, Humanitarianism’. Novel: A Forum on Fiction 40:3 (2007): 240–64.Google Scholar
Battersby, Doug. ‘Reading Ishiguro Today: Suspicion and Form’. Modern Fiction Studies 67:1 (2021): 6788.Google Scholar
Black, Shameem. ‘Ishiguro’s Inhuman Aesthetics’. Modern Fiction Studies 55:4 (2009): 785807.CrossRefGoogle Scholar
Cheng, Chu-chueh. ‘Cosmopolitan Alterity: America as the Mutual Alien of Britain and Japan in Kazuo Ishiguro’s Novels’. The Journal of Commonwealth Literature 45:2 (2010): 227–44.Google Scholar
Christou, Maria. ‘Kazuo Ishiguro’s Nonactors’. Novel: A Forum on Fiction 53:3 (2020): 360–82.Google Scholar
Dean, Dominic. ‘Violent Authenticity: The Politics of Objects and Images in Ishiguro’. Textual Practice 35:1 (2021): 129–51.Google Scholar
Eatough, Matthew. ‘The Time That Remains: Organ Donation, Temporal Duration, and Bildung in Kazuo Ishiguro’s Never Let Me Go’. Literature and Medicine 29:1 (2011): 132–60.Google Scholar
Eatough, Matthew. ‘“Are They Going to Say This Is Fantasy?”: Kazuo Ishiguro, Untimely Genres, and the Making of Literary Prestige’. Modern Fiction Studies 67:1 (2021): 4066.Google Scholar
Fairbanks, A. Harris. ‘Ontology and Narrative Technique in Kazuo Ishiguro’s The Unconsoled’. Studies in the Novel 45:4 (2013): 603–19.Google Scholar
Furst, Lilian R.Memory’s Fragile Power in Kazuo Ishiguro’s Remains of the Day and W. G. Sebald’s Max Ferber’. Contemporary Literature 48:4 (2007): 530–53.Google Scholar
Garland-Thomson, Rosemarie. ‘Eugenic World Building and Disability: The Strange World of Kazuo Ishiguro’s Never Let Me Go’. Journal of Medical Humanities 38:2 (2017): 133–45.Google Scholar
Garrido Castellano, Carlos. ‘Ryder Meets Bourriaud: Kazuo Ishiguro’s The Unconsoled and the Contradictions of “Creative Capitalism”’. Critique: Studies in Contemporary Fiction 61:2 (2020): 236–47.Google Scholar
Gehlawat, Monika. ‘Myth and Mimetic Failure in The Remains of the Day’. Contemporary Literature 54:3 (2013): 491519.CrossRefGoogle Scholar
Gill, Josie. ‘Written on the Face: Race and Expression in Kazuo Ishiguro’s Never Let Me Go’. Modern Fiction Studies 60:4 (2014): 844–62.Google Scholar
Griffin, Gabriele. ‘Science and the Cultural Imaginary: The Case of Kazuo Ishiguro’s Never Let Me Go’. Textual Practice 23:4 (2009): 645–63.Google Scholar
Guth, Deborah. ‘Submerged Narratives in Kazuo Ishiguro’s The Remains of the Day’. Forum for Modern Language Studies 35:2 (1999): 126–37.Google Scholar
Holmes, Chris. ‘Ishiguro at the Limit: The Corporation and the Novel’. Novel: A Forum on Fiction 52:3 (2019): 386405.Google Scholar
Howard, Ben. ‘A Civil Tongue: The Voice of Kazuo Ishiguro’. Sewanee Review 109:3 (2001): 398417.Google Scholar
Hu, Jane. ‘Typical Japanese: Kazuo Ishiguro and the Asian Anglophone Historical Novel’. Modern Fiction Studies 67:1 (2021): 123–48.Google Scholar
Johansen, Emily. ‘Bureaucracy and Narrative Possibilities in Kazuo Ishiguro’s Never Let Me Go’. Journal of Commonwealth Literature 51:3 (2016): 416–31.Google Scholar
Kanyusik, Will. ‘Eugenic Nostalgia: Self-Narration and Internalized Ableism in Kazuo Ishiguro’s Never Let Me Go’. Journal of Literary and Cultural Disability Studies 14:4 (2020): 437–52.Google Scholar
Lang, James M.Public Memory, Private History: Kazuo Ishiguro’s The Remains of the Day’. CLIO 29:2 (2000): 143–65.Google Scholar
Lee, Ji Eun. ‘Norfolk and the Sense of Loss: The Bildungsroman and Colonial Subjectivity in Kazuo Ishiguro’s Never Let Me Go’. Texas Studies in Literature and Language 61:3 (2019): 270–90.Google Scholar
Lessinger, Enora. ‘Genesis of a Self-Translation: Inside the Archive of Kazuo Ishiguro’s A Pale View of Hills’. Palimpsestes: Revue de Traduction 34 (2020): 84100.Google Scholar
McCombe, John P.The End of (Anthony) Eden: Ishiguro’s The Remains of the Day and Midcentury Anglo-American Tensions’. Twentieth Century Literature 48:1 (2002): 7799.Google Scholar
McDonald, Keith. ‘Days of Past Futures: Kazuo Ishiguro’s Never Let Me Go as “Speculative Memoir”’. Biography 30:1 (2007): 7483.Google Scholar
Mazullo, Mark. ‘Alone: Kazuo Ishiguro and the Problem of Musical Empathy’. Yale Review 100:2 (2012): 7898.Google Scholar
Mead, Matthew. ‘Caressing the Wound: Modalities of Trauma in Kazuo Ishiguro’s The Unconsoled’. Textual Practice 28:3 (2014): 501–20.CrossRefGoogle Scholar
Mickalites, Carey, ‘Kazuo Ishiguro and the Remains of Empire’. Critique: Studies in Contemporary Fiction 60:1 (2019): 111–24.Google Scholar
Molino, Michael R.Traumatic Memory and Narrative Isolation in Ishiguro’s A Pale View of Hills’. Critique: Studies in Contemporary Fiction 53:4 (2012): 322–36.Google Scholar
Ng, Lynda. ‘Fixing to Die: Kazuo Ishiguro’s Reinvention of the Bildungsroman’. Textual Practice 34:12 (2020): 2167–83.CrossRefGoogle Scholar
O’Brien, Susie. ‘Serving a New World Order: Postcolonial Politics in Kazuo Ishiguro’s The Remains of the Day’. Modern Fiction Studies 42:4 (1996): 787806.Google Scholar
Parkes, Adam. ‘Ishiguro’s “Rubbish”: Style and Sympathy in Never Let Me Go’. Modern Fiction Studies 67:1 (2021): 171204.Google Scholar
Quarrie, Cynthia. ‘Impossible Inheritance: Filiation and Patrimony in Kazuo Ishiguro’s The Unconsoled’. Critique: Studies in Contemporary Fiction 55:2 (2014): 138–51.Google Scholar
Query, Patrick R.Never Let Me Go and the Horizons of the Novel’. Critique: Studies in Contemporary Fiction 56:2 (2015): 155–72.Google Scholar
Rajiva, Jay. ‘Never Let Me Finish: Ishiguro’s Interruptions’. Studies in the Novel 52:1 (2020): 7593.Google Scholar
Reitano, Natalie. ‘The Good Wound: Memory and Community in The Unconsoled’. Texas Studies in Literature and Language 49:4 (2007): 361–86.Google Scholar
Robbins, Bruce. ‘Very Busy Just Now: Globalization and Harriedness in Ishiguro’s The Unconsoled’. Comparative Literature 53:4 (2001): 426–41.CrossRefGoogle Scholar
Robbins, Bruce. ‘Cruelty Is Bad: Banality and Proximity in Never Let Me Go’. Novel: A Forum on Fiction 40:3 (2007): 289302.Google Scholar
Robinson, Richard. ‘Nowhere, in Particular: Kazuo Ishiguro’s The Unconsoled and Central Europe’. Critical Quarterly 48:4 (2006): 107–30.Google Scholar
Russell, Richard Rankin. ‘Monsters of Anti-Semitism in Ishiguro’s Rural English Landscape: Re-reading The Remains of the Day as Ethical Fantasy Novel’. Critique: Studies in Contemporary Fiction 61:4 (2020): 440–52.Google Scholar
Sloane, Peter. ‘Literatures of Resistance under US “Cultural Siege”: Kazuo Ishiguro’s Narratives of Occupation’. Critique: Studies in Contemporary Fiction 59:2 (2018): 154–67.Google Scholar
Stacy, Ivan. ‘Looking Out into the Fog: Narrative, Historical Responsibility, and the Problem of Freedom in Kazuo Ishiguro’s The Buried Giant’. Textual Practice 35:1 (2021): 109–28.Google Scholar
Tamaya, Meera. ‘Ishiguro’s Remains of the Day: The Empire Strikes Back’. Modern Language Studies 22:2 (1992): 4556.Google Scholar
Tan, Jerrine. ‘Screening Japan: Kazuo Ishiguro’s Early Japan Novels and the Way We Read World Literature’. Modern Fiction Studies 67:1 (2021): 89122.Google Scholar
Tsao, Tiffany. ‘The Tyranny of Purpose: Religion and Biotechnology in Ishiguro’s Never Let Me Go’. Literature and Theology 26:2 (2012): 214–32.Google Scholar
Vernon, Matthew and Miller, Margaret A.. ‘Navigating Wonder: The Medieval Geographies of Kazuo Ishiguro’s The Buried Giant’. Arthuriana 28:4 (2018): 6889.Google Scholar
Walkowitz, Rebecca. ‘Ishiguro’s Floating Worlds’. ELH 68:4 (2001): 1049–76.Google Scholar
Walkowitz, Rebecca. ‘Unimaginable Largeness: Kazuo Ishiguro, Translation, and the New World Literature’. Novel: A Forum on Fiction 40:3 (2007): 216–39.Google Scholar
Watson, George. ‘The Silence of the Servants’. Sewanee Review 103:3 (1995): 480–6.Google Scholar
Westerman, Molly. ‘Is the Butler Home? Narrative and the Split Subject in The Remains of the Day’. Mosaic 37:3 (2004): 157–70.Google Scholar
Weston, Elizabeth. ‘Commitment Rooted in Loss: Kazuo Ishiguro’s When We Were Orphans’. Critique: Studies in Contemporary Fiction 53:4 (2012): 337–54.Google Scholar
Whitehead, Anne. ‘Writing with Care: Kazuo Ishiguro’s Never Let Me Go’. Contemporary Literature 52:1 (2011): 5483.Google Scholar
Whitehead, Anne. ‘Kazuo Ishiguro’s Nocturnes: Between Archive and Repertoire’. Modern Fiction Studies 67:1 (2021): 2039.Google Scholar
Wright, Timothy. ‘No Homelike Place: The Lesson of History in Kazuo Ishiguro’s An Artist of the Floating World’. Contemporary Literature 55:1 (2014): 5888.Google Scholar
Yiping, Wang. ‘Ethnic War and the Collective Memory in Kazuo Ishiguro’s The Buried Giant’. English Studies 102:2 (2021): 227–42.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Guide to Further Reading
  • Edited by Andrew Bennett, University of Bristol
  • Book: The Cambridge Companion to Kazuo Ishiguro
  • Online publication: 16 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781108909525.022
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Guide to Further Reading
  • Edited by Andrew Bennett, University of Bristol
  • Book: The Cambridge Companion to Kazuo Ishiguro
  • Online publication: 16 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781108909525.022
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Guide to Further Reading
  • Edited by Andrew Bennett, University of Bristol
  • Book: The Cambridge Companion to Kazuo Ishiguro
  • Online publication: 16 March 2023
  • Chapter DOI: https://doi.org/10.1017/9781108909525.022
Available formats
×