Beyond How it is Samuel Beckett's prose fiction is marked by a series of techniques or strategies brought to bear upon the work in order to perpetuate it. That is, the processes of self-reduction which are formally evident in the late prose texts become the very subject of the texts themselves. This reductionist tendency is not, however, simply a condensing of stylistic detail, but may be observed within the motivation of the prose's content. The late prose texts become increasingly interconnected and self-referential. One text literally generates another. A text may 'defeat' another, in the manner of Enough's opening exhortation, '[a]ll that goes before forget' (GSP, 139), or the torn sheet of writing in As the story was told (AST, 196). Conversely (but amounting to much the same thing) the text may compulsively repeat what has already been written. One might suggest, for example, that Imagination dead imagine evolved, or devolved, from All strange away. Resorting to manuscript materials may support this, but the evidence lies embedded within the texts themselves. The latter text even opens with the title of the former. Again, it is important to emphasize that this is not simply a stylistic resonance, but a re-negotiation of something altogether more solid. It is as if the written has become three dimensional, and must be assimilated from all sides. A return to the text, therefore, will always be a complex repetition, taken at tangents to the original narrative.