Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-g7rbq Total loading time: 0 Render date: 2024-07-26T22:29:24.979Z Has data issue: false hasContentIssue false

5 - Rhetoric, aesthetics, and the voice

from Part II - The field of language

Published online by Cambridge University Press:  28 January 2010

Erik Gunderson
Affiliation:
University of Toronto
Get access

Summary

The voice is speaking, but the speaker is reading.

(Susan Stewart)

The history of rhetoric in three easy lessons

In the eighth book of his Lives of the Philosophers, Diogenes Laertius relates an anecdote about Pythagoras in the light of which Pythagoras seems to have perfected if not the art of rhetoric, then at least its essence. The account is of a most unusual rite of passage. According to Diogenes, and the story is repeated by Iamblichus in his own Life of Pythagoras, Pythagoras used to lecture for long periods to his pupils, whether hidden behind a curtain or lecturing only at night in utter darkness (Diogenes Laertius 8.15; Iamblicus, Life of Pythagoras 72). “For five years [his disciples] would keep silent, merely listening to his speeches without seeing him, until they passed a test. From that point on they were allowed into his house and were able to see him” (Diogenes Laertius 8.10). How many speakers in antiquity (or at any time) could hold an audience captive like this for an evening, let alone for five years? To be sure, Pythagoras was not an orator and his lectures were not oratory. But he grasped a fact about rhetoric that would define it for centuries to come: rhetoric was the art of managing the voice.

Nevertheless, it was not Pythagoras but rather two figures from epic, Nestor and Odysseus, who would come to embody the spirit of rhetoric in the ancient imaginary, albeit in two distinct ways. Nestor, the elder statesman of the Homeric Greeks, was endowed with a mellifluous tongue and the gift of gab: he was the embodiment of persuasion. His sagacity was announced by his solemnity, his gait, and his age. Once he opened his lips, this physical impression was confirmed. Odysseus, by contrast, was the master of deception, though you would never guess this from the way he looked. Outwardly unheroic, small in stature, even ungainly, he also seemed idiotic and incapable of speech.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×