Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-wzw2p Total loading time: 0 Render date: 2024-05-11T14:37:35.853Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  21 December 2019

Bridget Orr
Affiliation:
Vanderbilt University, Tennessee
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
British Enlightenment Theatre
Dramatizing Difference
, pp. 253 - 274
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Addison, Joseph. Addisoniana. London: R. Phillips, 1803.Google Scholar
Annual Register and History of Literature 4 (January 1805).Google Scholar
Bond, Donald (ed.). The Spectator. 5 vols. Oxford: Clarendon, 1965.Google Scholar
Henderson, Nicholas. Prince Eugen of Savoy. London: Phoenix, 2002.Google Scholar
Jeffrey, Francis (ed.). The Edinburgh Review. 8.15 (April 1806): 148–154.Google Scholar
La Belle Assemble: Or, Court and Fashionable Magazine. 1.10 (December 1806).Google Scholar
Nichols, J. (ed.). Literary and Miscellaneous Memoirs, vol. 1. London: Printed for the Author, 1828.Google Scholar
Songhurst, W. J. (ed.). ‘Quatuor Coronatorum Antigrapha: Masonic Reprints of the Quatuor Coronati Lodge No. 2076, London’, vol. 10. In The Minutes of the Grand Lodge of Free-Masons of England, 1723–1739. Margate: printed by W. J. Parrott, 1913.Google Scholar
‘An Account of Alzuma, a New Tragedy, Now Acting at Covent-Garden Theatre’. Universal Magazine of Knowledge and Pleasure June 1747–Dec. 1803 52.361 (March 1773): 89.Google Scholar
Addison, Joseph. The Drummer; or, The Haunted House. A Comedy. London: Jacob Tonson, 1715.Google Scholar
Addison, Joseph. The Works of Joseph Addison with Notes by Richard Hurd. 6 vols. Ed. Bohn, Henry G.. London: George Bell & Sons, 1901.Google Scholar
Algarotti, Francisco. ‘An Essay on the Empire of the Incas’. In Letters from Count Algarotti to Lord Hervey and the Marquis Scipio Maffei. Glasgow: Robert Ure, 1770.Google Scholar
Alzuma, a Tragedy as Performed at the Theatre Royal in Covent-Garden’. Monthly Review; or Literary Journal, 1752–1825 48 (March 1773): 212215.Google Scholar
Anderson, Robert. The Life of Samuel Johnson, LLD, with Critical Observations on His Works. Edinburgh: J. & A. Arch, 1795.Google Scholar
Baker, Thomas. Tunbridge Walks; or, The Yeoman of Kent. London: Bernard Lintott, 1703.Google Scholar
Banks, John. History of Francis-Eugene, Prince of Savoy … Containing … Military Transactions … London: John Banks, 1741.Google Scholar
Banks, John. Preface to a New Play called Anna Bullen. London: Allan Banks, 1682.Google Scholar
Bedford, Arthur. The Evil and Danger of Stage Plays, Showing Their Natural Tendency to Destroy Religion, and Introduce a General Corruption of Manners. Bristol: W. Bonny, 1706.Google Scholar
Bickerstaffe, Isaac. Love in a Village. A Comic Opera. London: W. Griffin, 1763.Google Scholar
Brooke, Henry. Poems and Plays by Henry Brooke, Esq., with the Life of the Author. 4 vols. London: John Sewell, 1790.Google Scholar
Brooke, Henry. The Tryal of the Roman Catholics of Ireland. 2nd ed. London: T. Davies, 1764.Google Scholar
Brown, John. Barbarossa. A Tragedy. London: J. and R. Tonson, 1755.Google Scholar
Brown, John. The History of the Rise and Progress of Poetry through Its Several Species. Newcastle: J. White and T. Saint for L. Davis and C. Reymers, 1764.Google Scholar
Brown, John. The Mutual Connexion between Religious Truth and Civil Freedom; Between Superstition, Tyranny, Irreligion, and Licentiousness: Considered in Two Sermons. London: R. Dodsley, 1746.Google Scholar
Burgoyne, John. The Lord of the Manor. A Comic Opera. Dublin: H. Chamberlaine, 1781.Google Scholar
de Charlevoix, Pierre F. X. Histoire et Description Generale de la Nouvelle-France. Paris, 1744.Google Scholar
Chetwood, William Rufus. A General History of the Stage from Its Origin in Greece Down to the Present Time. London: W. Owen, 1749.Google Scholar
Chetwood, William Rufus. The Generous Freemason: or, The Constant Lady. With the Humours of Squire Noodle and His Man Doodle. London: J. Roberts, 1731.Google Scholar
Churchill, Charles. The Rosciad. 6th ed. London, 1766.Google Scholar
Cibber, Colley. An Apology for the Life of Colley Cibber with an Historical View of the Stage during His Own Time Written by Himself. 1740. Ed. Fone, B. R. S.. Ann Arbor: University of Michigan Press, 1968.Google Scholar
Cibber, Colley. ‘The Prologue’. In The Tragedy of Zara. London: J. Watts, 1736.Google Scholar
The Constitutions of the Ancient and Honorable Fraternity of Free and Accepted Masons. London: Brother J. Scott, 1756.Google Scholar
Cooke, William. Memoirs of Charles Macklin … London: James Asperne, 1806.Google Scholar
A Criticism on Mahomet and Irene. In a Letter to the Author. London: W. Reeve and A. Dodd, 1749.Google Scholar
Davies, Thomas. Memoirs of the Life of David Garrick, Esq. London: Printed for the Author, 1780.Google Scholar
Defoe, Daniel. The Honour and Perogative of the Queen’s Majesty Vindicated and Defended against the Unexampled Insolence of the Author of the Guardian: In a Letter from a Country Whig to Mr Steele. London: J. Morphew, 1713.Google Scholar
de la Vega, Garcilaso. Royal Commentaries of Peru. Ed. Rycaut, Paul. London, 1688.Google Scholar
Dennis, John. ‘The Causes of the Decay and Defects of Dramatick Poetry, and of the Degeneracy of the Publick Taste’. 1725. In The Critical Works of John Dennis, 2 vols., ed. Hooker, Edward Niles. Baltimore: Johns Hopkins University Press, 1943.Google Scholar
Dennis, John. ‘The Character and Conduct of Sir John Edgar, Call’d by Himself Sole Monarch of the Stage in Drury-Lane; and His Three Doughty Governors. 1720’. In The Critical Works of John Dennis, 2 vols., ed. Hooker, Edward Niles. Baltimore: Johns Hopkins University Press, 1943.Google Scholar
Dennis, John. ‘A Defence of Sir Fopling Flutter, a Comedy by Sir George Etheridge’. In The Critical Works of John Dennis, 2 vols., ed. Niles Hooker, Edward. Baltimore: Johns Hopkins University Press, 1943.Google Scholar
Dennis, John. Liberty Asserted. A Tragedy. London: George Strahan et al., 1704.Google Scholar
Dennis, John. ‘Remarks on a Play, Call’d the Conscious Lovers, a Comedy’. 1723. In The Critical Works of John Dennis, 2 vols., ed. Niles Hooker, Edward. Baltimore: Johns Hopkins University Press, 1943.Google Scholar
Dodsley, Robert. The King and the Miller of Mansfield. A Dramatick Tale. London: Printed for the Author at Tully’s Head, 1737.Google Scholar
Dryden, John. The Works of John Dryden. 19 vols. Ed. Swedenberg, H. T. Jr. et al. Berkeley: University of California Press, 1956.Google Scholar
Farquhar, George. The Recruiting Officer and Other Plays. Ed. Myers, William. Oxford: Clarendon, 1995.Google Scholar
Foot, Jesse. The Life of the Late Arthur Murphy Esq. London, 1812.Google Scholar
Foote, Samuel. The Roman and English Comedy Consider’d and Compar’d with Remarks upon the Suspicious Husband. Dublin: A. Reilly, 1747.Google Scholar
Gentleman, Francis. The Dramatic Censor; or, Critical Companion. 2 vols. London: J. Bell, 1770.Google Scholar
The Gentleman’s Magazine: and Historical Chronicle 55.11 (November 1785): 909910.Google Scholar
Gildon, Charles. A Comparison between the Two Stages. London, 1702.Google Scholar
Goldsmith, Oliver. ‘The Revolution in Low Life.’ In The Collected Works of Oliver Goldsmith, 5 vols., ed. Friedman, Authur. Oxford: Clarendon, 1966.Google Scholar
She Stoops to Conquer; or, The Mistakes of a Night. In The Collected Works of Oliver Goldsmith, 5 vols., ed. Friedman, Authur. Oxford: Clarendon, 1966.Google Scholar
Guthrie, William. An Essay upon English Tragedy. London: T. Waller, 1757.Google Scholar
Du Halde, Jean-Baptiste. A Description of the Empire of China and Chinese Tartary, Together with the Kingdoms of Korea, and Tibet. 2 vols. Trans. Bowen, Emanuel. London, 1738, 1741.Google Scholar
Haywood, Eliza. The Fair Captive. A Tragedy. London: T. Jauncey and H. Cole, 1721.Google Scholar
Hennepin, Louis. A New Discovery of a Vast Country in America, Extending above Four Thousand Miles between New France and New Mexico, with a Description of the Great Lakes, Cataracts, Rivers, Plants and Animals: Also the Manners, Customs, and Languages of the Several Native Indians and the Advantage of Commerce with Those Different Nations. London: T. Bentley et al., 1698.Google Scholar
Heywood, James. ‘To Sir Richard Steele, on His Comedy, Call’d The Conscious Lovers’. In Letters and Poems on Several Subjects. London: W. Meadowes, T. Worral, J. Ashford, 1726.Google Scholar
Hill, Aaron. Alzira. A Tragedy. London: John Osborn, 1737.Google Scholar
Hill, Aaron. The Prompter (1734–1736). Ed. Appleton, William W. and Burmin, Kalmain. New York: Bejamin Bloom, 1966.Google Scholar
Hiram; or, The Grand-Master Key to the Door of Both Ancient and Modern Free-Masonry by a Member of the Royal Arch. London: W. Griffin, 1766.Google Scholar
Sir Howard, Robert, and Villiers, George, Duke of Buckingham. The Country Gentleman. Ed. Scouten, Arthur H. and Hume, Robert D.. London: Dent, 1976.Google Scholar
Hughes, John. The Siege of Damascus. London, 1720.Google Scholar
Hume, David. A Treatise of Human Nature. 2nd ed. Ed. Shelby-Bigge, L. A. and Nidditch, P. H.. Oxford: Oxford University Press, 1978.Google Scholar
Johnson, Charles. The Country Lasses; or, The Custom of the Manor. London: J. Tonson, 1715.Google Scholar
Johnson, Charles. Love in a Forest. A Comedy. London: W. Chetwood, 1723.Google Scholar
Johnson, Charles. The Sultaness: A Tragedy. London: W. Wilkins et al., 1717.Google Scholar
Johnson, Charles. The Village Opera. London: J. Watts, 1729.Google Scholar
Johnson, Samuel. Irene: A Tragedy. London: R. Dodsley, 1749.Google Scholar
Jones, Stephen. Masonic Miscellanies, in Poetry and Prose. Dublin: Brother Joseph Hill, 1800.Google Scholar
Lacy, John. The Ecclesiastical and Political History of Whigland, of Late Years. London: John Morphew, 1714.Google Scholar
Lacy, John. The Old Troop; or, Monsieur Raggou. London: William Crook and Thomas Dring, 1672.Google Scholar
Lahontan, Louis-Armand de Lom d’Arce, Baron de, . New Voyages to North America; Containing an Account of the Several Nations of That Vast Continent; Their Customs, Commerce, and Ways of Navigation … 2 vols. London: H. Bonwicke, T. Goodwin, M. Wotton, B. Tooke and S. Manship, 1703.Google Scholar
Le Blanc, Jean Bernard. Letters on the English and French Nations. 2 vols. London: J. Brindley, R. Francklin, C. Davis, J. Hodges, 1747.Google Scholar
Lillo, George. Fatal Curiosity: A Tragedy. Ed. MacBurney, William H.. Lincoln: University of Nebraska Press, 1968.Google Scholar
Lillo, George. The London Merchant; or, The History of George Barnwell. Ed. McBurney, William. Lincoln: University of Nebraska Press, 1965.Google Scholar
Lucas, Charles. A Nineteenth Address to the Free-Citizens and Free-Holders of the City of Dublin. Dublin, 1749.Google Scholar
Lucas, Charles. The Political Constitutions of Great Britain and Ireland. London, 1751.Google Scholar
Manley, Delariviere. Secret Memoirs and Manners of Several Persons of Quality of Both Sexes. From the New Atalantis, an Island in the Mediterranean. 6th ed. London: John Morphew, 1720.Google Scholar
McKenzie, Henry. The Shipwreck: or, Fatal Curiosity. A Tragedy. Altered from Lillo. London: T. Cadell, 1784.Google Scholar
Miller, James. Mahomet the Imposter. London: John Bell, 1795.Google Scholar
Miller, James. Mahomet the Imposter. A Tragedy. London: J. Watts and W. Dodds, 1744.Google Scholar
Mitchell, Joseph. The Fatal Extravagance. A Tragedy. London: T. J. Jauncey, 1721.Google Scholar
Mitchell, Joseph. ‘To Richard Steele on the Successful Representation of His Excellent Comedy Call’d, the Conscious Lovers’. In Poems on Several Occasions, 2 vols. London: L. Gilliver, 1729.Google Scholar
Monthly Review, or Literary Journal 62 (March 1780): 185.Google Scholar
Murphy, Arthur. Advertisement to Alzuma: A Tragedy. 1773. Reprinted in The Plays of Arthur Murphy, ed. Schwartz, Richard B.. New York: Garland, 1979.Google Scholar
Murphy, Arthur. Alzuma. A Tragedy. London: T. Lowndes, 1773.Google Scholar
Murphy, Arthur. The Gray’s Inn Journal. 2 vols. Dublin: William Sleater, 1756.Google Scholar
Murphy, Arthur. Zenobia. A Tragedy. London: W. Griffin, 1768.Google Scholar
Ockley, Simon. The Conquest of Syria, Persia and Aegypt by the Saracens. London, 1708.Google Scholar
Ockley, Simon. An Explaination [sic] of the Several Arabick Terms Us’d in The Siege of Damascus Written by Mr Hughes. With a Short Account of the Historical Seige, and the Life of Muhamet, as Far as It Is Necessary to Understanding the Story. London: J. Brotherton et al., 1720.Google Scholar
Ockley, Simon. ‘The Pioneer’. In Oriental Essays: Portraits of Seven Scholars. London: Allen & Unwin, 1960.Google Scholar
Plan of the Tragedy of Alzuma’. Sentimental Magazine, or General Assemblage of Science, Taste and Entertainment 5 (March 1775): 2627.Google Scholar
Poems on Several Occasions … 2 vols. Ed. Duncombe, William. London: J. Tonson and J. Watts, 1735.Google Scholar
Pope, Alexander. Correspondence of Alexander Pope. 5 vols. Ed. Sherburne, George. Oxford: Clarendon, 1955.Google Scholar
Preston, William. Illustrations of Masonry. London: William Preston, 1772.Google Scholar
S----cy, , Ed. The Country Gentleman’s Vade Mecum. London: John Harris, 1699.Google Scholar
Shiells, Robert. The Lives of the Poets of Great Britain and Ireland to the Time of Dean Swift. 5 vols. London: R. Griffiths, 1753.Google Scholar
Steele, Richard. ‘An Apology for Himself and His Writings’. In Tracts and Pamphlets, ed. Blanchard, Rae. London: printed R. Burleigh, 1714.Google Scholar
Steele, Richard. ‘The Englishman’. In The Englishman: A Political Journal by Richard Steele, ed. Blanchard, Rae. December 17, 1713.Google Scholar
Steele, Richard. ‘A Letter to a Member, etc. Concerning the Condemn’d Lords, in Vindication of Gentlemen Calumniated in the St. James’s Post of Friday March the 2nd’. In Tracts and Pamphlets, ed. Blanchard, Rae. London: R. Burleigh, 1716.Google Scholar
Steele, Richard. The Tatler: The Lucubrations of Isaac Bickerstakke, Esq. 4 vols. London: H. Lintott et al., 1754.Google Scholar
Steele, Richard. Tracts and Pamphlets. 1714. Ed. Blanchard, Rae. Reprint, Baltimore: Johns Hopkins University Press, 1944.Google Scholar
Sir Steele, Richard. The Theatre 1720. Ed. Loftis, John. Oxford: Clarendon, 1962.Google Scholar
Summers, Montagu (ed.). The Complete Works of Thomas Shadwell, vol. 4. London: Fortune Press, 1927.Google Scholar
Swift, Jonathan. The Publick Spirit of the Whigs. London: T. Cole, 1714.Google Scholar
Sir Temple, William. ‘Of Heroic Virtue’. In Five Miscellaneous Essays by Sir William Temple, ed. Monk, Samuel Holt. Ann Arbor: University of Michigan Press, 1963.Google Scholar
The Tatler. 3 vols. Ed. Bond, Donald F.. Oxford: Clarendon, 1987.Google Scholar
The Theatre: or, Select Works of the British Dramatick Poets. 12 vols. Edinburgh: Martin and Wotherspoon, 1768.Google Scholar
The Theatrical Register. York, 1788.Google Scholar
Thomson, James. James Thomson: Letters and Documents. Ed. McKillop, Alan Dugald. Lawrence: University Press of Kansas, 1958.Google Scholar
To Sir Richard Steele, on His Comedy, The Conscious Lovers’. In Miscellaneous Poems by Several Hands. London: D. Lewis, 1722.Google Scholar
Universal Magazine of Knowledge and Pleasure 61.425 (October 1777):169–173.Google Scholar
Vanburgh, John. A Short Vindication of The Relapse and The Provok’d Wife. London: N. Walwyn, 1698.Google Scholar
Victor, Benjamin. An Epistle to Richard Steele, on His Play Call’d The Conscious Lovers. 2nd ed. London: W. Chetwood, S. Chapman, J. Stagg, J. Brotherton, Th. Edlin, 1722.Google Scholar
A View of the Edinburgh Theatre during the Summer Season, 1759. London: A. Morley, 1760.Google Scholar
Voltaire, M. de. The Complete Works of Voltaire. Oxford: Voltaire Foundation, Taylor Institution, 1989.Google Scholar
Voltaire, M. de. The Works of M. de Voltaire, vol. 13. Trans. Smollett, T., Francklin, T., et al. London: J. Newbest et al., 1762.Google Scholar
Wagstaffe, William. A Letter from the Facetious Doctor Andrew Tripe at Bath to the Venerable Nestor Ironside. London: B. Waters, 1714.Google Scholar
Watson, R. An Apology for Christianity. 2nd ed. Cambridge, 1777.Google Scholar
William, Earl Cowper. ‘To the Memory of Mr Hughes’. In The Poetical Works of John Hughes, 2 vols. Edinburgh: Apollo Press by the Martins, 1779.Google Scholar
Williamson, J. B. Preservation: or, The Hovel of the Rocks: A Play in Five Acts. Interspers’d with Lillo’s Drama, in Three Acts, Call’d ‘Fatal Curiosity’. London, 1800.Google Scholar
de Zarate, Augustin. The Discovery and Conquest of Peru. Trans. and ed. Cohen, J. M.. Harmondsworth: Penguin, 1968.Google Scholar

Secondary Sources

Addison, Joseph. Addisoniana. London: R. Phillips, 1803.Google Scholar
Annual Register and History of Literature 4 (January 1805).Google Scholar
Bond, Donald (ed.). The Spectator. 5 vols. Oxford: Clarendon, 1965.Google Scholar
Henderson, Nicholas. Prince Eugen of Savoy. London: Phoenix, 2002.Google Scholar
Jeffrey, Francis (ed.). The Edinburgh Review. 8.15 (April 1806): 148–154.Google Scholar
La Belle Assemble: Or, Court and Fashionable Magazine. 1.10 (December 1806).Google Scholar
Nichols, J. (ed.). Literary and Miscellaneous Memoirs, vol. 1. London: Printed for the Author, 1828.Google Scholar
Songhurst, W. J. (ed.). ‘Quatuor Coronatorum Antigrapha: Masonic Reprints of the Quatuor Coronati Lodge No. 2076, London’, vol. 10. In The Minutes of the Grand Lodge of Free-Masons of England, 1723–1739. Margate: printed by W. J. Parrott, 1913.Google Scholar
‘An Account of Alzuma, a New Tragedy, Now Acting at Covent-Garden Theatre’. Universal Magazine of Knowledge and Pleasure June 1747–Dec. 1803 52.361 (March 1773): 89.Google Scholar
Addison, Joseph. The Drummer; or, The Haunted House. A Comedy. London: Jacob Tonson, 1715.Google Scholar
Addison, Joseph. The Works of Joseph Addison with Notes by Richard Hurd. 6 vols. Ed. Bohn, Henry G.. London: George Bell & Sons, 1901.Google Scholar
Algarotti, Francisco. ‘An Essay on the Empire of the Incas’. In Letters from Count Algarotti to Lord Hervey and the Marquis Scipio Maffei. Glasgow: Robert Ure, 1770.Google Scholar
Alzuma, a Tragedy as Performed at the Theatre Royal in Covent-Garden’. Monthly Review; or Literary Journal, 1752–1825 48 (March 1773): 212215.Google Scholar
Anderson, Robert. The Life of Samuel Johnson, LLD, with Critical Observations on His Works. Edinburgh: J. & A. Arch, 1795.Google Scholar
Baker, Thomas. Tunbridge Walks; or, The Yeoman of Kent. London: Bernard Lintott, 1703.Google Scholar
Banks, John. History of Francis-Eugene, Prince of Savoy … Containing … Military Transactions … London: John Banks, 1741.Google Scholar
Banks, John. Preface to a New Play called Anna Bullen. London: Allan Banks, 1682.Google Scholar
Bedford, Arthur. The Evil and Danger of Stage Plays, Showing Their Natural Tendency to Destroy Religion, and Introduce a General Corruption of Manners. Bristol: W. Bonny, 1706.Google Scholar
Bickerstaffe, Isaac. Love in a Village. A Comic Opera. London: W. Griffin, 1763.Google Scholar
Brooke, Henry. Poems and Plays by Henry Brooke, Esq., with the Life of the Author. 4 vols. London: John Sewell, 1790.Google Scholar
Brooke, Henry. The Tryal of the Roman Catholics of Ireland. 2nd ed. London: T. Davies, 1764.Google Scholar
Brown, John. Barbarossa. A Tragedy. London: J. and R. Tonson, 1755.Google Scholar
Brown, John. The History of the Rise and Progress of Poetry through Its Several Species. Newcastle: J. White and T. Saint for L. Davis and C. Reymers, 1764.Google Scholar
Brown, John. The Mutual Connexion between Religious Truth and Civil Freedom; Between Superstition, Tyranny, Irreligion, and Licentiousness: Considered in Two Sermons. London: R. Dodsley, 1746.Google Scholar
Burgoyne, John. The Lord of the Manor. A Comic Opera. Dublin: H. Chamberlaine, 1781.Google Scholar
de Charlevoix, Pierre F. X. Histoire et Description Generale de la Nouvelle-France. Paris, 1744.Google Scholar
Chetwood, William Rufus. A General History of the Stage from Its Origin in Greece Down to the Present Time. London: W. Owen, 1749.Google Scholar
Chetwood, William Rufus. The Generous Freemason: or, The Constant Lady. With the Humours of Squire Noodle and His Man Doodle. London: J. Roberts, 1731.Google Scholar
Churchill, Charles. The Rosciad. 6th ed. London, 1766.Google Scholar
Cibber, Colley. An Apology for the Life of Colley Cibber with an Historical View of the Stage during His Own Time Written by Himself. 1740. Ed. Fone, B. R. S.. Ann Arbor: University of Michigan Press, 1968.Google Scholar
Cibber, Colley. ‘The Prologue’. In The Tragedy of Zara. London: J. Watts, 1736.Google Scholar
The Constitutions of the Ancient and Honorable Fraternity of Free and Accepted Masons. London: Brother J. Scott, 1756.Google Scholar
Cooke, William. Memoirs of Charles Macklin … London: James Asperne, 1806.Google Scholar
A Criticism on Mahomet and Irene. In a Letter to the Author. London: W. Reeve and A. Dodd, 1749.Google Scholar
Davies, Thomas. Memoirs of the Life of David Garrick, Esq. London: Printed for the Author, 1780.Google Scholar
Defoe, Daniel. The Honour and Perogative of the Queen’s Majesty Vindicated and Defended against the Unexampled Insolence of the Author of the Guardian: In a Letter from a Country Whig to Mr Steele. London: J. Morphew, 1713.Google Scholar
de la Vega, Garcilaso. Royal Commentaries of Peru. Ed. Rycaut, Paul. London, 1688.Google Scholar
Dennis, John. ‘The Causes of the Decay and Defects of Dramatick Poetry, and of the Degeneracy of the Publick Taste’. 1725. In The Critical Works of John Dennis, 2 vols., ed. Hooker, Edward Niles. Baltimore: Johns Hopkins University Press, 1943.Google Scholar
Dennis, John. ‘The Character and Conduct of Sir John Edgar, Call’d by Himself Sole Monarch of the Stage in Drury-Lane; and His Three Doughty Governors. 1720’. In The Critical Works of John Dennis, 2 vols., ed. Hooker, Edward Niles. Baltimore: Johns Hopkins University Press, 1943.Google Scholar
Dennis, John. ‘A Defence of Sir Fopling Flutter, a Comedy by Sir George Etheridge’. In The Critical Works of John Dennis, 2 vols., ed. Niles Hooker, Edward. Baltimore: Johns Hopkins University Press, 1943.Google Scholar
Dennis, John. Liberty Asserted. A Tragedy. London: George Strahan et al., 1704.Google Scholar
Dennis, John. ‘Remarks on a Play, Call’d the Conscious Lovers, a Comedy’. 1723. In The Critical Works of John Dennis, 2 vols., ed. Niles Hooker, Edward. Baltimore: Johns Hopkins University Press, 1943.Google Scholar
Dodsley, Robert. The King and the Miller of Mansfield. A Dramatick Tale. London: Printed for the Author at Tully’s Head, 1737.Google Scholar
Dryden, John. The Works of John Dryden. 19 vols. Ed. Swedenberg, H. T. Jr. et al. Berkeley: University of California Press, 1956.Google Scholar
Farquhar, George. The Recruiting Officer and Other Plays. Ed. Myers, William. Oxford: Clarendon, 1995.Google Scholar
Foot, Jesse. The Life of the Late Arthur Murphy Esq. London, 1812.Google Scholar
Foote, Samuel. The Roman and English Comedy Consider’d and Compar’d with Remarks upon the Suspicious Husband. Dublin: A. Reilly, 1747.Google Scholar
Gentleman, Francis. The Dramatic Censor; or, Critical Companion. 2 vols. London: J. Bell, 1770.Google Scholar
The Gentleman’s Magazine: and Historical Chronicle 55.11 (November 1785): 909910.Google Scholar
Gildon, Charles. A Comparison between the Two Stages. London, 1702.Google Scholar
Goldsmith, Oliver. ‘The Revolution in Low Life.’ In The Collected Works of Oliver Goldsmith, 5 vols., ed. Friedman, Authur. Oxford: Clarendon, 1966.Google Scholar
She Stoops to Conquer; or, The Mistakes of a Night. In The Collected Works of Oliver Goldsmith, 5 vols., ed. Friedman, Authur. Oxford: Clarendon, 1966.Google Scholar
Guthrie, William. An Essay upon English Tragedy. London: T. Waller, 1757.Google Scholar
Du Halde, Jean-Baptiste. A Description of the Empire of China and Chinese Tartary, Together with the Kingdoms of Korea, and Tibet. 2 vols. Trans. Bowen, Emanuel. London, 1738, 1741.Google Scholar
Haywood, Eliza. The Fair Captive. A Tragedy. London: T. Jauncey and H. Cole, 1721.Google Scholar
Hennepin, Louis. A New Discovery of a Vast Country in America, Extending above Four Thousand Miles between New France and New Mexico, with a Description of the Great Lakes, Cataracts, Rivers, Plants and Animals: Also the Manners, Customs, and Languages of the Several Native Indians and the Advantage of Commerce with Those Different Nations. London: T. Bentley et al., 1698.Google Scholar
Heywood, James. ‘To Sir Richard Steele, on His Comedy, Call’d The Conscious Lovers’. In Letters and Poems on Several Subjects. London: W. Meadowes, T. Worral, J. Ashford, 1726.Google Scholar
Hill, Aaron. Alzira. A Tragedy. London: John Osborn, 1737.Google Scholar
Hill, Aaron. The Prompter (1734–1736). Ed. Appleton, William W. and Burmin, Kalmain. New York: Bejamin Bloom, 1966.Google Scholar
Hiram; or, The Grand-Master Key to the Door of Both Ancient and Modern Free-Masonry by a Member of the Royal Arch. London: W. Griffin, 1766.Google Scholar
Sir Howard, Robert, and Villiers, George, Duke of Buckingham. The Country Gentleman. Ed. Scouten, Arthur H. and Hume, Robert D.. London: Dent, 1976.Google Scholar
Hughes, John. The Siege of Damascus. London, 1720.Google Scholar
Hume, David. A Treatise of Human Nature. 2nd ed. Ed. Shelby-Bigge, L. A. and Nidditch, P. H.. Oxford: Oxford University Press, 1978.Google Scholar
Johnson, Charles. The Country Lasses; or, The Custom of the Manor. London: J. Tonson, 1715.Google Scholar
Johnson, Charles. Love in a Forest. A Comedy. London: W. Chetwood, 1723.Google Scholar
Johnson, Charles. The Sultaness: A Tragedy. London: W. Wilkins et al., 1717.Google Scholar
Johnson, Charles. The Village Opera. London: J. Watts, 1729.Google Scholar
Johnson, Samuel. Irene: A Tragedy. London: R. Dodsley, 1749.Google Scholar
Jones, Stephen. Masonic Miscellanies, in Poetry and Prose. Dublin: Brother Joseph Hill, 1800.Google Scholar
Lacy, John. The Ecclesiastical and Political History of Whigland, of Late Years. London: John Morphew, 1714.Google Scholar
Lacy, John. The Old Troop; or, Monsieur Raggou. London: William Crook and Thomas Dring, 1672.Google Scholar
Lahontan, Louis-Armand de Lom d’Arce, Baron de, . New Voyages to North America; Containing an Account of the Several Nations of That Vast Continent; Their Customs, Commerce, and Ways of Navigation … 2 vols. London: H. Bonwicke, T. Goodwin, M. Wotton, B. Tooke and S. Manship, 1703.Google Scholar
Le Blanc, Jean Bernard. Letters on the English and French Nations. 2 vols. London: J. Brindley, R. Francklin, C. Davis, J. Hodges, 1747.Google Scholar
Lillo, George. Fatal Curiosity: A Tragedy. Ed. MacBurney, William H.. Lincoln: University of Nebraska Press, 1968.Google Scholar
Lillo, George. The London Merchant; or, The History of George Barnwell. Ed. McBurney, William. Lincoln: University of Nebraska Press, 1965.Google Scholar
Lucas, Charles. A Nineteenth Address to the Free-Citizens and Free-Holders of the City of Dublin. Dublin, 1749.Google Scholar
Lucas, Charles. The Political Constitutions of Great Britain and Ireland. London, 1751.Google Scholar
Manley, Delariviere. Secret Memoirs and Manners of Several Persons of Quality of Both Sexes. From the New Atalantis, an Island in the Mediterranean. 6th ed. London: John Morphew, 1720.Google Scholar
McKenzie, Henry. The Shipwreck: or, Fatal Curiosity. A Tragedy. Altered from Lillo. London: T. Cadell, 1784.Google Scholar
Miller, James. Mahomet the Imposter. London: John Bell, 1795.Google Scholar
Miller, James. Mahomet the Imposter. A Tragedy. London: J. Watts and W. Dodds, 1744.Google Scholar
Mitchell, Joseph. The Fatal Extravagance. A Tragedy. London: T. J. Jauncey, 1721.Google Scholar
Mitchell, Joseph. ‘To Richard Steele on the Successful Representation of His Excellent Comedy Call’d, the Conscious Lovers’. In Poems on Several Occasions, 2 vols. London: L. Gilliver, 1729.Google Scholar
Monthly Review, or Literary Journal 62 (March 1780): 185.Google Scholar
Murphy, Arthur. Advertisement to Alzuma: A Tragedy. 1773. Reprinted in The Plays of Arthur Murphy, ed. Schwartz, Richard B.. New York: Garland, 1979.Google Scholar
Murphy, Arthur. Alzuma. A Tragedy. London: T. Lowndes, 1773.Google Scholar
Murphy, Arthur. The Gray’s Inn Journal. 2 vols. Dublin: William Sleater, 1756.Google Scholar
Murphy, Arthur. Zenobia. A Tragedy. London: W. Griffin, 1768.Google Scholar
Ockley, Simon. The Conquest of Syria, Persia and Aegypt by the Saracens. London, 1708.Google Scholar
Ockley, Simon. An Explaination [sic] of the Several Arabick Terms Us’d in The Siege of Damascus Written by Mr Hughes. With a Short Account of the Historical Seige, and the Life of Muhamet, as Far as It Is Necessary to Understanding the Story. London: J. Brotherton et al., 1720.Google Scholar
Ockley, Simon. ‘The Pioneer’. In Oriental Essays: Portraits of Seven Scholars. London: Allen & Unwin, 1960.Google Scholar
Plan of the Tragedy of Alzuma’. Sentimental Magazine, or General Assemblage of Science, Taste and Entertainment 5 (March 1775): 2627.Google Scholar
Poems on Several Occasions … 2 vols. Ed. Duncombe, William. London: J. Tonson and J. Watts, 1735.Google Scholar
Pope, Alexander. Correspondence of Alexander Pope. 5 vols. Ed. Sherburne, George. Oxford: Clarendon, 1955.Google Scholar
Preston, William. Illustrations of Masonry. London: William Preston, 1772.Google Scholar
S----cy, , Ed. The Country Gentleman’s Vade Mecum. London: John Harris, 1699.Google Scholar
Shiells, Robert. The Lives of the Poets of Great Britain and Ireland to the Time of Dean Swift. 5 vols. London: R. Griffiths, 1753.Google Scholar
Steele, Richard. ‘An Apology for Himself and His Writings’. In Tracts and Pamphlets, ed. Blanchard, Rae. London: printed R. Burleigh, 1714.Google Scholar
Steele, Richard. ‘The Englishman’. In The Englishman: A Political Journal by Richard Steele, ed. Blanchard, Rae. December 17, 1713.Google Scholar
Steele, Richard. ‘A Letter to a Member, etc. Concerning the Condemn’d Lords, in Vindication of Gentlemen Calumniated in the St. James’s Post of Friday March the 2nd’. In Tracts and Pamphlets, ed. Blanchard, Rae. London: R. Burleigh, 1716.Google Scholar
Steele, Richard. The Tatler: The Lucubrations of Isaac Bickerstakke, Esq. 4 vols. London: H. Lintott et al., 1754.Google Scholar
Steele, Richard. Tracts and Pamphlets. 1714. Ed. Blanchard, Rae. Reprint, Baltimore: Johns Hopkins University Press, 1944.Google Scholar
Sir Steele, Richard. The Theatre 1720. Ed. Loftis, John. Oxford: Clarendon, 1962.Google Scholar
Summers, Montagu (ed.). The Complete Works of Thomas Shadwell, vol. 4. London: Fortune Press, 1927.Google Scholar
Swift, Jonathan. The Publick Spirit of the Whigs. London: T. Cole, 1714.Google Scholar
Sir Temple, William. ‘Of Heroic Virtue’. In Five Miscellaneous Essays by Sir William Temple, ed. Monk, Samuel Holt. Ann Arbor: University of Michigan Press, 1963.Google Scholar
The Tatler. 3 vols. Ed. Bond, Donald F.. Oxford: Clarendon, 1987.Google Scholar
The Theatre: or, Select Works of the British Dramatick Poets. 12 vols. Edinburgh: Martin and Wotherspoon, 1768.Google Scholar
The Theatrical Register. York, 1788.Google Scholar
Thomson, James. James Thomson: Letters and Documents. Ed. McKillop, Alan Dugald. Lawrence: University Press of Kansas, 1958.Google Scholar
To Sir Richard Steele, on His Comedy, The Conscious Lovers’. In Miscellaneous Poems by Several Hands. London: D. Lewis, 1722.Google Scholar
Universal Magazine of Knowledge and Pleasure 61.425 (October 1777):169–173.Google Scholar
Vanburgh, John. A Short Vindication of The Relapse and The Provok’d Wife. London: N. Walwyn, 1698.Google Scholar
Victor, Benjamin. An Epistle to Richard Steele, on His Play Call’d The Conscious Lovers. 2nd ed. London: W. Chetwood, S. Chapman, J. Stagg, J. Brotherton, Th. Edlin, 1722.Google Scholar
A View of the Edinburgh Theatre during the Summer Season, 1759. London: A. Morley, 1760.Google Scholar
Voltaire, M. de. The Complete Works of Voltaire. Oxford: Voltaire Foundation, Taylor Institution, 1989.Google Scholar
Voltaire, M. de. The Works of M. de Voltaire, vol. 13. Trans. Smollett, T., Francklin, T., et al. London: J. Newbest et al., 1762.Google Scholar
Wagstaffe, William. A Letter from the Facetious Doctor Andrew Tripe at Bath to the Venerable Nestor Ironside. London: B. Waters, 1714.Google Scholar
Watson, R. An Apology for Christianity. 2nd ed. Cambridge, 1777.Google Scholar
William, Earl Cowper. ‘To the Memory of Mr Hughes’. In The Poetical Works of John Hughes, 2 vols. Edinburgh: Apollo Press by the Martins, 1779.Google Scholar
Williamson, J. B. Preservation: or, The Hovel of the Rocks: A Play in Five Acts. Interspers’d with Lillo’s Drama, in Three Acts, Call’d ‘Fatal Curiosity’. London, 1800.Google Scholar
de Zarate, Augustin. The Discovery and Conquest of Peru. Trans. and ed. Cohen, J. M.. Harmondsworth: Penguin, 1968.Google Scholar
Abulafia, David (ed.). The Mediterranean in History. London: Thames & Hudson, 2003.Google Scholar
Adorno, Theodor, and Horkheimer, Max. The Dialectic of Enlightenment. 1944. Reprint, London: Continuum, 1994.Google Scholar
Aitken, George A. The Life of Richard Steele. 2 vols. London: Wm. Isbister, 1889.Google Scholar
Aksan, Virginia. Ottoman Wars, 1700–1870: An Empire Besieged. Harlow: Pearson Longman, 2007.Google Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. New York: Verso, 1998.Google Scholar
Andrea, Bernadette (ed.). Delarivier Manley and Mary Pix: English Women Staging Islam. Toronto: ITER, 2012.Google Scholar
Andrien, Kenneth J.The Invention of Colonial Andean Worlds’. Latin American Research Review 46.1 (2011): 217226.Google Scholar
Aravamudan, Srinivas. Enlightenment Orientalism: Resisting the Rise of the Novel. Chicago: University of Chicago Press, 2012.Google Scholar
Armitage, David. Ideological Origins of English Empire. Cambridge: Cambridge University Press, 1998.Google Scholar
Aspden, Suzanne. ‘Ballads and Britons: Imagined Community and the Contiguity of ‘English’ Opera’. Journal of the Royal Musical Association 122.1 (1997): 2451.Google Scholar
Aveling, J. C. H. Northern Catholics: The Catholic Recusants of the North Riding of Yorkshire, 1558–1790. London: Chapman, 1966.Google Scholar
Ayres, Phillip. Classical Culture and the Idea of Rome in Eighteenth-Century England. Cambridge: Cambridge University Press, 1997.Google Scholar
Baigent, Michael, and Leigh, Richard. The Temple and the Lodge. London: Jonathan Cape, 1989.Google Scholar
Baker, Eric. ‘Lucretius in the European Enlightenment’. In The Cambridge Companion to Lucretius, ed. Gillespie, Stuart and Hardie, Phillip, 273288. Cambridge: Cambridge University Press, 2007.Google Scholar
Ballaster, Ros. Fabulous Orients: Fictions of the East in England 1662–1785. Oxford: Oxford University Press, 2005.Google Scholar
Balme, Christopher. The Theatrical Public Sphere. Cambridge: Cambridge University Press, 2014.Google Scholar
Barrell, John. The Dark Side of the Landscape: The Rural Poor in English Poetry. Cambridge: Cambridge University Press, 1980.Google Scholar
Barush, Kathryn R.Painting the Scene’. In The Oxford Handbook of the Georgian Theatre, 1737–1832, ed. Swindells, Julia and Francis Taylor, David. Oxford: Oxford University Press, 2014.Google Scholar
Bekkaoui, Khalid. ‘White Women and Moorish Fancy in Eighteenth-Century Literature’. In The Arabian Nights in Historical Context: Between East and West, ed. Makdisi, Saree and Nussbaum, Felicity, 131166. Oxford: Oxford University Press, 2008.Google Scholar
Belcher, Wendy. Abyssinia’s Samuel Johnson: Ethiopian Thought in the Making of an English Author. Oxford: Oxford University Press, 2012.Google Scholar
Bender, John. Ends of Enlightenment. Stanford, CA: Stanford University Press, 2012.Google Scholar
Bergman, Fred L.Garrick’s Zara’. MLA 74.3 (June 1959): 225232.Google Scholar
Bernbaum, Ernest. The Drama of Sensibility: A Sketch of the History of English Sentimental Comedy and Domestic Tragedy, 1696–1780. Gloucester, MA: Peter Smith, 1958.Google Scholar
Bevis, Richard. The Laughing Tradition: Stage Comedy in Garrick’s Day. Athens: University of Georgia Press, 1980.Google Scholar
Bickham, Troy. Savages within the Empire: Representations of American Indians in Eighteenth-Century Britain. Oxford: Oxford University Press, 2005.Google Scholar
Bissell, Benjamin. The American Indian in English Literature. New Haven, CT: Yale University Press, 1925.Google Scholar
Black, Scott. Of Essays and Reading in Early Modern Britain. London: Palgrave Macmillan, 2006.Google Scholar
Blanchard, Rae (ed.). The Englishman: A Political Journal by Richard Steele. Oxford: Clarendon, 1955.Google Scholar
Blanchard, Rae (ed.). Richard Steele’s Periodical Journalism 1714–16. Oxford: Clarendon, 1959.Google Scholar
Bloom, Edward, and Bloom, Lillian. Joseph Addison’s Sociable Animal. Providence: Brown University Press, 1971.Google Scholar
Bolton, Betsy. Women, Nationalism, and the Romantic Stage: Theatre and Politics in Britain, 1780–1800. Cambridge: Cambridge University Press, 2001.Google Scholar
Bond, Richard P. Queen Anne’s American Kings. Oxford: Clarendon, 1952.Google Scholar
Boulukos, George. The Grateful Slave: The Emergence of Racism in Eighteenth-Century British and American Culture. Cambridge: Cambridge University Press, 2008.Google Scholar
Bowers, Toni. The Politics of Motherhood: British Writing and Culture, 1680–1760. Cambridge: Cambridge University Press, 1996.Google Scholar
Bowring, Lewin. Haidar Ali and Tipu Sultan, and the Struggle with the Musalman Powers of the South. Oxford: Clarendon, 1999.Google Scholar
Braun, T. E. D.Alzire, ou les Americains’. In The Complete Works of Voltaire, vol. 14, 627. Oxford: Voltaire Foundation, Taylor Institution, 1989.Google Scholar
Braverman, Richard. Plots and Counterplots: Sexual Politics and the Body Politic in English Literature, 1660–1730. Cambridge: Cambridge University Press, 1993.Google Scholar
Braverman, Richard. ‘Spectator 495: Addison and the “Race of People Called the Jews”’. Studies in English Literature, 1500–1900 34.3 (Summer 1994): 537552.Google Scholar
Brewer, John. The Pleasures of the Imagination: English Culture in the Eighteenth Century. New York: Farrar, Straus & Giroux, 1997.Google Scholar
Brewster, Dorothy. Aaron Hill: Poet, Dramatist, Projector. New York: AMS Press, 1966.Google Scholar
Brissenden, R. F. Virtue in Distress: Studies in the Novel of Sentiment from Richardson to Sade. London: McMillan, 1974.Google Scholar
Brittlebank, Kate. Tipu Sultan’s Quest for Legitimacy. Delhi: Oxford University Press, 1999.Google Scholar
Broadley, A. M. The Craft, the Drama and Drury Lane. London: Freemason Printing Works, 1887.Google Scholar
Bronson, Bertrand H. Johnson and Boswell: Three Essays. Berkeley: University of California Press, 1944.Google Scholar
Brooks, Richard A.Voltaire and Garcilaso de la Vega’. In Studies on Voltaire and the Eighteenth Century, vol. 30, ed. Besterman, Theodore, 189204. Geneva: Institut et Musee Voltaire, 1964.Google Scholar
Brown, Laura. ‘The Defenceless Woman and the Development of English Drama’. Studies in English Literature, 1500–1900 22.3 (Summer 1982): 429443.Google Scholar
Brown, Tony C.Joseph Addison and the Pleasures of Sharawadgi’. English Literary History 47.1 (Spring 2007): 171176.Google Scholar
Brumstrom, Conrad, and Kavanagh, Declan. ‘Authur Murphy and Florida Peat: The Gray’s Inn Journal and Versions of the Apolitical’. Eighteenth-Century Ireland/Iris an du culture 27 (2013): 123141.Google Scholar
Brunstrom, Conrad. Thomas Sheridan’s Career and Influence: An Actor in Earnest. Lewisburg, PA: Bucknell University Press, 2011.Google Scholar
Bruster, Douglas. Drama and the Market in the Age of Shakespeare. Cambridge: Cambridge University Press, 1992.Google Scholar
Buchanan, Michelle. ‘Savages, Noble and Otherwise, and the French Enlightenment’. Studies on Eighteenth-Century Culture 15 (1986): 105.Google Scholar
Bulman, William J. Anglican Enlightenment: Orientalism, Religion and Politics in England and Its Empire, 1648–1715. Cambridge: Cambridge University Press, 2015.Google Scholar
Burke, Helen. ‘“Country Matters”: Irish “Waggery” and the Irish and British Theatrical Traditions’. In Players, Playwrights, Playhouses: Investigating Performance 1660–1800, ed. Cordner, Michael and Holland, Peter. London: Palgrave, 2007.Google Scholar
Burke, Helen. Riotous Performances: The Struggle for Hegemony in the Irish Theater, 1712–1784. Notre Dame, IN: University of Notre Dame Press, 2003.Google Scholar
Burns, Ross. Damascus: A History. London: Routledge, 2005.Google Scholar
Burton, Hanna. ‘Introduction: The Play in Historical Context’. In Voltaire’s Fanaticism, or Mahomet the Prophet: A New Translation, ed. Ruthven, Melanie. Sacramento: Litwin Books, 2013.Google Scholar
Canfield, Rob. ‘Conquer or Die: Staging Circum-Atlantic Revolt in Polly and Three-Finger’d Jack’. Theatre Journal 59.2 (May 2007): 241258.Google Scholar
Canfield, Rob. ‘John Gay’s Polly: Unmasking Pirates and Fortune Hunters in the West Indies’. Eighteenth-Century Studies 34.4 (Summer 2001): 539557.Google Scholar
Canfield, Rob. ‘Something’s Mizzen: Anne Bonny, Mary Read, Polly and the Female Counter Roles on the Imperialist Stage’. South Atlantic Review 66.2 (Spring 2001): 4563.Google Scholar
Carey, Brycchan. British Abolitionism and the Rhetoric of Sensibility: Writing, Sentiment and Slavery, 1760–1807. New York: Palgrave Macmillan, 2005.Google Scholar
Carey, Daniel, and Festa, Lynn (eds.). Post-Colonialism and Enlightenment: Eighteenth-Century Colonialism and Postcolonial Theory. New York: Oxford University Press, 2013.Google Scholar
Carlson, Julie. ‘Like Me: An Introduction to Domestic/Tragedy’. South Atlantic Quarterly 98.3 (Summer 1999): 331624.Google Scholar
Carlson, Marvin. Voltaire and the Theater of the Eighteenth-Century. Westport, CT: Greenwood, 1998.Google Scholar
Carswell, John. The Romantic Rogue: Being the Singular Life and Adventures of Rudolph Eric Raspe, Creator of Baron Munuchausen. New York: Dutton, 1950.Google Scholar
Carswell, John. The South Sea Bubble. London: Cressett Press, 1960.Google Scholar
Casey, Edward S. The Fate of Place: A Philosophical History. Berkeley: University of California Press, 1997.Google Scholar
de Certeau, Michel. The Practice of Everyday Life. Berkeley: University of California Press, 1984.Google Scholar
Champion, Justin. Republican Learning: John Toland and the Crisis of Christian Culture, 1696–1722. Manchester: Manchester University Press, 2003.Google Scholar
Choudhury, Mita. Interculturalism and Resistance in the London Theater, 1660–1800: Identity, Performance, Empire. Lewisburg, PA: Bucknell University Press, 2000.Google Scholar
Clark, Peter. British Clubs and Societies, 1580–1800. Oxford: Oxford University Press, 2000.Google Scholar
Cole, Lucinda. ‘The London Merchant and the Institution of Apprenticeship’. Criticism 37.1 (Winter 1995): 5770.Google Scholar
Coleman, Deirdre. Romantic Colonization and British Anti-slavery. Cambridge: Cambridge University Press, 2005.Google Scholar
Colley, Linda. Britons: Forging the Nation. New Haven, CT: Yale University Press, 1992.Google Scholar
Colley, Linda. Captives: Britain, Empire and the World. London: Pimlico, 2003.Google Scholar
Colley, Linda. The Ordeal of Elizabeth Marsh. New York: Pantheon, 2007.Google Scholar
Cooper, Anthony Ashley. Characteristics of Men, Manners, Opinions, Times. Ed. Klein, Lawrence E.. Cambridge: Cambridge University Press, 1999.Google Scholar
Cope, Kevin L. (ed.). Compendious Conversation: The Method of Dialogue in the Early Enlightenment. Frankfurt: Peter Lang, 1992.Google Scholar
Coppola, Al. ‘Harlequin Newton: John Rich’s Necromancer and the Public Science of the 1720s’. In ‘The Stage’s Glory’: John Rich, 1692–1761, ed. Joncus, Berta and Barlow, Jeremy. Newark: University of Delaware Press, 2011.Google Scholar
Crawford, Rachel. ‘English Georgic and British Nationhood’. ELH 65.1 (1998): 123156.Google Scholar
Curl, James Steven. Spas, Wells and Pleasure-Gardens of London. London: Historical, 2010.Google Scholar
Cypess, Sandra Messinger. La Malinche in Mexican Literature, from History to Myth. Austin: University of Texas Press, 1991.Google Scholar
Davies, Simon. ‘Reflections on Voltaire and His Idea of Colonies’. Studies on Voltaire and the Eighteenth Century 332 (1995): 6169.Google Scholar
Davis, Leith. ‘Charlotte Brooke’s Reliques of Irish Poetry; Eighteenth-Century “Irish Song” and the Politics of Remediation’. In United Islands? The Languages of Resistance, ed. Kirk, John, Noble, Andrew and Brown, Michael. London: Pickering & Chatto, 2012.Google Scholar
De Krey, Gary. A Fractured Society: The Politics of London in the First Age of Party. Oxford: Clarendon, 1985.Google Scholar
Del Balzo, Angelina. ‘The Sultan’s Tears in Zara, an Oriental Tragedy’. SEL 55.3 (Summer 2015): 501521.Google Scholar
Dessen, Alan. Elizabethan Stage Conventions and Modern Interpreters. Cambridge: Cambridge University Press, 1984.Google Scholar
Dobson, Michael. Making of the National Poet: Shakespeare, Adaptation and Authorship. Oxford: Clarendon, 1992.Google Scholar
Docker, John. ‘Sheer Folly and Derangement: How the Crusades Disoriented Enlightenment Historiography’. In Representing Humanity in the Age of Enlightenment, ed. Cook, Alexander, Curthoys, Ned, and Konishi, Shino. London: Pickering and Chatto, 2013.Google Scholar
Donovan, Kevin Joseph. ‘The Giant Queller and the Poor Old Woman: Henry Brooke and the Two Cultures of Eighteenth-Century Ireland’. New Hibernia Review 17.2 (Summer 2003): 103120.Google Scholar
Dudley, Edward J., and Novak, Maximillian E. (eds.). The Wild Man Within: An Image in Western Thought from the Renaissance to Romantics. Pittsburgh: University of Pittsburgh Press, 1973.Google Scholar
Dunbar, Howard Hunter. The Dramatic Career of Arthur Murphy. London: Modern Languages Association and Oxford University Press, 1946.Google Scholar
Duques, Matthew E.John Dennis’s Dramatis Personae’. Notes and Queries 62.262 (2015): 271273.Google Scholar
Eagleton, Terry. The Function of Criticism from the Spectator to Post-Structuralism. London: Verso, 1984.Google Scholar
Eccles, W. J. Frontenac: The Courtier Governor. Toronto: McClelland and Stewart, 1965.Google Scholar
Ellingson, Terry Jay. The Myth of the Noble Savage. Berkeley: University of California Press, 2001.Google Scholar
Elliott, J. H. Empires of the Atlantic World: Britain and Spain in America, 1492–1830. New Haven, CT: Yale University Press, 2007.Google Scholar
Ellis, Markman. The Politics of Sensibility: Race, Gender and Sensibility in the Sentimental Novel. Cambridge: Cambridge University Press, 1996.Google Scholar
Ellison, Julie. Cato’s Tears and the Making of Anglo-American Emotion. Chicago: University of Chicago Press, 1999.Google Scholar
Emory, John Pike. Arthur Murphy, an Eminent Dramatist of the Eighteenth Century. Philadelphia: University of Pennsylvania Press, 1946.Google Scholar
Evans, James. ‘“The Dulissimo Maccaroni”: Masculinities in She Stoops to Conquer’. Philological Quarterly 90.1 (Winter 2011): 4567.Google Scholar
Fay, Bernard. Revolution and Freemasonry 1680–1800. Boston: Little, Brown, 1935.Google Scholar
Festa, Lynn. Sentimental Figures of Empire in Eighteenth-Century Britain and France. Baltimore: Johns Hopkins University Press, 2006.Google Scholar
Fiengo-Varn, Aurora. ‘Reconciling the Divided Self: Inca Garcilaso de la Vega’s Royal Commentaries and His Platonic View of the Conquest of Peru’. Revisita de Filologia y Linguistica de Universidad de Costa Rica 29.1 (2003).Google Scholar
Freeman, Lisa. Antitheatricality and the Body Public. Philadelphia: University of Pennsylvania Press, 2017.Google Scholar
Freeman, Lisa. Character’s Theater: Genre and Identity on the Eighteenth-Century English Stage. Philadelphia: University of Pennsylvania Press, 2002.Google Scholar
Fuchs, Barbara. Mimesis and Empire: The New World, Islam, and European Identities. Cambridge: Cambridge University Press, 2001.Google Scholar
Fullagar, Kate. The Savage Visit: New World People and Popular Imperial Culture in Britain, 1710–1795. Berkeley: University of California Press, 2012.Google Scholar
Garcia, Humberto. Islam in the English Enlightenment, 1670–1840. Baltimore: Johns Hopkins University Press, 2011.Google Scholar
Gardner, Kevin J.George Farquhar’s The Recruiting Officer: Warfare, Conscription, and the Disarming of Anxiety’. Eighteenth-Century Life 25.3 (2001): 4361.Google Scholar
Garnett, Aama. ‘Hume’s “Original Difference”: Race, National Characteristics and the Human Sciences’. Eighteenth-Century Thought 2 (2004): 127152.Google Scholar
Garraway, Doris L.Of Speaking Natives and Hybrid Philosophers: Lahontan, Diderot, and the French Enlightenment Critique of Colonialism’. In The Postcolonial Enlightenment: Eighteenth-Century Colonialism and Postcolonial Theory, ed. Carey, Daniel and Festa, Lynn, 207239. Oxford: Oxford University Press, 2009.Google Scholar
Genovese, Michael. ‘An Organic Commerce: Sociable Selfhood in Eighteenth-Century Georgic’. Eighteenth-Century Studies 46.2 (Winter 2013): 197221.Google Scholar
Gerrard, Christine. Aaron Hill: The Muses’ Projector 1685–1750. Oxford: Oxford University Press, 2003.Google Scholar
Gerrard, Christine. The Patriot Opposition to Walpole: Politics, Poetry, and National Myth, 1725–1742. Oxford: Clarendon, 1994.Google Scholar
Gibbs, Jenna M. Performing the Temple of Liberty: Slavery, Theater and Popular Culture in London and Philadelphia, 1760–1850. Baltimore: Johns Hopkins University Press, 2014.Google Scholar
Girard, Raymond. Rousseau and Voltaire: The Enlightenment and Animal Rights. Stanford, CA: Stanford University Press, 1985.Google Scholar
Gordon, Helen. Voice of the Vanquished: The Story of the Slave Marina and Hernan Cortes. Chicago: University Editions, 1995.Google Scholar
Gordon, Scott Paul. ‘Voyeuristic Dreams: Mr Spectator and the Power of Spectacle’. Eighteenth Century: Theory and Interpretation 36 (1995): 323.Google Scholar
Gose, Peter. Invaders as Ancestors: On the Intercultural Making and Unmaking of Spanish Colonialism in the Andes. Toronto: University of Toronto Press, 2008.Google Scholar
Gottlieb, Evan. Feeling British: Sympathy and National Identity in Scottish and English Writing, 1707–1832. Lewisburg, PA: Bucknell University Press, 2007.Google Scholar
Goulbourne, Russell. ‘Voltaire’s Masks: Theatre and Theatricality’. In The Cambridge Companion to Voltaire, ed. Cronk, Nicholas. Cambridge: Cambridge University Press, 2009.Google Scholar
Gould, Eliga H. The Persistence of Empire: British Political Culture in the Age of the American Revolution. Chapel Hill: University of North Carolina Press, 2000.Google Scholar
Grace, Dominick M.Fatal Curiosity, Fatal Colonialism’. English Studies in Canada 28.3 (September 2002): 385411.Google Scholar
Grosrichard, Alain. The Sultan’s Court: European Fantasies of the East. Trans. Heron, Liz. London: Verso, 1998.Google Scholar
Guillory, John. ‘Enlightening Mediation’. In This Is Enlightenment, ed. Siskin, Clifford and Warner, William, 3763. Chicago: University of Chicago Press, 2010.Google Scholar
Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Burger, Thomas with Lawrence, Fredrick. 1962. Reprint, Boston: MIT Press, 1991.Google Scholar
Hamill, John. The History of English Freemasonry. London: Lewis Masonic, 1994.Google Scholar
Harland-Jacobs, Jessica L. Builders of Empire: Freemasonry and British Imperialism, 1717–1927. Chapel Hill: University of North Carolina Press, 2007.Google Scholar
Henbury, Phyllis. The English Spa: A Social History. London: Athlone, 1990.Google Scholar
Heyter, Tony. The Army and the Crowd in Mid-Georgian England. London: Macmillan, 1978.Google Scholar
Hill, Jacqueline R. From Patriots to Unionists: Dublin Civic Politics and Irish Protestants Patriotism, 1660–1840. Oxford: Clarendon, 1997.Google Scholar
Hiscock, Andrew. The Uses of This World: Thinking Space in Shakespeare, Marlowe, Cary and Jonson. Cardiff: University of Wales Press, 2004.Google Scholar
Holmes, Clive. The Eastern Association in the English Civil War. Cambridge: Cambridge University Press, 1974.Google Scholar
Hopkins, David. ‘The English Voices of Lucretius from Lucy Hutchinson to John Mason Good’. In The Cambridge Companion to Lucretius, ed. Gillespie, Stuart and Hardie, Phillip, 254273. Cambridge: Cambridge University Press, 2007.Google Scholar
Horejsi, Nicole. ‘(Re)valuing the ‘Foreign-Trinket’: Sentimentalizing the Language of Economics in Steele’s Conscious Lovers’. Restoration and Eighteenth-Century Theater Research 18.2 (Winter 2003): 1136.Google Scholar
Howard, Jean E. Theater of a City: The Places of London Comedy, 1598–1642. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
Howson, Gerald. Burgoyne of Saratoga. New York: Times Books, 1978.Google Scholar
Hudson, Wayne. Enlightenment and Modernity: The English Deists and Reform. London: Pickering and Chatto, 2009.Google Scholar
Hughes, Derek. ‘Body and Ritual in Farquhar’. Comparative Drama 31.3 (1997): 414435.Google Scholar
Hughes, Derek. English Drama, 1660–1700. Oxford: Clarendon, 1996.Google Scholar
Hughes, Derek. ‘Who Counts in Farquhar?Comparative Drama 31.1 (1997): 727.Google Scholar
Hunt, Lynn, Jacob, Margaret, and Mijnhardt, Wijnand (eds.). Bernard Picart and the First Global Vision of Religion. Los Angeles: Getty Institute, 2010.Google Scholar
Hutcheson, Francis. ‘Reflections on Our Common Systems of Morality’. In On Human Nature, ed. Moutner, Thomas. Cambridge: Cambridge University Press, 1993.Google Scholar
Hynes, Peter. ‘Richard Steele and the Genealogy of Sentimental Drama: A Reading of The Conscious Lovers’. Restoration and Eighteenth-Century Theater Research 40.2 (Spring 2004): 142166.Google Scholar
Irwin, Robert. ‘Labour and Commerce in Locke and Early Eighteenth-Century English Georgic’. ELH 76.4 (2009): 963988.Google Scholar
Israel, Jonathan. Radical Enlightenment: Philosophy and the Making of Modernity 1650–1750. Oxford: Oxford University Press, 2001.Google Scholar
Jacob, Margaret C. Living the Enlightenment: Freemasonry and Politics in Eighteenth-Century Europe. New York: Oxford University Press, 1991.Google Scholar
Jacob, Margaret C.. The Origins of Freemasonry: Facts and Fictions. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
Jacob, Margaret C.. The Radical Enlightenment: Pantheists, Freemasons and Republicans. London: Allen and Unwin, 1981.Google Scholar
Jones, Robert W. Literature, Gender and Politics in Britain during the War for America. Cambridge: Cambridge University Press, 2012.Google Scholar
Joseph, Betty. Reading the East India Company, 1720–1840: Colonial Currencies of Gender. Chicago: University of Chicago Press, 2003.Google Scholar
Jusdanis, Gregory. ‘Enlightenment Postcolonialism’. Research in African Literatures 36. 3 (Fall 2005): 137150.Google Scholar
Justice, George. The Manufacturers of Literature: Writing and the Literary Marketplace in Eighteenth-Century England. Newark: University of Delaware Press, 2002.Google Scholar
Keener, Fredrick M. English Dialogues of the Dead: A Critical History, an Anthology, and a Check-List. New York: Columbia University Press, 1973.Google Scholar
Kelsall, Malcolm. ‘Terence and Steele’. In Essays on the Eighteenth-Century English Stage, ed. Richards, Kenneth and Thomson, Peter. London: Methuen, 1972.Google Scholar
Kenny, Virginia C. The Country-House Ethos in English Literature, 1688–1750: Themes of Personal Retreat and National Expansion. Brighton: Harvester, 1984.Google Scholar
Kidd, Colin. British Identities before Nationalism: Ethnicity and Nationhood in the Atlantic World 1600–1800. Cambridge: Cambridge University Press, 1999.Google Scholar
Kinservik, Mathew. Disciplining Satire: The Censorship of Satiric Comedy on the Eighteenth-Century London Stage. Lewisburg, PA: Bucknell University Press, 2002.Google Scholar
Klein, Lawrence E.Enlightenment as Conversation’. In What’s Left of Enlightenment: A Postmodern Question, ed. Michael Baker, Keith and Hanns Reiss, Peter. Stanford, CA: Stanford University Press, 2001.Google Scholar
Klein, Lawrence E. Shaftesbury and the Culture of Politeness: Moral Discourse and Cultural Politics in Early Eighteenth-Century England. Cambridge: Cambridge University Press, 2004.Google Scholar
Knight, Charles. A Political Biography of Richard Steele. London: Pickering and Chatto, 2009.Google Scholar
Kramnick, Isaac. Bolingbroke and His Circle: The Politics of Nostalgia in the Age of Walpole. Ithaca, NY: Cornell University Press, 1992.Google Scholar
Landry, Donna. The Muses of Resistance: Laboring-Class Women’s Poetry in Britain, 1739–1796. Cambridge: Cambridge University Press, 1990.Google Scholar
Laramie, Michael G. The European Invasion of North America: Colonial Conflict along the Hudson-Champlain Corridor, 1609–1760. Santa Barbara, CA: Praeger/ABC, 2012.Google Scholar
Le Guin, Elizabeth. ‘Opera Review: Charles Burney and The Cunning Man’. Eighteenth-Century Studies 44.1 (Fall 2010): 113116.Google Scholar
Lewis, Jayne. ‘“The Sorrow of Seeing the Queen”: Mary Queen of Scots and the British History of Sensibility, 1707–1789.’ In Passionate Encounters in a Time of Sensibility, ed. Novak, Maximillian E. and Mellor, Anne. London: Associated University Presses, 2000.Google Scholar
Lindley, Keith. Fenland Riots and the English Revolution. London: Heinneman, 1982.Google Scholar
Livingston, Chela. ‘Johnson and the Independent Woman: A Reading of Irene’. Age of Johnson: A Scholarly Annual 2 (1979): 212234.Google Scholar
Lock, Georgina. ‘The Siege of Damascus, 1764, at Mr Newcome’s School in Hackney’. Paper, Paying the Piper: The Economies of Amateur Performance, University of Notre Dame, June 28–29, 2014.Google Scholar
Loftis, John. Comedy and Society from Congreve to Fielding. Stanford, CA: Stanford University Press, 1959.Google Scholar
Loftis, John. The Politics of Drama in Augustan England. Oxford: Clarendon, 1963.Google Scholar
Macchi, Fernanda. Inas Illustrados: reconstrucciones imperiales en la primera mitad del siglo XVIII. Madrid: Iboamericana-Veruet, 2009.Google Scholar
MacKie, Erin. Market a la Mode: Community and Gender in the Tatler and the Spectator. Baltimore: Johns Hopkins University Press, 1997.Google Scholar
Malcolson, Robert J. Popular Recreations in English Society, 1700–1850. Cambridge: Cambridge University Press, 1979.Google Scholar
Mallipeddi, Ramesh. Spectacular Suffering: Witnessing Slavery in the Eighteenth-Century British Atlantic. Charlottesville: University of Virginia Press, 2016.Google Scholar
Maltby, William S. The Black Legend in England: The Development of Anti-Spanish Sentiment, 1558–1660. Durham, NC: Duke University Press, 1971.Google Scholar
Manning, Rita C.Rousseau’s Other Woman: Colette in “Le Devin du Village”’. Hypatia 16.2 (Spring 2001): 2742.Google Scholar
Mardock, James D. Our Scene Is London: Ben Jonson’s City and the Space of the Author. New York: Routledge, 2008.Google Scholar
Marsden, Jean. Fatal Desire: Women, Sexuality, and the English Stage 1660–1720. Ithaca, NY: Cornell University Press, 2006.Google Scholar
Marsden, Jean. Re-imagined Text: Shakespeare, Adaptation and Eighteenth-Century Literary Theory. Lexington: University Press of Kentucky, 1995.Google Scholar
Marsden, Jean. ‘Richard Cumberland’s The Jew and the Benevolence of the Audience: Performance and Religious Tolerance’. Eighteenth-Century Studies 48.4 (Summer 2015): 457477.Google Scholar
Marshall, David. The Figure of Theatre: Shaftesbury, Defoe, Adam Smith, and George Eliot. New York: Columbia University Press, 1986.Google Scholar
Marshall, John. John Locke, Toleration and Early English Enlightenment Culture. Cambridge: Cambridge University Press, 2006.Google Scholar
Marshall, Louise H. National Myth, Imperial Fantasy: Representations of British Identity in the Early Eighteenth Century. London: Palgrave, 2008.Google Scholar
Marshall, P. J. (ed.). The British Discovery of India. Cambridge: Cambridge University Press, 1970.Google Scholar
Matar, Nabil. ‘Islam in Britain, 1689–1750’. Journal of British Studies 47.2 (2008): 284300.Google Scholar
Mather, James. Pashas: Traders and Travellers in the Islamic World. New Haven, CT: Yale University Press, 2009.Google Scholar
Maurer, Shawn Lisa. Proposing Men: The Dialectics of Gender and Class in the Eighteenth-Century English Periodical. Stanford, CA: Stanford University Press, 1998.Google Scholar
McCall, Tom. ‘Liquid Politics: Towards a Theorization of ‘Bourgeois’ Tragic Drama’. South Atlantic Quarterly 98.3 (Summer 1999): 593622.Google Scholar
McCrea, Brian. Addison and Steele Are Dead: The English Department, the Canon, and the Professionalization of Literature. Newark: University of Delaware Press, 1990.Google Scholar
McGeavy, Thomas N. ‘John Hughes, 1668–1720’. In Oxford Dictionary of National Biography. www.oxforddnb.com.Google Scholar
McGirr, Elaine. Heroic Mode and Political Crisis, 1660–1745. Newark: University of Delaware Press, 2009.Google Scholar
McIntyre, Ian. Garrick. London: Allan Lane, 1999.Google Scholar
McNeil, David. ‘Dialogues on Military Affairs’. In Compendious Conversation: The Method of Dialogue in the Early Enlightenment, ed. Cope, Kevin L., 129137. Frankfurt: Peter Lang, 1992.Google Scholar
Miller, Christopher L. The French Atlantic Triangle: Literature and Culture of the Slave Trade. Durham, NC: Duke University Press, 2008.Google Scholar
Moody, Jane. Illegitimate Theatre in London, 1770–1840. Cambridge: Cambridge University Press, 2000.Google Scholar
Mullaney, Steven. The Place of the Stage: License, Play and Power in Renaissance England. Chicago: University of Chicago Press, 1988.Google Scholar
Murphy, Sean J. ‘Charles Lucas’. In Oxford Dictionary of National Biography. www.oxforddnb.com.Google Scholar
Muthu, Sankar (ed.). Empire and Modern Political Thought. Cambridge: Cambridge University Press, 2012.Google Scholar
Muthu, Sankar (ed.). Enlightenment against Empire. Princeton, NJ: Princeton University Press, 2003.Google Scholar
Nash, Richard. Wild Enlightenment: The Borders of Human Identity in the Eighteenth Century. Charlottesville: University of Virginia Press, 2003.Google Scholar
Nenadic, Stana (ed.). Scots in London in the Eighteenth Century. Lewisburg, PA: Bucknell University Press, 2010.Google Scholar
Nussbaum, Felicity. Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater. Philadelphia: University of Pennsylvania Press, 2010.Google Scholar
Nussbaum, Felicity. Torrid Zones: Maternity, Sexuality and Empire in Eighteenth-Century English Narratives. Baltimore: Johns Hopkins University Press, 1995.Google Scholar
O’Brien, Karen. ‘Imperial Georgic, 1660–1789’. In The Country and the City Revisited: England and the Politics of Culture, 1550–1850, ed. MacLean, Gerald, Landry, Donna, Ward, Joseph P. and Ward, Jo, 160179. Cambridge: Cambridge University Press, 1999.Google Scholar
O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge: Cambridge University Press, 2009.Google Scholar
O’Brien, Paula. ‘Miller, James (1704–1744)’. In Oxford Dictionary of National Biography. www.oxforddnb.com.Google Scholar
Okie, Laird. Augustan History Writing: Histories of England in the Early English Enlightenment. Lanham, MD: University Press of America, 1991.Google Scholar
O’Quinn, Daniel. Entertaining Crisis in the Atlantic Imperium 1770–1790. Baltimore: Johns Hopkins University Press, 2011.Google Scholar
O’Quinn, Daniel. Staging Governance: Theatrical Imperialism in London, 1770–1800. Baltimore: Johns Hopkins University Press, 2005.Google Scholar
O’Quinn, John. Harlequin Britain: Pantomime and Entertainment, 1690–1760. Baltimore: Johns Hopkins University Press, 2004.Google Scholar
Orr, Bridget. Empire on the English Stage, 1660–1714. Cambridge: Cambridge University Press, 2001.Google Scholar
Orr, Bridget. ‘Empire, Sentiment and Theatre’. In The Oxford Handbook of the Georgian Theatre, 1737–1832, ed. Swindells, Julia and Taylor, David Francis, 621637. Oxford: Oxford University Press, 2014.Google Scholar
Osborn, James M.Spence, Natural Genius, and Pope’. Philological Quarterly 45 (January 1966): 123137.Google Scholar
Pagden, Anthony. The Enlightenment and Why It Still Matters. New York: Random House, 2013.Google Scholar
Pagden, Anthony. European Encounters with the New World: From Renaissance to Romanticism. New Haven, CT: Yale University Press, 1993.Google Scholar
Pagden, Anthony. ‘The Savage Critic: Some European Images of the Primitive’. In The Uncertainties of Empire: Essays in Iberian and Ibero-American Intellectual History, 3942. Aldershot: Variorum, 1994.Google Scholar
Parry, Graham. The Trophies of Time: English Antiquarians of the Seventeenth Century. Oxford: Oxford University Press, 1995.Google Scholar
Pedicord, Henry William. ‘George Lillo and Speculative Masonry’. Philological Quarterly 53.3 (Summer 1974): 401412.Google Scholar
Masonic Theatre Pieces in London, 1730–1780’. Theatre Survey: The American Journal of Theatre History 25.2 (November 1984): 153166.Google Scholar
White Gloves at Five: Fraternal Patronage of London Theatres in the Eighteenth Century’. Philological Quarterly 45.1 (January 1966): 270288.Google Scholar
Perkins, Merle E.The Documentation of Voltaire’s Alzire’. Modern Language Quarterly 4 (1943): 433436.Google Scholar
Perkinson, Richard H.Topographical Comedy in the Seventeenth Century’. English Literary History 3 (1936): 270290.Google Scholar
Peter, Robert. ‘“The Fair Sex” in a “Male Sect”: Gendering the Role of Women in Eighteenth-Century English Freemasonry’. In Gender and Fraternal Orders in Europe 1300–2000, ed. Fedelman Cross, Maire, 133155. London: Palgrave Macmillan, 2010.Google Scholar
Phillips, Mark Sabor. Society and Sentiment: Genres of Historical Writing in Britain, 1740–1820. Princeton, NJ: Princeton University Press, 2000.Google Scholar
Picart, Bernard. The Ceremonies and Religious Customs of the Various Nations of the Known World. 7 vols. London: William Jackson, 1733.Google Scholar
Pincus, Steven. 1688: The First Modern Revolution. New Haven, CT: Yale University Press, 2009.Google Scholar
Pincus, Steven. ‘Addison’s Empire: Whig Conceptions of Empire in the Early Eighteenth Century’. Parliamentary History 31.1 (February 2012): 99117.Google Scholar
Pink, Andrew. ‘The Musical Culture of Free-Masonry in Early Eighteenth-Century London’. PhD diss., Goldsmiths College, University of London, 2007.Google Scholar
Pocock, J. G. A.Clergy and Commerce: The Conservative Enlightenment in England’. In L’eta dei lumi: Studi storici sul Settecento europeo in onore di Franco Venturi, 2 vols., ed. Ajello, Rafaelle et al. Naples, 1985.Google Scholar
Pocock, J. G. A.. Virtue, Commerce and History: Essays on Political Thought and History, Chiefly in the Eighteenth Century. Cambridge: Cambridge University Press, 1985.Google Scholar
Pollock, Anthony. ‘Neutering Addison and Steele: Aesthetic Failure and the Spectatorial Public Sphere’. English Literary History 74.3 (Fall 2007): 707734.Google Scholar
Popkin, Richard H.Hume’s Racism Reconsidered’. In The Third Force in Seventeenth-Century Thought. Leiden: Brill, 1992.Google Scholar
Porter, Joy. Native American Freemasonry: Associationalism and Performance in America. Lincoln: University of Nebraska Press, 2011.Google Scholar
Porter, Roy. Enlightenment: Britain and the Creation of the Modern World. London: Allen Lane, 2000.Google Scholar
Ragussis, Michael. Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain. Philadelphia: University of Pennsylvania Press, 2010.Google Scholar
Rasmussen, Dennis C. The Pragmatic Enlightenment: Recovering the Liberalism of Hume, Smith, Montesquieu and Voltaire. Cambridge: Cambridge University Press, 2013.Google Scholar
Reill, Peter Hanns, and Phillip Miller, David (eds.). Visions of Empire: Voyages, Botany and Representations of Nature. Cambridge: Cambridge University Press, 1996.Google Scholar
Revel, Jacques. ‘The Uses of Comparison: Religions in Early Eighteenth Century Culture’. In Bernard Picart and the First Global Vision of Religion, ed. Hunt, Lynn, Jacob, Margaret and Mijnhardt, Wijnand, 331347. Los Angeles: Getty Research Institute, 2010.Google Scholar
Richardson, John. ‘John Gay and Slavery’. Modern Language Review 97.1 (January 2002): 1525.Google Scholar
Rich Greer, Margaret, Mignolo, Walter D., and Quilligan, Maureen (eds.). Rereading the Black Legend: The Discourses of Religious and Racial Difference in the Renaissance Empires. Chicago: University of Chicago Press, 2007.Google Scholar
Richter, Daniel K. The Ordeal of the Longhouse: The People of the Iroquois League in the Era of European Colonization. Chapel Hill: University of North Carolina Press, 1982.Google Scholar
Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press, 1996.Google Scholar
Roach, Joseph. It. Ann Arbor: University of Michigan Press, 2007.Google Scholar
Robertson, John. The Case for the Enlightenment: Scotland and Naples, 1680–1760. Cambridge: Cambridge University Press, 2005.Google Scholar
Robinson, John Richard. Recusant Yeomen in the Counties of York and Lancaster: The Survival of a Catholic Farming Family. Kirstead: Frontier, 2003.Google Scholar
Rodger, N. A. M. The Command of the Ocean: A Naval History of Britain 1649–1815. New York: Norton, 2004.Google Scholar
Roelens, Maurice. Avec un Sauvage. Montreal: Lemeac, 1974.Google Scholar
Rosenfeld, Sybil. Strolling Players & Drama in the Provinces, 1660–1765. 1937. Reprint, New York: Octogon Books, 1970.Google Scholar
Rosenfeld, Sybil. Temples of Thespis: Some Private Theatres and Theatricals in England and Wales, 1700–1820. London: Society for Theatre Research, 1978.Google Scholar
Rosenfeld, Sybil. The York Theatre. London: Society for Theatre Research, 2001.Google Scholar
Russell, Gillian. ‘“Keeping Place”: Servants, Theater and Sociability in Mid-Eighteenth-Century Britain’. The Eighteenth-Century: Theory and Interpretation 42.1 (2001): 2142.Google Scholar
Russell, Gillian. Women, Sociability and Theatre in Georgian London. Cambridge: Cambridge University Press, 2007.Google Scholar
Ruthven, Melanie. Voltaire’s Fanaticism, or Mahomet the Prophet: A New Translation. Sacramento, CA: Litwin Books, 2013.Google Scholar
Sambrook, James. James Thomson, 1700–1748: A Life. Oxford: Clarendon, 1991.Google Scholar
Sayre, Gordon. The Indian Chief as Tragic Hero: Native Resistance and the Literature of the Americas from Moctezuma to Tecumseh. Chapel Hill: University of North Carolina Press, 2005.Google Scholar
Sayre, Gordon. Les Sauvages Americains: Representations of Native Americans in French and English Colonial Literature. Chapel Hill: University of North Carolina Press, 1997.Google Scholar
Schier, Donald. ‘Aaron Hill’s Translation of Voltaire’s Alzire’. In Studies on Voltaire and the Eighteenth Century, vol. 67, 4558. Geneva: Institut et Musee Voltaire, 1969.Google Scholar
Schmidgen, Wolfram. Exquisite Mixture: The Virtues of Impurity in Early Modern England. Philadelphia: University of Pennsylvania Press, 2012.Google Scholar
Schneider, Ben Ross Jr. (ed.). The London Stage 1660–1800. Carbondale: Southern Illinois University Press, 1979.Google Scholar
Scouller, Major R. E. The Armies of Queen Anne. Oxford: Clarendon, 1966.Google Scholar
Scurr, Helen Margaret. ‘Henry Brooke’. PhD diss.,University of Minnesota, 1922.Google Scholar
Shaftesley, John M.Jews in English Regular Freemasonry, 1787–1860’. Transactions of the Jewish Historical Society of England 25 (1973–1975): 150209.Google Scholar
Shevelow, Kathryn. Women and Print Culture: The Construction of Femininity in the Early Periodicals. London: Routledge, 1989.Google Scholar
Shields, Juliet. Sentimental Literature and Anglo-Scottish Identity, 1745–1820. Cambridge: Cambridge University Press, 2010.Google Scholar
Shouyi, Chen. ‘The Chinese Orphan: A Yuan Play: Its Influence on European Drama of the Eighteenth Century’. In The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries, ed. Hsia, Adrian. Hong Kong: Chinese University Press, 1998.Google Scholar
Simms, Brendan. Three Victories and a Defeat: The Rise and Fall of the First British Empire, 1714–1783. London: Penguin, 2008.Google Scholar
Sioui, Georges. For an Amerindian Autohistory: An Essay on the Foundations of a Social Ethic. Trans. Fischman, Sheila. Montreal: McGill-Queens University Press, 1992.Google Scholar
Smith, John Harrington. ‘Tony Lumpkin and the Country Booby Type in Antecedent English Comedy’. Publication of the Modern Language Association 58.4 (December 1943): 10381049.Google Scholar
Smyth, James. The Making of the United Kingdom: State, Religion and Identity in Britain and Ireland. London: Longmans, 2001.Google Scholar
Snader, Joe. Caught between Worlds: British Captivity Narratives in Fact and Fiction. Lexington: University Press of Kentucky, 2000.Google Scholar
Snell, K. D. M. Annals of the Labouring Poor: Social Change and Agrarian England, 1660–1900. Cambridge: Cambridge University Press, 1985.Google Scholar
Solomon, Harry M. The Rise of Robert Dodsley: Creating the New Age of Print. Carbondale: Southern Illinois University Press, 1996.Google Scholar
Southerne, Richard. Changeable Scenery: Its Origin and Development in the British Theatre. London: Faber and Faber, 1952.Google Scholar
Stam, Robert, and Ella Shohat, . ‘Where and Whither Postcolonial Theory’. New Literary History 43 (2012): 376.Google Scholar
Steffensen, James L. (ed.). The Dramatic Works of George Lillo, Including Silvia. Ed. Noble, Richard. Oxford: Clarendon, 1993.Google Scholar
Stromberg, R. N. Religious Liberalism in Eighteenth-Century England. Oxford: Clarendon, 1954.Google Scholar
Sudan, Rajani. The Alchemy of Empire: Abject Materials and the Technologies of Colonialism. New York: Fordham University Press, 2016.Google Scholar
Swaminathan, Srividhya. Debating the Slave Trade: Rhetoric of British National Identity, 1759–1815. Farnham: Ashgate, 2009.Google Scholar
Sweet, Rosemary. Antiquaries: The Discovery of the Past in Eighteenth-Century Britain. London: Hambledon, 2004.Google Scholar
Swindells, Julia. ‘The Political Context of the 1737 Licensing Act’. In The Oxford Handbook of the Georgian Theatre, 1737–1832, ed. Swindells, Julia and Francis Taylor, David. Oxford: Oxford University Press, 2014.Google Scholar
Sypher, Wylie. Guinea’s Captive Kings: British Anti-slavery Literature of the XVIIIth Century. New York: Octagon Books, 1969.Google Scholar
Tadmor, Naomi. Family and Friends in Eighteenth-Century England: Household, Kinship and Patronage. Cambridge: Cambridge University Press, 2001.Google Scholar
Tasch, Peter A. The Dramatic Cobbler: The Life and Works of Isaac Bickerstaff. Lewisburg, PA: Bucknell University Press, 1971.Google Scholar
Taylor, David Francis. Theatres of Opposition: Empire, Revolution and Richard Brinsley Sheridan. Oxford: Oxford University Press, 2012.Google Scholar
Thompson, E. P. Whigs and Hunters: The Origin of the Black Act. New York: Pantheon, 1975.Google Scholar
Toomer, G. J. Eastern Wisdom and Learning: The Study of Arabic in Seventeenth-Century England. Oxford: Clarendon, 1996.Google Scholar
Tracy, James D. The Rise of Merchant Empires: Long-Distance Trade in the Early Modern World. Cambridge: Cambridge University Press, 1990.Google Scholar
Transgott, John. ‘Heart and Mask and Genre in Sentimental Comedy’. Eighteenth-Century Life 10 (1986): 137.Google Scholar
Trevelyan, George Macaulay. England under Queen Anne. 3 vols. London: Longman, 1930.Google Scholar
Tucker, Herbert F. Jr.Goldsmith’s Comic Monster’. Studies in English Literature 19 (1973): 493494.Google Scholar
Turner, Henry S. The English Renaissance Stage: Geometry, Poetry, and the Practical Spatial Arts, 1580–1630. Oxford: Oxford University Press, 2006.Google Scholar
Urban, Eva. ‘Lessing’s Nathan the Wise: From the Enlightenment to the Berliner Ensemble’. New Theatre Quarterly 30.2 (May 2014): 183196.Google Scholar
Varner, John Grier. El Inca: The Life and Times of Garcilaso de la Vega. Austin: University of Texas Press, 1968.Google Scholar
von Maltzahn, Nicholas. ‘“Acts of Kind Service” and the Patriot Literature of Empire’. In Milton and the Imperial Vision, ed. Rajan, Balachandra and Sauer, Elizabeth. Pittsburgh: Duquesne University Press, 1999.Google Scholar
Warner, Wolf. ‘Eighteenth-Century Sensibility and Its Ambivalent Position in the ‘Herstory’ of Gender Roles: Cibber’s The Careless Husband; Lillo’s Silvia; and Richardson’s Pamela’. In Framing Women: Changing Frames of Representation from the Enlightenment to Postmodernism, ed. Carroll, Sandra, Pretzsch, Birgit and Wagner, Peter, 2550. Tübingen: Niemeyer, 2003.Google Scholar
Watkins, John. Representing Elizabeth in Stuart England. Cambridge: Cambridge University Press, 2002.Google Scholar
Wechselblatt, Martin. ‘Gender and Race in Yarico’s Epistles to Inkle: Voicing the Feminine/Slave’. Studies in Eighteenth-Century Culture 19 (1989): 197223.Google Scholar
Weber, David. Barbaros: The Spanish and Their Savages in the Age of Enlightenment. New Haven, CT: Yale University Press, 2005.Google Scholar
Weinbrot, Howard D. Britannia’s Issue: The Rise of British Literature from Dryden to Ossian. Cambridge: Cambridge University Press, 1993.Google Scholar
Widmayer, Anne F. Theatre and the Novel from Behn to Fielding. Oxford Studies in the Enlightenment. Oxford: Voltaire Foundation, 2015.Google Scholar
Wilkes, Thomas. The History of the Theatres of London and Dublin. 2 vols. Dublin: G. Faulkner and J. Exshaw, 1761.Google Scholar
Williams, Abigail. Poetry and the Creation of a Whig Literary Culture, 1681–1714. Oxford: Oxford University Press, 2005.Google Scholar
Williams, Raymond. The Country and the City. Cambridge: Cambridge University Press, 1973.Google Scholar
Wilson, Brett. A Race of Female Patriots. Lewisburg, PA: Bucknell University Press, 2012.Google Scholar
Wilson, Catherine. Epicureanism at the Origins of Modernity. Oxford: Clarendon, 2008.Google Scholar
Wilson, Kathleen. The Sense of the People: Politics, Culture and Imperialism in England, 1715–1785. Cambridge: Cambridge University Press, 1998.Google Scholar
Wood, Nigel. ‘Goldsmith’s “English Malady’”. Studies in the Literary Imagination 44.1 (Spring 2011): 6385.Google Scholar
Worrall, David. Harlequin Empire: Ethnicity and the Drama of the Popular Enlightenment. London: Pickering and Chatto, 2007.Google Scholar
Yang, Chi-Ming. Performing China: Virtue, Commerce and Orientalism in Eighteenth-Century England, 1660–1760. Baltimore: Johns Hopkins University Press, 2011.Google Scholar
Yeazell, Ruth. Harems of the Mind: Passages of Western Art and Literature. New Haven, CT: Yale University Press, 2000.Google Scholar
Young, Brian. Religion and Enlightenment in Eighteenth-Century England: Theological Debate from Locke to Burke. Oxford: Oxford University Press, 1998.Google Scholar
Zamora, Margarita. Language, Authority and Indigenous History in the Commentarios reales de los Incas. Cambridge: Cambridge University Press, 1988.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Bridget Orr, Vanderbilt University, Tennessee
  • Book: British Enlightenment Theatre
  • Online publication: 21 December 2019
  • Chapter DOI: https://doi.org/10.1017/9781108584494.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Bridget Orr, Vanderbilt University, Tennessee
  • Book: British Enlightenment Theatre
  • Online publication: 21 December 2019
  • Chapter DOI: https://doi.org/10.1017/9781108584494.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Bridget Orr, Vanderbilt University, Tennessee
  • Book: British Enlightenment Theatre
  • Online publication: 21 December 2019
  • Chapter DOI: https://doi.org/10.1017/9781108584494.008
Available formats
×