Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-m8s7h Total loading time: 0 Render date: 2024-07-17T16:03:25.702Z Has data issue: false hasContentIssue false

The Strange Name and Ambiguous Gestures of a Japanese Brechtian in the Social Combustion of Prewar Tokyo

Published online by Cambridge University Press:  09 February 2021

Get access

Summary

I. Koreya Senda: A Korean of Senda or a Japanese Brechtian Theater Director

In the third section of the 16th IBS symposium “Brecht Among Strangers: Foreign Affairs in a Global World,” discussions were held on issues such as “regional and social combustion,” “critical junctures of globalization,” “(being) forced to the margins, forgotten, and left behind socially and economically.” These are not only current issues of relevance in many places around the world. Similar problems existed in the cities of industrialized countries in the late nineteenth and early twentieth centuries. People who had lost their jobs in provinces or foreign countries in the process of industrialization moved to large cities as low-wage workers. Cities such as Tokyo, Yokohama, and Osaka in the late 1910s and the early 1920s were East Asian examples of the “critical junctures” of historical globalization. In some districts of these cities, not only people from Japanese rural areas but also from China, Taiwan, and Korea, which the Japanese government had colonized, worked in small factories under harsh conditions. The alleviation of their plights was one of the issues that social activists addressed in their political movements.

In the early 1920s, Kunio Ito (Koreya Senda, 1904–94), later known as one of the major Brechtian theater directors in Japan, studied theater and German literature at Waseda University in Tokyo, dreaming of making a career as an actor and a director. In September 1923, he encountered the extraordinary aggression of the Japanese against foreign citizens at the time of the Great Kanto Earthquake, which took a heavy toll of lives in and around Tokyo. In the utter chaos caused by the earthquake, he was mistaken for a Korean in his neighborhood and almost killed by his compatriots. In the five or six days following the earthquake, Korean citizens were believed to be preparing to attack Japanese citizens, and thousands of them were lynched by vigilante groups and even by police officers.

Soon after this experience, Ito began to call himself Koreya Senda, a Korean of Senda (which is the abbreviated form of Tokyo's Sendagaya district).

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×