Skip to main content Accessibility help
×
Hostname: page-component-68945f75b7-s5tfc Total loading time: 0 Render date: 2024-09-03T14:17:19.380Z Has data issue: false hasContentIssue false

Chapter Four - Equivalence

Published online by Cambridge University Press:  28 February 2023

Get access

Summary

The operations discussed in chapter 3 are generalized representations of compositional techniques whereby PC sets are derived from each other. However, not all relations between PC sets are based on derivation. This chapter and the following ones will deal with other relations, seen within a historical framework. In this chapter I will discuss the evolution of the concept of PC set equivalence.

Like the term “operation,” the term “relation” evokes the world of mathematics. In mathematics, more specifi cally in algebra, a relation is commonly conceived as an open sentence, designated P, connecting the elements of two collections, S and T. This open sentence is true or not true for each ordered pair of these elements. If s is an element of S, and t is an element of T, a relation can be defi ned as the collection of ordered pairs (s,t) for which the open sentence P is true. This is a subcollection of the entire collection of these pairs. A relation like this is called a relation “from S to T.

We will deal here with the special case in which S = T. Then, the relation is called “a relation in S.” In chapter 2, we defi ned the relation “is congruent modulo 12 with” for the collection of pitch values under twelve-tone equal temperament (PITCH). This relation singles out specifi c ordered pairs of pitch values from this collection, such as (14, −10), (5,29), or (10, −2). For these ordered pairs the relation obtains: 14 is congruent modulo 12 with −10, 5 is congruent modulo 12 with 29, and 10 is congruent modulo 12 with −2.

Definitions of Equivalence

The relation “is congruent modulo 12 with,” when it is defi ned on PITCH, is what algebra refers to as an “equivalence relation.” In chapter 2, we have seen that this relation satisfi es all three conditions of equivalence: refl exivity, symmetry, and transitivity. The concept of equivalence helps us bring large collections of musical elements down to reasonable proportions. PITCH can be mapped onto PITCHCLASS; and the collection of PC sets (PCSET) can be compressed by defi ning equivalences on the basis of certain transformations or common properties, as this chapter will show.

Type
Chapter
Information
Analyzing Atonal Music
Pitch-Class Set Theory and its Contexts
, pp. 84 - 129
Publisher: Boydell & Brewer
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Equivalence
  • Michiel Schuijer
  • Book: Analyzing Atonal Music
  • Online publication: 28 February 2023
  • Chapter DOI: https://doi.org/10.1017/9781580467117.005
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Equivalence
  • Michiel Schuijer
  • Book: Analyzing Atonal Music
  • Online publication: 28 February 2023
  • Chapter DOI: https://doi.org/10.1017/9781580467117.005
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Equivalence
  • Michiel Schuijer
  • Book: Analyzing Atonal Music
  • Online publication: 28 February 2023
  • Chapter DOI: https://doi.org/10.1017/9781580467117.005
Available formats
×