Keith Michael Green’s “Disabling Freedom: Bloody Shirt Rhetoric in Postbellum Slave Narratives” explores the mystifications and erasures of anti-Black violence that characterized Reconstruction-era writing.Green pays deep attention to how select narratives – especially the much-neglected Story of Mattie Jackson and Keckley’s better-known Behind the Scenes – strategically employed oblique narrativizations of Black pain and personhood to avoid pernicious narratives of Black unfitness and hyper-embodiment.Green draws on what he calls the “poetics of the bloody shirt” to study the ventriloquization of injury through surrogate objects and persons, with emphasis on not only Jackson and Keckley’s texts but also works by Sojourner Truth, Still, and William Wells Brown to underscore how indirect representations of injury helped postbellum slave narratives articulate the contradictions and risks of Black life and to revise ableist visions of freedom – in the process, contesting the erasure of Black pain in post-emancipation discourse.