Book contents
- Essays on Ancient Greek Literature and Culture
- Essays on Ancient Greek Literature and Culture
- Copyright page
- Contents
- Illustration and Tables
- Places of Original Publication
- Preface
- Editions and Abbreviations
- Introduction to Volume 1: Greek Poetry before 400 BC
- 1 Early Greek Elegy, Symposium and Public Festival (1986)
- 2 One That Got Away: Archilochus frr. 188–92 and Horace Odes 1.4 and 5 (1987)
- 3 Miles ludens? The Problem of Martial Exhortation in Early Greek Elegy ()
- 4 Lies, Fiction and Slander in Early Greek Poetry (1993)
- 5 Greek Table-Talk before Plato (1993)
- 6 The Theognidea: a Step towards a Collection of Fragments? (1997)
- 7 Early Greek Iambic Poetry: the Importance of Narrative (2001)
- 8 Ancestors of Historiography in Early Greek Elegiac and Iambic Poetry? ()
- 9 Sympotic Praise (2002)
- 10 Early Expatriates: Displacement and Exile in Archaic Poetry ()
- 11 From Archaic Elegy to Hellenistic Sympotic Epigram? (2007)
- 12 Sex and Politics in Archilochus’ Poetry (2008)
- 13 Wandering Poets, Archaic Style (2009)
- 14 Epigram as Narration (2010)
- 15 Historical Narrative in Archaic and Early Classical Greek Elegy (2010)
- 16 Stobaeus and Early Greek Melic, Elegiac and Iambic Poetry (2010)
- 17 Marathon in Fifth-Century Epigram (2010)
- 18 The Trojan War in Early Greek Melic, Iambic and Elegiac Poetry (2010)
- 19 Performing and Re-performing Helen:Stesichorus’ Palinode (2010)
- 20 Simonides of Eretria (redivivus?) (2010)
- 21 Alcman’s First Partheneion and the Song the Sirens sang (2011)
- 22 An Early Chapter in the History of the Theognidea (2012)
- 23 Stesichorus and Ibycus: Plain Tales from the Western Front (2012)
- 24 Epinicians and ‘Patrons’ (2012)
- 25 Unnatural Selection: Expurgation of Greek Melic, Elegiac and Iambic Poetry (2012)
- 26 Marathon, the 1500 Days after: Culture and Politics (2013)
- 27 The Sympotic Tease (2013)
- 28 Rediscovering Sacadas (2014)
- 29 Stesichorus’ Geryoneis and Greeks in the West (2014)
- 30 Stesichorus at Athens (2015)
- 31 Cultic Contexts for Elegiac Performance? (2016)
- 32 Quo usque tandem? How long were Sympotic Songs? (2016)
- 33 How did Sappho’s Songs get into the Male Sympotic Repertoire? (2016)
- 34 The Performance Contexts of Trochaic Tetrameters Catalectic (2018)
- 35 Alcaeus’ stasiotica: Catullan and Horatian Readings (2019)
- 36 Reconfiguring Archilochus: How have Papyri and Inscriptions changed Perceptions of Archilochus’ Iambic and Elegiac Poetry? (2020)
- Bibliography
- Index Locorum
- Index of Greek Terms
- General Index
11 - From Archaic Elegy to Hellenistic Sympotic Epigram? (2007)
Published online by Cambridge University Press: 11 December 2021
- Essays on Ancient Greek Literature and Culture
- Essays on Ancient Greek Literature and Culture
- Copyright page
- Contents
- Illustration and Tables
- Places of Original Publication
- Preface
- Editions and Abbreviations
- Introduction to Volume 1: Greek Poetry before 400 BC
- 1 Early Greek Elegy, Symposium and Public Festival (1986)
- 2 One That Got Away: Archilochus frr. 188–92 and Horace Odes 1.4 and 5 (1987)
- 3 Miles ludens? The Problem of Martial Exhortation in Early Greek Elegy ()
- 4 Lies, Fiction and Slander in Early Greek Poetry (1993)
- 5 Greek Table-Talk before Plato (1993)
- 6 The Theognidea: a Step towards a Collection of Fragments? (1997)
- 7 Early Greek Iambic Poetry: the Importance of Narrative (2001)
- 8 Ancestors of Historiography in Early Greek Elegiac and Iambic Poetry? ()
- 9 Sympotic Praise (2002)
- 10 Early Expatriates: Displacement and Exile in Archaic Poetry ()
- 11 From Archaic Elegy to Hellenistic Sympotic Epigram? (2007)
- 12 Sex and Politics in Archilochus’ Poetry (2008)
- 13 Wandering Poets, Archaic Style (2009)
- 14 Epigram as Narration (2010)
- 15 Historical Narrative in Archaic and Early Classical Greek Elegy (2010)
- 16 Stobaeus and Early Greek Melic, Elegiac and Iambic Poetry (2010)
- 17 Marathon in Fifth-Century Epigram (2010)
- 18 The Trojan War in Early Greek Melic, Iambic and Elegiac Poetry (2010)
- 19 Performing and Re-performing Helen:Stesichorus’ Palinode (2010)
- 20 Simonides of Eretria (redivivus?) (2010)
- 21 Alcman’s First Partheneion and the Song the Sirens sang (2011)
- 22 An Early Chapter in the History of the Theognidea (2012)
- 23 Stesichorus and Ibycus: Plain Tales from the Western Front (2012)
- 24 Epinicians and ‘Patrons’ (2012)
- 25 Unnatural Selection: Expurgation of Greek Melic, Elegiac and Iambic Poetry (2012)
- 26 Marathon, the 1500 Days after: Culture and Politics (2013)
- 27 The Sympotic Tease (2013)
- 28 Rediscovering Sacadas (2014)
- 29 Stesichorus’ Geryoneis and Greeks in the West (2014)
- 30 Stesichorus at Athens (2015)
- 31 Cultic Contexts for Elegiac Performance? (2016)
- 32 Quo usque tandem? How long were Sympotic Songs? (2016)
- 33 How did Sappho’s Songs get into the Male Sympotic Repertoire? (2016)
- 34 The Performance Contexts of Trochaic Tetrameters Catalectic (2018)
- 35 Alcaeus’ stasiotica: Catullan and Horatian Readings (2019)
- 36 Reconfiguring Archilochus: How have Papyri and Inscriptions changed Perceptions of Archilochus’ Iambic and Elegiac Poetry? (2020)
- Bibliography
- Index Locorum
- Index of Greek Terms
- General Index
Summary
A prominent feature of archaic and classical Greek symposia1 was the singing of songs in elegiac metre, songs that often mentioned and sometimes debated the conventions of their sympotic location of performance and that occasionally declared, bewailed or reflected upon ἔρως ‘sexual desire’. In the poems of the earliest generation of Hellenistic epigrammatists, Asclepiades, Callimachus, Hedylus and Posidippus, erotic and, rather less, sympotic themes are also prominent. Are the poems of the third-century poets lineal and (as it were) Darwinian descendants of elegy as sung between the seventh and the fifth centuries (as, for example, Reitzenstein argued),2 or are they the result of a conscious decision to create a new genre? Whatever answer is given, it can claim only probability, not certainty, since much is still debated about the performance and writing of epigram in the third century BC, and even more remains obscure concerning the performance, writing down and collection of archaic and classical elegy, of which most survives only in fragments and in only a few cases can we be sure we have a complete poem.3
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- Essays on Ancient Greek Literature and Culture , pp. 256 - 272Publisher: Cambridge University PressPrint publication year: 2021