22 August 2024: Due to technical disruption, we are experiencing some delays to publication. We are working to restore services and apologise for the inconvenience. For further updates please visit our website: https://www.cambridge.org/universitypress/about-us/news-and-blogs/cambridge-university-press-publishing-update-following-technical-disruption
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
Sir John Hawkins (1719–1789), lawyer, friend of Samuel Johnson and member of the Academy of Ancient Music, published his pioneering five-volume history in 1776 just after the first volume of Burney's. Hawkins' work suffered badly in the resulting competition between the two, partly because of his difficult personality, partly because of the scholarly style of the writing contrasting with Burney's more engaging approach. However, it is Hawkins' accuracy and attention to detail, his appreciation of sixteenth- and seventeenth-century music and his account of London music society in the early eighteenth century, supported by his painstaking research, which makes the History of indispensable value to music scholars. Whilst there are neither contents list nor chapter headings, there is an index, and each volume includes generous illustrations and musical examples. Volume 4 covers the seventeenth century, including portraits of Gibbons, Lully and Purcell, and discusses of Mersenne's Harmonie Universelle.
Loading metrics...
* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.
Usage data cannot currently be displayed.
