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The Central Mediterranean Penal Heritage Project (CMPHP) employs remote-sensing techniques to study and preserve archaeological remains of human confinement. Within this larger project, digital photogrammetry was used to document part of the castle prison in Noto Antica to identify and digitally preserve graffiti depicting galleys and gameboards.
‘Anglo-Saxon’ is a term with a long and nuanced history. This study assesses where the word itself comes from, why it has been felt appropriate to separate the pre-Conquest epoch from later English history and why the Anglo-Saxons have taken on so many different meanings in subsequent times. Beginning with the deployment of ‘Anglo-Saxon’ in the eighth to tenth centuries, the focus then turns to how the period before 1066 was constructed as a formative time for English national and institutional identity. This process began in the later Middle Ages, but the term ‘Anglo-Saxon’ itself only began to be used again in the sixteenth century. It later took on powerful political and cultural resonance, which eventually gave rise to a racial understanding of ‘Anglo-Saxon’. The difficult legacy of these many layers of later usage, including developments since the Victorian peak of Anglo-Saxonism, is also assessed.
The Architectural Image and Early Modern Science: Wendel Dietterlin and the Rise of Empirical Investigation explores how architectural media came to propel scientific discourse between the eras of Dürer and of Rubens. It is also the first English-language book to feature the polymathic, eccentric, and long-misunderstood artist Wendel Dietterlin (c. 1550–1599). Here, Elizabeth J. Petcu reveals how architectural paintings, drawings, sculptures, and prints became hotbeds of early modern empiricism, the idea that knowledge derives from sensory experience. She demonstrates how Dietterlin's empirical imagery of architecture came into dialogue with the image-making practices of early modern scientists, a rapport that foreshadowed the intimate relationships between architecture and science today. Petcu's astute insights offer historians of art, science, and architecture a new framework for understanding the role of architectural images in the foundations of modern science. She also provides a coherent narrative regarding the interplay between early modern art, architecture, and science as a catalyst for modern empirical philosophy.
One of the key pictorial developments of Renaissance art was a conceptualisation of painting as a mirror reflection of the visible world. The idea of painting as specular was argued in Renaissance art theory, demonstrated in art practice, and represented in painting itself. Both within the artist's workshop and within pictorial representation, the mirror-image became the instrument, the emblem, and the conceptual definition of what a painting was. In this volume, Genevieve Warwick brings a dual focus to the topic through an exploration of the early modern elision of the picture plane with the mirror – image. She considers the specular configuration of Renaissance painting from various thematic points of view to offer a fully interdisciplinary analysis of the mirror analogy that pervaded not only art theory and art-making, but also the larger cultural spheres of philosophy, letters, and scientific observation. Warwick's volume recasts our understanding of the inter-visual relationships between disciplines, and their consequences for a specular definition of Renaissance painting.
Opening with Leon Battista Alberti’s celebrated definition of painting as a reflection on the surface of the water according to the ancient myth of Narcissus, the introduction elucidates the analysis of the inset-mirror motif in Renaissance painting as a form of mise-en-abyme that was central to the conceptualisation and reception of early modern art.
In this first book devoted to Milton's engagement with Ireland, Lee Morrissey takes an archipelagic approach to his subject. The study focuses on the period before the Cromwellian Conquest, explaining Milton's emergence as a public figure because of Ireland and tracing the paradoxical resonances of Milton's republicanism in Ireland to this day. Informed by developments in Irish history but foregrounding a lucid discussion of Milton's governmental prose works, Morrissey explores the tension between Milton's long-established image as a proto-Enlightenment, democratic figure, and the historical reality of his association with a Protestant invading force. Milton's Ireland incisively negotiates this complex subject, addressing clear absences in Milton scholarship, in the history of Ireland, and in the fraught relationship between Ireland and England.
This article explores Naderid Iran's nature of statehood, position in international balance of power, and evolving diplomatic practice. It argues that from 1723 to 1747, the sovereign establishment in Iran remained fundamentally dynastic without giving way to territoriality, continued to acknowledge Ottoman superiority in hierarchy as well as power relations as a principle, and gradually began to adopt, for the first time, early modern specialized phenomena in diplomatic conduct. The study bases itself on the documentation produced by Iranian-Ottoman diplomacy from the Afghan overthrow in 1722 until the aftermath of Nāder Shah's murder in 1747, contextualizes these records in comparison to those of earlier centuries, and treats the Hotaki regime, the Safavid rump state, and Nāder's monarchy in Iran as a whole.
This study examines the credit market in seventeenth-century Stockholm, a rapidly growing city whose credit market is an early example of a market with both private and institutional actors. Using a sample of 1,500 probate inventories from 1679 to 1708, we focus on the practices and experiences of municipal and state servants, and we examine in detail the probate inventories of employees of the royal court. The latter group had their wages paid by the king in a world where being in arrears was the norm, and their spatial and social proximity to the Bank of the Estates made them potential pioneers in the movement towards an institutionalized and formalized capital market. The credit market has a mixed character, both in terms of the opportunities available to investors and in terms of their behavior. For people with a surplus of cash and good connections, money lending could be a way to increase their income. The court servants and many others moved seamlessly between institutional and private, as well as formal and informal, credit. The article shows that wage earners and state servants were central to the transformation of the early modern credit market. For them, the credit market and the bank offered investment opportunities that matched their skills and circumstances.
Civil War allegiance has long been a preoccupation of early modern British historians. They have weighed geographical, religious, political, and pragmatic reasons for British people to choose sides in 1642. A study of the changes of allegiance in the years that followed is just as important. Side-changing reveals the fractures and difficulties that war, regime change, and an uneasy peace created. Most scholarship has examined figures whose ideas and beliefs remained consistent as the world around them changed. This article argues that others changed their minds (and their side) because their ideas fundamentally shifted, through an engagement with oppositional literature, a royalist social environment, and relationships built with royalist agents. Through a case study of the parliamentarian Major-General Sir Thomas Myddelton it examines this process of change. The article takes the study of allegiance into the Interregnum and beyond to the Restoration, tracing the impact of Myddelton's reading, experiences, and actions upon his declared loyalty. To do this, the article proposes a methodology that cuts across historical approaches, using evidence from financial accounts, libraries, and legal cases alongside surviving correspondence and printed pamphlets to build a composite image of a changing mind.
I would like to thank Professor Ekirch for his reflections on ‘Have we lost sleep?’, which contain several points that I have already responded to within the paper following his peer review of my original submission to Medical History in 2023 (Professor Ekirch having voluntarily identified himself as a reviewer in a normally double-blind process). I acknowledge that the focus of my paper was on Ekirch’s original work from 2001; if I did not engage as he would have wished with his subsequent publications, this was simply because I do not perceive the same substantial developments in his thinking and research on the subject that he does. Indeed, the present critique by Ekirch amounts essentially to more of the same: a long list of references and quotes but little detailed discussion of any individual source. As my paper demonstrates, seemingly unambiguous evidence from a brief quotation can become less clear-cut when placed in context. I am sorry if I deploy the word ‘might’ more than Ekirch would like. This reflects, I hope, a healthy degree of uncertainty and intellectual humility in my approach to the complex issue of pre-industrial sleep. To extend Ekirch’s metaphor, if the jigsaw puzzle that both he and I are trying to assemble can take the form of a cat or a dog, it is possible that its true form is neither animal. The extent to which people woke in the night in pre-industrial Europe, the duration of such awakening, and the predominant cultural attitude towards this—concern, acceptance, or indifference—are topics about which it would seem wise to avoid sweeping statements and generalisations, given the relatively long period covered and the social, cultural, and individual diversity that must be taken into consideration. I can only repeat that I think amassing more brief references, and selectively citing relatively small physiological studies and anthropological evidence from global settings, is unlikely to provide much clarity, let alone definitive answers. I welcome Professor Ekirch’s contribution to this discussion as an indication that the question of segmented sleep in early modern Europe is by no means settled but is a matter of ongoing debate.
Adapting Francis Bacon's notion of revenge as a 'kind of wild justice', Noam Reisner shows how English Renaissance revenge drama takes the form of 'wild play'. These plays drew on complicated modes of audience participation and devices of metatheatricality, allowing audiences to test how abstract moral or ethical concepts play out in a performative arena of human action. Reisner demonstrates that their overwhelming popularity is best understood in terms of these 'mimetic ethical exercises' which they generated for their audiences. This study surveys a range of revenge plays from the period's commercial theatre, beginning with Kyd's The Spanish Tragedy and tracking the development of similar plays responding to Kyd's original design in late Elizabethan and early Jacobean drama. In the process it also provides a stage history of Kydian revenge drama with fresh readings of select plays by Marlowe, Shakespeare, Marston, Middleton and other early Jacobean playwrights.
This chapter proposes that early modern women essayists invoked anger to negotiate new modes of publicity in the nascent public sphere. By reading the writings of Jane Anger, Rachel Speght, and Margaret Cavendish alongside the history of humanist education, it shows that anger’s original object was not misogyny writ large, but the rhetorical training that limited women’s access to privileged protocols of speaking and writing. By the end of the early modern period, it argues, anger dissipates as the rise of salon conversation and letter writing expand the field in which literacy can be displayed, weakening rhetoric’s grip on the republic of letters.
The Introduction sets out the study’s main claims and methodological approach and explains the wide use in this study of the term ’mimetic ethical exercises’. In the process, it explains the distinction drawn in this study between ethics and religious morality. Finally, the Introduction addresses the question of genre and theatricality when studying early modern examples of English revenge plays and explains what is unique about the plays selected for analysis.
By tracing the dramatic spread of horses throughout the Americas, Feral Empire explores how horses shaped society and politics during the first century of Spanish conquest and colonization. It defines a culture of the horse in medieval and early modern Spain which, when introduced to the New World, left its imprint in colonial hierarchies and power structures. Horse populations, growing rapidly through intentional and uncontrolled breeding, served as engines of both social exclusion and mobility across the Iberian World. This growth undermined colonial ideals of domestication, purity, and breed in Spain's expanding empire. Drawing on extensive research across Latin America and Spain, Kathryn Renton offers an intimate look at animals and their role in the formation of empires. Iberian colonialism in the Americas cannot be explained without understanding human-equine relationships and the centrality of colonialism to human-equine relationships in the early modern world. This title is part of the Flip it Open Program and may also be available Open Access. Check our website Cambridge Core for details.
Through revealing the fascinating story of the Sufi master Aghā-yi Buzurg and her path to becoming the 'Great Lady' in sixteenth-century Bukhara, Aziza Shanazarova invites readers into the little-known world of female religious authority in early modern Islamic Central Asia, revealing a far more multifaceted gender history than previously supposed. Pointing towards new ways of mapping female religious authority onto the landscapes of early modern Muslim narratives, this book serves as an intervention into the debate on the history of women and religion that views gender as a historical phenomenon and construct, challenging narratives of the relationship between gender and age in Islamic discourse of the period. Shanazarova draws on previously unknown primary sources to bring attention to a rich world of female religiosity involving communal leadership, competition for spiritual superiority, and negotiation with the political elite that transforms our understanding of women's history in early modern Central Asia.
This chapter offers a historical power analysis from the Saxons to the end of Pitt the Younger’s premiership. In the liminal premiership, the ‘key’ minister/advisor behind the monarch, or Oliver Cromwell during the republic, had serious power, but cannot be considered a prime minister as their power was wholly dependent on the monarch, and the complex machinations of court politics. The important innovation is how the role of ‘lead’ minister developed, with the monarch’s agreement, into the more independent ‘prime’ minister. We contend that only with Robert Walpole’s accession to the office did the power of prime minister become apparent, the primary reason being the monarch’s (George I) reliance on Walpole to control Parliament for spending and the protection of the monarch’s power. However, it was only with Pitt the Younger’s premiership, which truly established more formal parts of the office – particularly the Treasury, the state/economy and the Cabinet – that we see the beginnings of the modern office we know today.
This chapter looks at what the Geniza archives tell us about Cairo’s community’s relationship with the Nile. Since its discovery by scholars in the late nineteenth century, this large and unique corpus of medieval and early modern manuscripts has allowed scholars to access part of the quotidian experience of Cairo’s – and to a wider degree Egypt’s – Jewish communities over centuries. It also documents their integration within transnational and diasporic webs that, just like Egypt’s agricultural surpluses, extended to Palestine and the wider Mediterranean. As is shown, the letters preserved in the Geniza complement, and at times disrupt, literary evidence. They notably do so by evoking a medieval world in which real disaster was perhaps never far away, and where the Nile, its waters, floods and promises or denial of sustenance, were always in view.
Cartography can help us understand how European knowledge of the topography and toponymy of the Delta has evolved over the centuries; however, we must be aware of the intellectual, social, religious and economic conditions under which maps were produced. Their content is far from exclusively geographic and the same map could show many levels of miscellaneous knowledge. Often, no European traveller had ever seen the cities drawn on the map. Consequently, before the nineteenth century, maps of Egypt and the Delta were unstable and contradictory – different maps expressed different Deltas, different representations of the world. The maps discussed in this chapter will paint a picture – a necessarily uncertain, shifting and composite picture – of knowledge acquired on the north of Egypt. This chapter will hopefully be a useful tool for understanding the evolution of European knowledge of the Delta and the research conducted in different places. By providing a list of the main documents, both cartographic and textual, relevant to the evolution of the cartography of the Delta, I hope to make place-specific research possible for those who wish it. It will also allow us to better understand what a thirteenth- or eighteenth-century map can say and not say.
Anke Charton takes the backstory of the canario, a baroque court dance, as an example to consider mixed methods in historiographic work. Marginalized knowledges, in particular, benefit from such an approach. Performance practices that have left few conventional traces behind can be explored more thoroughly if those traces are queried from different perspectives: reading archival sources against the grain, drawing on positionality, and engaging multiple temporal frameworks. The case of the canario illustrates the additional challenge – true for much of early modern Western theatre history – of working with a later, superimposed narrative that obscures an earlier, less-documented practice.
Japan between 1573 and 1651 underwent massive political and social transformation. The warlord Oda Nobunaga began the process of reunifying the archipelago after nearly a century of civil war, a process that was completed by his junior ally Toyotomi Hideyoshi. More conflict, both domestic and international, led to a third warlord, Tokugawa Ieyasu, positioning himself and his family as the new dynasty of military leaders who ruled a thoroughly pacified Japan beginning in 1603. His son, the second shogun Tokugawa Hidetada, and grandson, the third shogun Tokugawa Iemitsu, successively overcame diverse barriers to Tokugawa hegemony and incrementally established the early modern system that is often anachronistically assumed to have begun with Ieyasu. Their emphasis on pageantry, political immobility, strict control of borders, persecution of independent religion, and the constant threat of violence defined Tokugawa rule and allowed a fragile peace to persist until the mid-nineteenth century.