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This chapter turns to early Byzantine homiletics, beginning with the works of early fifth-century preachers including Hesychios of Jerusalem, Attikos, and Proklos of Constantinople. Problems with the dating and attribution of many of the earliest Marian hymns persist; this chapter offers new approaches to this subject. The preoccupation of fifth-century homilists remained Christological and we find few, if any, references to Mary’s intercessory power in the surviving sermons. However, the situation begins to change in the sixth century, with the homilies of (ps-)Basil of Seleucia, Severos of Antioch and Abraham of Ephesus displaying more interest in Mary’s human aspect and intercessory role between humanity and God. The sixth century is thus a turning point, as scholars have already remarked; with the addition of Marian feasts to the calendar during this period, preachers began to focus increasingly on the Virgin’s importance as a holy figure in her own right.
This section provides the main argument of the book, followed by historical background on the development of doctrine and devotion to the Virgin Mary up to the end of the fifth century and the flourishing of the cult from that period onward. This section is followed by one on literary genre, which attempts to justify the structure and argument of the book as a whole. A section on gender, which takes into account recent approaches to this subject in the Byzantine context, develops a methodology for studying the cult of the Virgin Mary. The Introduction finishes by outlining once again the goal of this study: it is to assess early and middle Byzantine texts on the Byzantine Virgin according to the diverse settings and audiences for which these were intended.
Conclusion: The final chapter sums up the findings of the book as a whole, assessing again whether its literary approach to the subject is productive. I also return to the question of gender, suggesting here that Mary embodies the characteristics (or virtues) of both genders to the extent that she becomes a paradoxical figure. I conclude that she appealed to both female and male devotees, since evidence of successful petitions from both genders survives. Finally, I point the way towards future studies that might follow the methodology that is employed in this book. Other literary genres that deal with the Virgin Mary require examination too; these include histories, chronicles, poetry, epistolography, polemical treatises and others.
This chapter covers a large literary category which I call ‘hagiographical’: it includes miracle stories that involve the Virgin Mary, full-length Lives of the Virgin (which began to be produced from the late eighth or early ninth century onward) and two Apocalypses. Many of the texts studied here are composed in a colloquial style that may have appealed to wider audiences in non-liturgical settings. This genre thus contrasts with the liturgical texts that are studied in the first four chapters: according to hagiography, Mary assumes power and agency that goes beyond her theological role in giving birth to Christ. Christians appeal to this female holy figure as one who is able to appeal to Christ and who is willing to help sinners or supplicants who despair of God’s direct favour. Christological teaching persists in these texts, but the emphasis has shifted to Mary’s intercessory role among Christians.
This chapter deals with the development of early hymnography (c. 400–600 CE), including the Syriac and Georgian texts that influenced, or witnessed to, the Greek tradition. After an introductory section that deals with the second-century Odes of Solomon and fourth-century hymns of Ephrem the Syrian, the chapter moves on to fifth- and sixth-century Syriac poetry and dialogues, followed by important Greek hymns such as the Akathistos. The chapter concludes with sections on the Akathistos Hymn and on the sixth-century hymnographer Romanos the Melodist, who was responsible for creating a more human, as opposed to symbolic, literary image of the Virgin. Romanos remained influential for both hymnography and homiletics in subsequent centuries, as liturgical writers elaborated the image of the Virgin Mary as human mother and intercessor for their audiences.
I return to hymnography in this chapter, looking at the development of a full calendar of Marian praise between about 600 and 1000 CE. The main source of Marian hymnography is the major feasts, which include the Virgin’s Nativity, Entrance into the Temple, Annunciation, Dormition and others. The festal hymns, which include kontakia, stichera, kanons and various other forms, provide Christological teaching, although intercessory supplication to the Virgin may also play a role in short hymns known as theotokia. It is especially in the weekday services that we find intense supplication to the Theotokos, particularly on Wednesdays and Fridays. Her human lament at the foot of the cross, which was remembered on those days throughout the liturgical year, may symbolise the contrition that was expected of monks and nuns at all times; it also highlights Mary’s human qualities, which came to be understood as models for ascetics to imitate.
The festal homilies of the middle Byzantine period are covered in this chapter, following the introduction of major Marian feasts between the sixth and early eighth century. These works provide a combination of Christological teaching, which is often presented by means of typological rather than discursive methods, along with narrative – some of which comes from apocryphal rather than canonical biblical texts. Although the Virgin remained important as the guarantor of Christ’s humanity and divinity in this period, growing interest in her own legendary story and personal holiness is reflected in the festal homilies. The homiletic category called ‘occasional’ meanwhile provides narrative concerning Mary’s intervention in human catastrophes such as the siege of the Avars and Persians on Constantinople in 626 CE. The homiletic genre, as practised by preachers of the middle Byzantine period, thus encompassed a range of didactic and panegyrical purposes.
The Virgin Mary assumed a position of central importance in Byzantium. This major and authoritative study examines her portrayal in liturgical texts during the first six centuries of Byzantine history. Focusing on three main literary genres that celebrated this holy figure, it highlights the ways in which writers adapted their messages for different audiences. Mary is portrayed variously as defender of the imperial city, Constantinople, virginal Mother of God, and ascetic disciple of Christ. Preachers, hymnographers, and hagiographers used rhetoric to enhance Mary's powerful status in Eastern Christian society, depicting her as virgin and mother, warrior and ascetic, human and semi-divine being. Their paradoxical statements were based on the fundamental mystery that Mary embodied: she was the mother of Christ, the Word of God, who provided him with the human nature that he assumed in his incarnation. This title is also available as Open Access on Cambridge Core.
This chapter turns to early Byzantine homiletics, beginning with the works of early fifth-century preachers including Hesychios of Jerusalem, Attikos, and Proklos of Constantinople. Problems with the dating and attribution of many of the earliest Marian hymns persist; this chapter offers new approaches to this subject. The preoccupation of fifth-century homilists remained Christological and we find few, if any, references to Mary’s intercessory power in the surviving sermons. However, the situation begins to change in the sixth century, with the homilies of (ps-)Basil of Seleucia, Severos of Antioch and Abraham of Ephesus displaying more interest in Mary’s human aspect and intercessory role between humanity and God. The sixth century is thus a turning point, as scholars have already remarked; with the addition of Marian feasts to the calendar during this period, preachers began to focus increasingly on the Virgin’s importance as a holy figure in her own right.
I return to hymnography in this chapter, looking at the development of a full calendar of Marian praise between about 600 and 1000 CE. The main source of Marian hymnography is the major feasts, which include the Virgin’s Nativity, Entrance into the Temple, Annunciation, Dormition and others. The festal hymns, which include kontakia, stichera, kanons and various other forms, provide Christological teaching, although intercessory supplication to the Virgin may also play a role in short hymns known as theotokia. It is especially in the weekday services that we find intense supplication to the Theotokos, particularly on Wednesdays and Fridays. Her human lament at the foot of the cross, which was remembered on those days throughout the liturgical year, may symbolise the contrition that was expected of monks and nuns at all times; it also highlights Mary’s human qualities, which came to be understood as models for ascetics to imitate.
Conclusion: The final chapter sums up the findings of the book as a whole, assessing again whether its literary approach to the subject is productive. I also return to the question of gender, suggesting here that Mary embodies the characteristics (or virtues) of both genders to the extent that she becomes a paradoxical figure. I conclude that she appealed to both female and male devotees, since evidence of successful petitions from both genders survives. Finally, I point the way towards future studies that might follow the methodology that is employed in this book. Other literary genres that deal with the Virgin Mary require examination too; these include histories, chronicles, poetry, epistolography, polemical treatises and others.
The festal homilies of the middle Byzantine period are covered in this chapter, following the introduction of major Marian feasts between the sixth and early eighth century. These works provide a combination of Christological teaching, which is often presented by means of typological rather than discursive methods, along with narrative – some of which comes from apocryphal rather than canonical biblical texts. Although the Virgin remained important as the guarantor of Christ’s humanity and divinity in this period, growing interest in her own legendary story and personal holiness is reflected in the festal homilies. The homiletic category called ‘occasional’ meanwhile provides narrative concerning Mary’s intervention in human catastrophes such as the siege of the Avars and Persians on Constantinople in 626 CE. The homiletic genre, as practised by preachers of the middle Byzantine period, thus encompassed a range of didactic and panegyrical purposes.