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18 results

  • Introduction

  • Edited by Jonathan Baldo, University of Rochester, New York, Isabel Karremann, University of Zurich
  • Book:
    Memory and Affect in Shakespeare's England
    Published online:
    07 June 2023
    Print publication:
    27 July 2023, pp 1-22

  • Summary

    The Introduction makes a case for reuniting memory studies and affect studies: like twins separated at birth, these two vibrant fields of in the study of Renaissance literature and culture have existed alongside each other, in spite of their conceptual entanglement, since antiquity. An overview of recent developments in contemporary theorizations of memory and affect is followed by an investigation of how they might be connected in the historical frameworks of early modern faculty psychology, Galenic humoralism, and, to use a modern term, distributed cognition.

Memory and Affect in Shakespeare's England
  • Edited by Jonathan Baldo, Isabel Karremann
  • Published online:
    07 June 2023
    Print publication:
    27 July 2023
  • This is the first collection to systematically combine the study of memory and affect in early modern culture. Essays by leading and emergent scholars in the field of Shakespeare studies offer an innovative research agenda, inviting new, exploratory approaches to Shakespeare's work that embrace interdisciplinary cross-fertilization. Drawing on the contexts of Renaissance literature across genres and on various discourses including rhetoric, medicine, religion, morality, historiography, colonialism, and politics, the chapters bring together a broad range of texts, concerns, and methodologies central to the study of early modern culture. Stimulating for postgraduate students, lecturers, and researchers with an interest in the broader fields of memory studies and the history of the emotions – two vibrant and growing areas of research – it will also prove invaluable to teachers of Shakespeare, dramaturges, and directors of stage productions, provoking discussions of how convergences of memory and affect influence stagecraft, dramaturgy, rhetoric, and poetic language.

  • Chapter 2 - Spiritual Accountancy in the Age of Shakespeare

  • from Part I - The Arts of Remembering Death
  • Edited by William E. Engel, University of the South, Sewanee, Tennessee, Rory Loughnane, University of Kent, Canterbury, Grant Williams, Carleton University, Ottawa
  • Book:
    Memory and Mortality in Renaissance England
    Published online:
    06 October 2022
    Print publication:
    13 October 2022, pp 45-60

  • Summary

    Shakespeare inherited from the Middle Ages a long-standing association between debt and death. As a consequence of the Reformation’s elimination of purgatory, however, the relationship between debt and death had recently undergone a sea change. This chapter aims to show how a repeated pun of Shakespeare’s, one binding ‘debt’ to ‘death’, signals a shift in the relation between the living and the dead in early modern England: one brought about by the Reformation, and specifically its denial of purgatory. The reconfiguring of relations between the dead and their survivors turned largely on the idea of debt, especially that of a spiritual debt accrued over a lifetime as the commission of sins exceeded their remission. For the people of pre-Reformation England, purgatory was a debtor’s prison in which souls would suffer a temporal punishment for sins that had been forgiven, but for which they still owed a debt. Central to a post-Reformation understanding of the relation between debt and death was the growing practice of double-entry bookkeeping. Double-entry’s key idea of ‘balance’ bore heavy theological implications, evoking the scales of justice and the symmetry of a divine plan.