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Guy Westwell, Parallel Lines: Post 9/11 American Cinema (London and New York: Wallflower Press, 2014, $27.00/£18.50). Pp. 240. isbn978 0 2311 7202 8.
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- Journal of American Studies / Volume 50 / Issue 2 / May 2016
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- 31 March 2016, E34
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- May 2016
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About the editors and authors
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- The High Court, the Constitution and Australian Politics
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- 05 March 2015
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- 16 February 2015, pp xi-xii
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Acknowledgments
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- Cinema at the Margins
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- 05 March 2014
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- 01 December 2013, pp ix-x
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11 - Margin Call: An Interview with J. C. Chandor
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- 10 September 2020
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- 01 December 2013, pp 135-146
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8 - Beyond Characterization: Performance in 1960s Experimental Cinema
- from PART II - HISTORY
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- 05 March 2014
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- 01 December 2013, pp 91-104
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6 - Fast Worker: The Films of Sam Newfield
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- Cinema at the Margins
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- 10 September 2020
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- 01 December 2013, pp 61-76
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About the Author
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- 10 September 2020
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- 01 December 2013, pp 213-214
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Index
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- 01 December 2013, pp 215-220
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3 - Flash Gordon and the 1930s and '40s Science Fiction Serial
- from PART I - GENRE
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- Cinema at the Margins
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- 05 March 2014
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- 01 December 2013, pp 19-30
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Cinema at the Margins
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- 10 September 2020
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- 01 December 2013
14 - Andrew V. McLaglen: Last of the Hollywood Professionals
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- 10 September 2020
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- 01 December 2013, pp 179-194
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Frontmatter
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- 01 December 2013, pp i-iv
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7 - The Power of Resistance: Les Dames du Bois de Boulogne
- from PART II - HISTORY
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- 05 March 2014
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- 01 December 2013, pp 77-90
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PART I - GENRE
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- 01 December 2013, pp 1-2
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Contents
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- 01 December 2013, pp vii-viii
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Acknowledgments
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- 10 September 2020
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- 01 December 2013, pp ix-x
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Works Cited and Consulted
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- 01 December 2013, pp 205-212
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15 - Pop Star, Director, Actor: An Interview with Michael Sarne
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- 10 September 2020
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- 01 December 2013, pp 195-204
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9 - Vanishing Point: The Last Days of Film
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- 01 December 2013, pp 105-116
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5 - The Disquieting Aura of Fabián Bielinsky
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- 10 September 2020
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- 01 December 2013, pp 43-58
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