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7 - Belief and Unbelief in the Twenty-First Century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)
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- Religion in Contemporary German Drama
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- 05 May 2013
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- 15 March 2013, pp 131-142
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4 - Theological Farce: George Tabori's Mein Kampf
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- Religion in Contemporary German Drama
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- 05 May 2013
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- 15 March 2013, pp 67-90
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Bibliography
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- Religion in Contemporary German Drama
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- 15 March 2013, pp 147-160
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Frontmatter
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- 15 March 2013, pp i-vi
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Introduction: Definitions and Themes
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- 15 March 2013, pp 1-14
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5 - “The Last Refuge for Metaphysics”: Werner Fritsch's Theater Theory
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- Religion in Contemporary German Drama
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- 15 March 2013, pp 91-106
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1 - The Relationship between Theater and Religion
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- Religion in Contemporary German Drama
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- 15 March 2013, pp 15-22
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3 - “No One Wants to Get to God Anymore”? Botho Strauß's Groß und klein and Die eine und die andere
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- Religion in Contemporary German Drama
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- 05 May 2013
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- 15 March 2013, pp 49-66
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Index
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- Religion in Contemporary German Drama
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- 15 March 2013, pp 161-168
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Acknowledgments
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- Religion in Contemporary German Drama
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- 15 March 2013, pp ix-x
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2 - Religion in Modern European Theater and Drama
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- Religion in Contemporary German Drama
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- 05 May 2013
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- 15 March 2013, pp 23-48
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Contents
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- Religion in Contemporary German Drama
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- 15 March 2013, pp vii-viii
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Religion in Contemporary German Drama
- Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss
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- 15 March 2013
Conclusion
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- Religion in Contemporary German Drama
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- 15 March 2013, pp 143-146
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6 - “The Feeling of Faith”: Fritsch's Wondreber Totentanz and Aller Seelen
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- Religion in Contemporary German Drama
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- 05 May 2013
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- 15 March 2013, pp 107-130
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