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Conclusion
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3 - Jacques Callot’s Capricci di varie figure (1617): The Allusive Imagery of the Everyday, Represented ‘from Life’ and Emulating a Text
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Frontmatter
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Introduction: Depicting from Life
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5 - The Absent Eyewitness: the Revolt of Masaniello and Depiction Dal Vivo in the Middle of the Seventeenth Century
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Acknowledgements
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4 - The Motif of the Shooting Man, and Capturing the Urban Scene: Claude Lorrain and the Bamboccianti
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1 - Caravaggio’s Physiognomy
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Illustration List
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Index
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9789048533268/resource/name/9789048533268i.jpg)
Representing from Life in Seventeenth-century Italy
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Contents
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2 - Jacques Callot, Drawing Dal Vivo around 1620: Commerce in Florence, Piracy on the High Seas
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Carl Goldstein. Print Culture in Early Modern France: Abraham Bosse and the Purposes of Print. Cambridge: Cambridge University Press, 2012. xvi + 222 pp. $99. ISBN: 978–1–107–01214–1.
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- Renaissance Quarterly / Volume 65 / Issue 4 / Winter 2012
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- 20 November 2018, pp. 1283-1284
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