Founded in 1993, the Golden Bough Performance Society is one of Taiwan's foremost contemporary theatre companies, dedicated to decolonizing and localizing the theatre scene. Taking one of the company's most significant works to date, The Lady Knight-Errant of Taiwan – Peh-sio-lan, this article examines how cultural hybridity has come to inform the company's aesthetics, philosophy and practice in ways that serve to create an effective enunciatory site for the purposes of decolonization and empowerment.