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- Art and Pluralism
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- 03 August 2012, pp 473-490
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Contents
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25 - The last years
- from Section D - Alternatives, 1971–1988
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- 03 August 2012, pp 422-425
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18 - Art autre
- from Section B - Continuum, 1952–1961
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- 03 August 2012, pp 95-98
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11 - The communications network
- from Section C - Abundance, 1961–1971
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- 03 August 2012, pp 213-219
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21 - The co-ops and ‘alternative’ spaces
- from Section D - Alternatives, 1971–1988
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- 03 August 2012, pp 400-408
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26 - British art and the USA: The Middle Generation
- from Section B - Continuum, 1952–1961
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- 03 August 2012, pp 128-131
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Art and Pluralism
- Lawrence Alloway’s Cultural Criticism
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9 - Information Theory
- from Section B - Continuum, 1952–1961
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- 03 August 2012, pp 53-55
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11 - The realist ‘revival’
- from Section D - Alternatives, 1971–1988
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- 03 August 2012, pp 348-355
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1 - Arrival in the USA and ‘Clemsville’
- from Section C - Abundance, 1961–1971
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- 03 August 2012, pp 167-170
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8 - Women's art and criticism, 1975
- from Section D - Alternatives, 1971–1988
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- 03 August 2012, pp 334-337
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7 - Art as human evidence
- from Section C - Abundance, 1961–1971
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- 03 August 2012, pp 189-195
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24 - Alloway and Greenberg
- from Section B - Continuum, 1952–1961
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- 03 August 2012, pp 121-124
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10 - Group 12 and Information Theory
- from Section B - Continuum, 1952–1961
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2 - Junk art
- from Section C - Abundance, 1961–1971
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4 - Curator at the Guggenheim
- from Section C - Abundance, 1961–1971
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2 - Alloway and the politicization of art, 1968–1970
- from Section D - Alternatives, 1971–1988
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25 - Violent America
- from Section C - Abundance, 1961–1971
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- 03 August 2012, pp 279-285
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19 - Alloway's Nation criticism
- from Section C - Abundance, 1961–1971
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- 03 August 2012, pp 248-251
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