5 results
The Playwright's Art: Conversations with Contemporary American Dramatists. Edited by Jackson R. Bryer. New Brunswick, New Jersey: Rutgers University Press. Pp. xvii + 316 + illus. $48; 16.95 Pb.
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- Journal:
- Theatre Research International / Volume 21 / Issue 2 / Summer 1996
- Published online by Cambridge University Press:
- 23 January 2009, pp. 186-187
- Print publication:
- Summer 1996
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Making Plays: The Writer-Director Relationship in the Theatre Today. By Richard Nelson & David Jones. (Edited by Colin Chambers.) London: Faber & Faber, 1995. Pp. xviii + 165. £7.99.
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- Journal:
- Theatre Research International / Volume 21 / Issue 1 / Spring 1996
- Published online by Cambridge University Press:
- 23 January 2009, pp. 88-89
- Print publication:
- Spring 1996
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The Actor's Ways and Means. By Michael Redgrave. London and New York: Nick Hern Books and Routledge, 1995. Pp. xiv + 130 + illus. £9.99.
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- Journal:
- Theatre Research International / Volume 20 / Issue 3 / Autumn 1995
- Published online by Cambridge University Press:
- 23 January 2009, pp. 289-290
- Print publication:
- Autumn 1995
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Before Stanislavsky: American Professional Acting Schools and Acting Theory 1875–1925. By James H. McTeague. Metuchen, NJ and London: Scarecrow Press, 1994. Pp. xviii + 298. $39.50.
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- Journal:
- Theatre Research International / Volume 19 / Issue 3 / Autumn 1994
- Published online by Cambridge University Press:
- 23 January 2009, pp. 277-278
- Print publication:
- Autumn 1994
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Bit Parts in Shakespeare's Plays. By M. M. Mahood. Cambridge: Cambridge University Press. 1993. Pp. 252. £35.
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- Journal:
- Theatre Research International / Volume 18 / Issue 2 / Summer 1993
- Published online by Cambridge University Press:
- 23 January 2009, pp. 144-145
- Print publication:
- Summer 1993
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