Every historian addressing himself to the study of American slavery immediately confronts the paucity of sources. Significant documents written by slaves or former slaves are sufficiently scarce and difficult to work with that the slaves' view of slavery, in spite of recent publications, is still an underdeveloped area. In the almost fifteen years since Stanley Elkins stirred up swells of controversy by contending that slaves were characterized by a docile, childlike, ‘ Sambo ’ personality, historians have begun to employ concepts developed by psychologists, anthropologists, and sociologists and to examine previously neglected sources such as slave autobiographies and recollections. But even these attempts stop far short of a radical departure from approaches traditionally employed by American historians. Although slave songs have been of interest for decades, with some recent exceptions, they have yielded few significant or surprising insights.