5 results
Sources of Identity: Makers, Owners, and Users of Music Sources before 1600. Lisa Colton and Tim Shephard, eds. Collection “Épitome musical.” Turnhout: Brepols, 2017. 340 pp. €55.
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- Journal:
- Renaissance Quarterly / Volume 71 / Issue 4 / Winter 2018
- Published online by Cambridge University Press:
- 14 January 2019, pp. 1551-1552
- Print publication:
- Winter 2018
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Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530. Tim Shephard. Oxford: Oxford University Press, 2014. xii + 170 pp. $49.95.
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- Journal:
- Renaissance Quarterly / Volume 69 / Issue 1 / Spring 2016
- Published online by Cambridge University Press:
- 20 November 2018, pp. 347-348
- Print publication:
- Spring 2016
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Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. Tim Carter and Richard A. Goldthwaite. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiv + 480 pp. $49.95.
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- Journal:
- Renaissance Quarterly / Volume 68 / Issue 2 / Summer 2015
- Published online by Cambridge University Press:
- 20 November 2018, pp. 675-677
- Print publication:
- Summer 2015
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INTERMEDIO II - ‘Ahi, come a un vago sol cortese giro’ (1605)
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- Book:
- The Cambridge Companion to Monteverdi
- Published online:
- 28 September 2011
- Print publication:
- 13 December 2007, pp 111-118
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6 - The Mantuan madrigals and Scherzi musicali
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- Book:
- The Cambridge Companion to Monteverdi
- Published online:
- 28 September 2011
- Print publication:
- 13 December 2007, pp 95-110
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