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Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought (Cambridge: Cambridge University Press, 2003). x + 218pp. $90
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- Nineteenth-Century Music Review / Volume 2 / Issue 2 / November 2005
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- 13 April 2011, pp. 179-182
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Contents
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- Schenker's Argument and the Claims of Music Theory
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- 28 October 2009
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- 03 October 1996, pp vii-viii
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I - The appeal to psychology
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- Schenker's Argument and the Claims of Music Theory
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- 03 October 1996, pp 1-35
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Frontmatter
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- Schenker's Argument and the Claims of Music Theory
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- 03 October 1996, pp i-vi
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Index of subjects
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- Schenker's Argument and the Claims of Music Theory
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- 03 October 1996, pp 150-152
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Schenker's Argument and the Claims of Music Theory
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- 28 October 2009
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- 03 October 1996
Foreword by Ian Bent
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- Schenker's Argument and the Claims of Music Theory
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- 03 October 1996, pp ix-xii
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III - The objective synthesis
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- 03 October 1996, pp 86-135
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Preface
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- Schenker's Argument and the Claims of Music Theory
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- 03 October 1996, pp xiii-xx
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II - The historiological imperative
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- 03 October 1996, pp 36-85
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Bibliography
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- Schenker's Argument and the Claims of Music Theory
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- 03 October 1996, pp 136-145
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Index of proper names
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- Schenker's Argument and the Claims of Music Theory
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- 28 October 2009
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- 03 October 1996, pp 146-149
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