The body of knowledge that constituted British imperial writing, and the expression that interacted with it were attempts to engage European readership on the imperial adventure in Africa in the age of the new imperialism. This study is an attempt to address the complex issues involved in the production of historical knowledge about precolonial Benin to justify British colonial rule. The argument advanced in this paper is that, since imperial discourse set out to deal with history in terms of civilization, British imperial writing was a struggle to articulate certain ideas about Benin into a position of dominance before the British public. As Mary Louise Pratt explains, “depicting the civilizing mission as an aesthetic project is a strategy the west has often used for defining others as available for and in need of its benign and beautifying intervention.” British imperial discourse will form the basis of the discussion in this paper.
Imperial discourse and its subjectivity raises questions about issues of power and privilege of those writers who were determined to sustain their voices in the debate on European imperialism in Africa. Their approach to the constitution of knowledge about Benin was one of many ways that opened the frontiers of knowledge about African states and societies to redefine civilization, albeit for the purposes of understanding various meanings and implications in this intellectual assault. This provides a vital entry point for examining the European colonial approach to the construction of the image of Africa. The aim is to demonstrate how this process suggests a connection from imperial expansionism to forms of knowledge and expression that reaffirmed metropolitan authority in the context of colonial subjugation.