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7 - J. S. Bach’s Passacaglia in C Minor, BWV 582: A Case Study
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- Bach and the Pedal Clavichord
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- 01 February 2004, pp 129-148
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Contents
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- 01 February 2004, pp vii-vii
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Lists of Figures, Tables, and Music Examples
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- 01 February 2004, pp viii-ix
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3 - Reconstructing the Gerstenberg Pedal Clavichord
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- 01 February 2004, pp 52-68
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Notes
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- 01 February 2004, pp 172-186
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2 - J. S. Bach’s Trio Sonatas: A Reception History of a Rumor
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- 01 February 2004, pp 32-51
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Bibliography
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- 01 February 2004, pp 187-198
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Eastman Studies in Music
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- 01 February 2004, pp 206-209
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4 - J. S. Bach and the Clavichord: A Reception History of a Technique
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- 01 February 2004, pp 69-88
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Index
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- 01 February 2004, pp 199-205
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6 - Musica Poetica and Figural Notation
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- 01 February 2004, pp 114-128
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5 - Performance Practice at the Pedal Clavichord
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- 01 February 2004, pp 95-113
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781580466349/resource/name/9781580466349i.jpg)
Bach and the Pedal Clavichord
- An Organist's Guide
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Prelude - Organology, Reception History, and Reconstruction
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- 01 February 2004, pp 13-16
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Frontmatter
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Prelude - Tacit Knowledge and Dialectical Process
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- 01 February 2004, pp 91-94
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1 - The Historical Pedal Clavichord
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- 01 February 2004, pp 17-31
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Acknowledgments
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Part Two - Performance Practice Studies
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- 01 February 2004, pp 89-90
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Appendix - Friederich Conrad Griepenkerl’s Preface to J. S. Bach’s Chromatic Fantasy and Fugue (1819)
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- 01 February 2004, pp 161-171
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