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Jeremy Yudkin, From Silence to Sound: Beethoven's Beginnings (Woodbridge: The Boydell Press, 2020). xxi + 424 pp. £65.00/$115.00
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- Nineteenth-Century Music Review / Volume 19 / Issue 1 / April 2022
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- 19 October 2021, pp. 172-182
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Frontmatter
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- Performative Analysis
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- 09 June 2021
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- 27 April 2017, pp i-iv
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Part One - A Theory of Musical Interpretation
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- 27 April 2017, pp 19-20
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Acknowledgments
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- 27 April 2017, pp vii-viii
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Notes
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- 27 April 2017, pp 219-246
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Contents
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- 27 April 2017, pp v-vi
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4 - An Analytical Dialogue: Beethoven, String Quartet in C Minor, Op. 18, No. 4, First Movement
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- 27 April 2017, pp 96-166
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Index
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- 27 April 2017, pp 261-263
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5 - Musical Structure(s) as Subtext: Resisting Schumannâs âRingâ
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- 27 April 2017, pp 167-218
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Part Two - Analytical Essays
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- 27 April 2017, pp 73-74
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Bibliography
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- 27 April 2017, pp 247-260
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Performative Analysis
- Reimagining Music Theory for Performance
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- 27 April 2017
1 - Analysis in the Musical Work
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- 27 April 2017, pp 21-41
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2 - Two Interpretive Roles
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- 27 April 2017, pp 42-72
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3 - Schenkerian Analysis as Metaphor: Chopin, Nocturne in C Minor, Op. 48, No. 1
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- 27 April 2017, pp 75-95
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Introduction
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- 27 April 2017, pp 1-18
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