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Chapter 10 - Sex, Dissent and Irish Fiction: Reading John McGahern
- from Part III - Sex, Politics and Literary Protest
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- Irish Literature in Transition, 1940–1980
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- 28 February 2020
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- 12 March 2020, pp 185-200
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Chapter 21 - Was The Bell Modernist?
- from Part IV - Emergenc(i)es
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- A History of Irish Modernism
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- 18 January 2019
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- 24 January 2019, pp 364-378
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10 - The Consolations of Nothingness: William Blake, W. B. Yeats and Prayer
- from Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 135-148
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6 - The Fume of Muscatel: Yeats's Ghosts
- from Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 87-96
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Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 1-18
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Contents
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp vii-viii
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Dedication
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp v-v
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Epigraph
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp vi-vi
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Acknowledgements
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp ix-x
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3 - One Lone Paperback: Tolstoy and Religious Sensibility
- from Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 47-57
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8 - Absurdity: Camus Comes to Clones
- from Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 114-122
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Frontmatter
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp i-iv
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2 - A Walking Mirror: Stendhal, Horace, Nietzsche
- from Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 34-46
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5 - Instinct: Douglas Stewart and Sex
- from Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 76-86
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7 - Bohemian Rhapsody: Patrick Kavanagh and Generation X
- from Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 97-113
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9 - Aristocracy: Andrew Marvell, W. B. Yeats and the Curse of Cromwell
- from Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 123-134
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Bibliography
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- Touchstones: John McGahern’s Classical Style
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- 27 May 2017
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- 11 November 2016, pp 186-195
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4 - Magic: The Centrality of W. B. Yeats
- from Touching Stones: Matthew Arnold and the Canon
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 58-75
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Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016
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Conclusion: What Then?
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- Touchstones: John McGahern’s Classical Style
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- Liverpool University Press
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- 27 May 2017
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- 11 November 2016, pp 180-185
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