9 results
Patricia Fortini Brown. Venice and Antiquity: The Venetian Sense of the Past. New Haven and London: Yale University Press. 60 color + 260 b/w pis. + xii + 361 pp. $60. ISBN 0-300-06700-3.
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- Renaissance Quarterly / Volume 51 / Issue 4 / Winter 1998
- Published online by Cambridge University Press:
- 20 November 2018, pp. 1336-1337
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- Winter 1998
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P. Barocchi, K. Loach Bramanti, R. Ristori, ed. Il Carteggio indiretto di Michelangelo, vol. 2. Florence: S.P.E.S., 1995. xi + 369 pp.
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- Renaissance Quarterly / Volume 50 / Issue 2 / Summer 1997
- Published online by Cambridge University Press:
- 20 November 2018, pp. 638-639
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- Summer 1997
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Arnold Nesselrath. Das Fossombroner Skizzenbuch. (Studies of the Warburg Institute, 41.) London, 1993. xliii + 240 pp. + 253 b&w ills. £60.
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- Renaissance Quarterly / Volume 48 / Issue 4 / Winter 1995
- Published online by Cambridge University Press:
- 20 November 2018, pp. 906-907
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- Winter 1995
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Paola Barocchi, Kathleen Loach Bramanti, Renzo Ristori, eds. Il Carteggio indiretto di Michelangelo. Vol. I. Florence: Studio Per Edizioni Scelti, 1988. lxv + 387 pp.
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- Renaissance Quarterly / Volume 43 / Issue 3 / Autumn 1990
- Published online by Cambridge University Press:
- 20 November 2018, pp. 616-618
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- Autumn 1990
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Mary D. Garrard. Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art. Princeton, New Jersey: Princeton University Press, 1989. xxi + 607 pp. 332 illus. + 24 color plates. $49.50.
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- Journal:
- Renaissance Quarterly / Volume 42 / Issue 4 / Winter 1989
- Published online by Cambridge University Press:
- 20 November 2018, pp. 864-866
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- Winter 1989
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Mia Cinotti. Michelangelo Merisi detto il Caravaggio: tutte le opere. (Extract from I pittori Bergamaschi; Il seicento, I:205-642.) Bergamo: Poligrafiche Bolis, 1983. 94 col. pls. + 183 figs. + 436 pp. L.60,000.
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- Journal:
- Renaissance Quarterly / Volume 38 / Issue 3 / Autumn 1985
- Published online by Cambridge University Press:
- 20 November 2018, pp. 532-534
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- Autumn 1985
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Leatrice Mendelsohn. Paragoni: Benedetto Varchi's “Due lezzioni” and Cinquecento Art Theory. (Studies in the Fine Arts: Art Theory, 6.) Ann Arbor: UMI Research Press, 1982. 18 illus.; xiv + 316 pp. $39.95.
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- Journal:
- Renaissance Quarterly / Volume 36 / Issue 4 / Autumn 1983
- Published online by Cambridge University Press:
- 20 November 2018, pp. 598-601
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- Autumn 1983
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Herbert Friedmann. A Bestiary for Saint Jerome: Animal Symbolism in European Religious Art. Washington, D.C.: Smithsonian Institution Press, 1980. 378 pp.; 200 black and white, 6 color illus. $35.
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- Journal:
- Renaissance Quarterly / Volume 35 / Issue 3 / Autumn 1982
- Published online by Cambridge University Press:
- 20 November 2018, pp. 463-465
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- Autumn 1982
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Richard W. Wallace. The Etchings of Salvator Rosa. Princeton: Princeton University Press, 1979. 29 figs. + 130 pls. + xxi + 347 pp. $37.50.
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- Journal:
- Renaissance Quarterly / Volume 33 / Issue 4 / Winter 1980
- Published online by Cambridge University Press:
- 20 November 2018, pp. 769-771
- Print publication:
- Winter 1980
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