This paper analyses Iranian television production on Public Access TV channels in Germany. It is based on a broader study with qualitative interviews, hermeneutic content analysis of 40 hours of aired TV programs and a ?dense description? of the production background. Iranian immigrants were amongst the most active mother-tongue TV producers on local Public Access Channels (so called ?Open Channels?) since these were first launched in 1984. These non-commercial channels aim to make alternative themes and voices heard in the local public. However, the 9/11 attacks led to increased difficulties of access for immigrants from the Middle East, such as limited airtime and the obligation to translate programs. These measures diminished dramatically the opportunities to present Iranian TV shows on Open Channels. From the perspective of Communication Studies, this paper aims to analyse the intentions and strategies of Iranian immigrant media participation, but also the difficulties of access to the public sphere in Germany.