26 results
Using Stanislavsky's Toolkit for Shakespeare's Richard III, Part II: Research on the Self in the Play
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- Journal:
- New Theatre Quarterly / Volume 29 / Issue 2 / May 2013
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- 29 April 2013, pp. 159-169
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- May 2013
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Ellen Margolis and Lyssa Tyler Renaud, ed. The Politics of American Actor TrainingNew York: Routledge, 2010. 218 p. £28.99. ISBN: 978-0-415-89653-5.
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- New Theatre Quarterly / Volume 29 / Issue 1 / February 2013
- Published online by Cambridge University Press:
- 01 February 2013, p. 98
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- February 2013
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Using Stanislavsky's Toolkit for Shakespeare's Richard III, Part I: Research on the Text and the Play
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- New Theatre Quarterly / Volume 29 / Issue 1 / February 2013
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- 01 February 2013, pp. 24-34
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- February 2013
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Ingemar Lindh, trans. Benno Plassman and Marlene Schranz, with the assistance of Magdalena Pietruska Stepping StonesHolstebro; Malta; Wroclaw: Icaras Books, 2010. 232 p. ISBN: 978-83-61835-44-8
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- New Theatre Quarterly / Volume 28 / Issue 4 / November 2012
- Published online by Cambridge University Press:
- 12 November 2012, pp. 396-397
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- November 2012
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8 - Acting Hare
- from Part II - Working with Hare
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- The Cambridge Companion to David Hare
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- 28 April 2008
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- 13 December 2007, pp 123-137
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Routledge Performance Practitioners Jane Turner: Eugenio Barba. London: Routledge, 2004. 192 p. £9.99. ISBN: 0-415-27328-5. Frances Babbage: Augusto Boal. London: Routledge, 2004. 144 p. £9.99. ISBN: 0-415-27326-9. Libby Worth and Helen Poyner: Anna Halprin. London: Routledge, 2004. 208 p. £9.99. ISBN: 0-415-27330-7.
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- Journal:
- New Theatre Quarterly / Volume 23 / Issue 2 / May 2007
- Published online by Cambridge University Press:
- 17 May 2007, pp. 190-191
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- May 2007
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Maria Shevtsova, Dodin and the Maly Drama Theatre: Process to Performance, London: Routledge, 2004. 231 p. £25.00. ISBN 0-415-33462-4.
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- New Theatre Quarterly / Volume 21 / Issue 2 / May 2005
- Published online by Cambridge University Press:
- 21 April 2005, p. 196
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- May 2005
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Claire CochraneThe Birmingham Rep: a City's Theatre, 1962–2002 Birmingham: Barry Jackson Trust, 2003. 225 p. £10.00. ISBN: 0-9545719-0-9.
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- New Theatre Quarterly / Volume 20 / Issue 4 / November 2004
- Published online by Cambridge University Press:
- 25 October 2004, pp. 399-400
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- November 2004
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Aleks SierzIn-Yer-Face Theatre: British Drama Today London: Faber, 2003. 274 p. £9.99. ISBN: 0-571-20049-4.
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- New Theatre Quarterly / Volume 20 / Issue 2 / May 2004
- Published online by Cambridge University Press:
- 21 April 2004, p. 197
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- May 2004
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A Triptych from the Russian Theatre: An Artistic Biography of the Komissarzhevskys. By Victor Borovsky. London: C. Hurst & Co, 2001. Pp. xxi + 485 + illus. £29.95 Hb.
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- Journal:
- Theatre Research International / Volume 29 / Issue 1 / March 2004
- Published online by Cambridge University Press:
- 29 March 2004, p. 84
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- March 2004
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Practice as Research in Performance: a Personal Response
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- New Theatre Quarterly / Volume 20 / Issue 1 / February 2004
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- 05 January 2004, pp. 36-44
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- February 2004
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Robert LeachStanislavsky and Meyerhold Bern: Peter Lang, 2003. 255 p. £27.00. ISBN: 3-906769-79-8.
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- New Theatre Quarterly / Volume 20 / Issue 1 / February 2004
- Published online by Cambridge University Press:
- 05 January 2004, pp. 93-94
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- February 2004
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The Actor and the Target by Declan Donnellan, London: Nick Hern Books, 2002. 276 p. £10.99. ISBN: 1-85459-127-4.
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- Journal:
- New Theatre Quarterly / Volume 19 / Issue 3 / August 2003
- Published online by Cambridge University Press:
- 03 October 2003, p. 294
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- August 2003
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David Garrick and the Birth of Modern Theatre by Jean Benedetti, London: Methuen, 2001. 246 p. £20.00. ISBN: 0-413-70600-1.
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- New Theatre Quarterly / Volume 19 / Issue 2 / May 2003
- Published online by Cambridge University Press:
- 03 October 2003, p. 196
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- May 2003
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Jacques Lecoq and the British Theatre. Edited by Franc Chamberlain and Ralph Yarrow. London: Routledge Harwood, 2002. Pp. 121 + illus. £19.99 Pb.
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- Theatre Research International / Volume 27 / Issue 2 / July 2002
- Published online by Cambridge University Press:
- 18 June 2002, pp. 213-226
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- July 2002
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The Cambridge Companion to Chekhov by Vera Gottlieb and Paul Allain, ed. Cambridge: Cambridge University Press, 2000. 293 p. £13.95. ISBN: 0-521-58917-8.
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- Journal:
- New Theatre Quarterly / Volume 18 / Issue 1 / February 2002
- Published online by Cambridge University Press:
- 24 September 2003, p. 94
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- February 2002
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David Krasner, ed. Method Acting ReconsideredHampshire: Macmillan, 2000. 312 p. £12.95. ISBN: 0-333-91547-X
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- Journal:
- New Theatre Quarterly / Volume 17 / Issue 4 / November 2001
- Published online by Cambridge University Press:
- 15 January 2009, p. 398
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- November 2001
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Alison Hodge, ed. Twentieth-Century Actor TrainingLondon: Routledge, 2000. £13.99. ISBN: 0-415-19452-0.
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- Journal:
- New Theatre Quarterly / Volume 17 / Issue 3 / August 2001
- Published online by Cambridge University Press:
- 15 January 2009, p. 295
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- August 2001
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Rebecca B. Gauss Lear's Daughters: the Studios of the Moscow Art Theatre, 1905–1927New York: Peter Lang, 1999. £24.00. ISBN 0-8204-4155-4.
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- Journal:
- New Theatre Quarterly / Volume 17 / Issue 2 / May 2001
- Published online by Cambridge University Press:
- 15 January 2009, p. 197
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- May 2001
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Anatoly Smeliansky, trans. Patrick Miles The Russian Theatre after StalinCambridge University Press, 1999. £14.99. ISBN 0-521-58794-8.
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- Journal:
- New Theatre Quarterly / Volume 17 / Issue 1 / February 2001
- Published online by Cambridge University Press:
- 15 January 2009, pp. 92-93
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- February 2001
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