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15 - Late Romanticism and Print Culture
- from Part III - Restoration to Revolution (1815–1850)
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- The Cambridge History of European Romantic Literature
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- 10 January 2024
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- 09 November 2023, pp 458-486
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Bibliography
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 240-258
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Chapter 6 - Speculating on Property
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 143-171
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Chapter 7 - Scottish Fictions of 1824
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 172-210
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Chapter 4 - Personal Identity, Impersonation, and Charles Mathews
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 85-111
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Copyright page
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp iv-iv
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Chapter 5 - Theodore Hook’s Sayings and Doings on the Page and the Stage
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 112-142
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Notes
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 211-239
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Index
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 259-264
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Print and Performance in the 1820s
- Improvisation, Speculation, Identity
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- 11 March 2020
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- 20 February 2020
Chapter 3 - Mediating Improvisation and Improvising Mediation
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 61-84
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Contents
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp v-vi
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Chapter 2 - Periodical Performances
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 28-60
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Chapter 1 - Introduction: Being There, circa 1824
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp 1-27
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Acknowledgements
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp viii-x
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Illustrations
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- Print and Performance in the 1820s
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- 11 March 2020
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- 20 February 2020, pp vii-vii
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9 - The critic
- from Part II - Discursive modes
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- The Cambridge Companion to Coleridge
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- 28 May 2006
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- 24 October 2002, pp 142-155
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