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Shakespeare’s Poets

Published online by Cambridge University Press:  28 March 2007

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Summary

It has been observed by more than one critic that the poets depicted, and the references to poetry, in Shakespeare’s plays seem to be by a man who regarded the art and its practitioners with irony, satire or contempt. But it is never safe to assume that Shakespeare shared the views of his characters, even of his virtuous characters; and the opinions expressed in his plays on the subject of poetry are all, in their various ways, suspect, because they are appropriate to the characters who speak them.

The earliest reference is in The Two Gentlemen of Verona, where Proteus instructs Thurio how to win Silvia. It must be remembered that Proteus is playing a double game since he wishes to win Silvia for himself. He is already false to Valentine and his advice to Thurio is insincere:

Butyou, Sir Thurio, are not sharp enough; You must lay lime to tangle her desires By wailful sonnets, whose composed rhymes Should be full-fraught with serviceable vows.

(iii, ii, 67-70)

The Duke backs up Proteus' words with the remark:

Much is the force of heaven-bred poesy.

(iii, ii, 72)

But the poetry advocated by Proteus is hardly heaven-bred: it is strictly utilitarian. Its object is the winning of Silvia, although Proteus does not wish it to succeed:

Say that upon the altar of her beauty

You sacrifice your tears, your sighs, your heart;

Write till your ink be dry, and with your tears

Moist it again, and frame some feeling line

That may discover such integrity.

(iii, ii, 73.7)
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Shakespeare Survey , pp. 91 - 100
Publisher: Cambridge University Press
Print publication year: 1970

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