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Index

Published online by Cambridge University Press:  15 April 2022

Fraser Riddell
Fraser Riddell
Affiliation:
University of Durham

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Music and the Queer Body in English Literature at the Fin de Siècle , pp. 275 - 277
Publisher: Cambridge University Press
Print publication year: 2022
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NC
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0 https://creativecommons.org/cclicenses/

Index

Acton, William, 1
Ahmed, Sara
shame, 44
touch, 140
use, 200
Anzieu, Didier
skin, 77
sound, 134
Barthes, Roland
‘The Grain of the Voice’, 104
Baudelaire, Charles
‘Correspondances’, 141
Beethoven, Ludwig van
‘Adelaide’, 163
late string quartets, 94
Piano Concerto No. 5, 114
Piano Sonata No. 11, ‘Moonlight’, 94
Piano Sonata No. 32, 25, 159–160
Symphony No. 3, Eroica, 200
Symphony No. 5, 1, 161
Benson, Arthur, 143
Benson, E. F.
The Angel of Pain, 191
‘The Man Who Went Too Far’, 190–193
Mike, 40
Bersani, Leo
masochism, 55
Bloxham, John Francis, 110
Brahms, Johannes, 25, 32, 96
Brighton, 50
Bristol Cathedral, 118–120
Browning, Robert, 182–186
‘Caliban upon Setebos’, 186
‘Parleying with Charles Avison’, from Parleyings, 183–186
‘A Toccata of Galuppi’s’, 186
Bruckner, Anton, 25
Burton, Richard, 26
Butler, Josephine, 49
Byron, George Gordon
‘Thyrza’, 108–109
Cambridge, University of, 200
Carpenter, Edward, 22
Homogenic Love and Its Place in a Free Society, 22
The Intermediate Sex, 27
Cather, Willa
‘Paul’s Case: A Study in Temperament’, 41
Chopin, Frédéric, 85, 87, 93
Conan Doyle, Arthur
‘A Study in Scarlet’, 175
Crowley, Aleister
The Scented Garden of Abdullah, the Satirist of Shiraz, 189
Darwin, Charles
The Descent of Man, 181
The Expression of the Emotions in Man and Animals, 45, 177–179
On the Origin of Species, 181
degeneration, 181–182
Du Maurier, George
Trilby, 107
effeminacy, 31
Ellis, Havelock, 47
Sexual Inversion, 21, 26–28, 79, 143
Firbank, Ronald
Concerning the Eccentricities of Cardinal Pirelli, 109
Forster, E. M.
‘The C Minor of That Life’, 159
‘Dr Woolacott’, 154–158
Howards End, 161–162
Maurice, 25, 125, 145, 158
‘Not Listening to Music’, 161
A Room with a View, 160–163
‘The Story of a Panic’, 193–198
Freud, Sigmund
Civilization and Its Discontents, 149
‘The Economic Problem of Masochism’, 54
The Ego and the Id, 164
‘Instincts and their Vicissitudes’, 54
Gambril Nicholson, John
The Romance of a Choir-Boy, 110–112
Gluck, Christoph Willibald, 43, 170, 173
Gurney, Edmund, 47–51
homosexuality, 49–51
The Power of Sound, 48, 179–181
‘The Psychology of Music’, 141
Handel, George Frideric, 32, 121
Hardy, Thomas
‘Haunting Fingers’, 150
Hegel, Georg Wilhelm Friedrich
aesthetics of music, 37
Vorlesungen über die Ästhetik, 61
Hichens, Robert
The Green Carnation, 109
Hirschfeld, Magnus, 21, 23
Die Homosexualität des Mannes und des Weibes, 33
Hodgson Burnett, Frances
Little Lord Fauntleroy, 105
Hopkins, Gerard Manley
choristers, 108
‘Epithalamium’, 110
evolution and music, 180
Hungarian music, 25–26
Huysmans, Joris-Karl
À rebours, 142
James, Alice, 50
James, Henry
Portraits of Places, 112
‘The Pupil’, 112
James, William
‘What Is an Emotion?’, 81
Krafft-Ebing, Richard, 4, 25, 181
Lawrence, D. H.
The Trespasser, 149
Lee, Vernon
‘The Art of Singing Past and Present’, 73
‘Beauty and Sanity’, 46
‘Beauty and Ugliness’, 80
‘Cherubino: A Psychological Art Fantasy’, 42–43
The Countess of Albany, 109
‘Deterioration of Soul’, 72–73
‘An Eighteenth-Century Singer: An Imaginary Portrait’, 173
‘The Immortality of the Maestro Galuppi’, 173
‘In Praise of Old Houses’, 169
‘Marsyas in Flanders’, 73–76
Music and Its Lovers, 166
‘Prosaic Music and Poetic Music’, 42
psychological aesthetics, 79–84
‘Recent Aesthetics’, 82
‘The Religious and Moral Status of Wagner’, 46
‘The Riddle of Music’, 43, 82
‘Signor Curiazio’, 46
Studies of the Eighteenth Century in Italy, 170–173
‘A Wicked Voice’, 73
Levy, Amy
‘After a Richter Concert’, 201
‘In a Minor Key’, 201
‘Sinfonia Eroica’, 199–202
Machen, Arthur
‘The Great God Pan’, 186–187
‘Manliness in Music’, 30, 33
Mann, Thomas, 177
Marsh, Richard
‘The Violin’, 146–151
Marsyas
in Victorian culture, 76–78
masculinity, 29–30
Mayne, Xavier. See Prime-Stevenson, Edward
Mendelssohn, Felix, 32
Lobgesang, 123
Psalm 42, ‘Meine Seele dürstet nach Gott’, 122
Merleau-Ponty, Maurice, 160
Moore, George, 85, 99, 108
Mozart, Wolfgang Amadeus
Don Giovanni, 114
Le nozze di Figaro, 33–37
Myers, Frederic, 50
Naples, National Museum of, 189
Newman, John Henry
The Dream of Gerontius, 141
Nietzsche, Friedrich, 55–56
Nordau, Max
Degeneration, 181
Oxford, University of
Christ Church Cathedral, 122, 126
Magdalen College, 111, 122–124
New College, 123–124
Pacchierotti, Gaspare, 174
Pachmann, Vladimir de, 91–94
Paderewski, Ignacy Jan, 94
Paget, Violet. See Lee, Vernon
Pan and the Goat (sculpture), 189–190
Pater, Walter
‘Denys l’Auxerrois’, 65
‘Lacedæmon’, 68–70
Marius the Epicurean, 65–66
music in Oxford, 61–65
‘Poems by William Morris’, 93
response to Robert Browning, 60
‘The School of Giorgione’, 52, 60–61
Studies in the History of the Renaissance, 58–59
‘A Study of Dionysus’, 67, 189
pederasty, 101–104
Prime-Stevenson, Edward
Beethoven, Ludwig van, 95
Imre, 26, 40
The Intersexes, 23–24, 160
Long-Haired Iopas, 23
Psalm 42, ‘As the Hart Panteth after the Water Brooks’, 120–122
psychoanalysis
masochism, 52–55
voice, 131–134
queer negativity, 7–9
Raffalovich, Marc-André, 22
Rimbaud, Arthur, 141
Ruskin, John
The Queen of the Air, 77
Schubert, Franz
‘An Sylvia’, 200
Schumann, Robert
Dichterliebe, 115
shame, 44–45
Spencer, Herbert
‘The Origins and Function of Music’, 179
Stainer, John, 123
Stanford, Charles Villiers, 200
Stanford, Jennie Wetton, 200
Stevenson, Robert Louis
‘Pan’s Pipes’, 188
Symonds, John Addington
‘A Boy’s Voice Broken’, 128–130
‘Cherubino at La Scala’, 35–37
‘The Chorister’, 117
‘In the Key of Blue’, 115
Memoirs, 1, 115, 118–119, 131
‘A Problem in Greek Ethics’, 32, 129
‘A Problem in Modern Ethics’, 128
‘Studies in the Greek Poets’, 168
Symons, Arthur
‘Beethoven’, 93
‘Christian Trevalga’, 86–91
‘The Decadent Movement in Literature’, 84
‘The Meiningen Orchestra’, 94
‘Pachmann and Paderewski’, 91
‘Pachmann and the Piano’, 92
‘Pachmann: Pianist’, 91
‘A Reflection at a Dolmetsch Concert’, 95
Tchaikovsky, Pyotr
homosexuality, 95–97
Symphony No. 6, the ‘Pathétique’, 25, 138
Teleny, or the Reverse of the Medal, 26, 151–154
Verlaine, Paul
‘Parsifal’, 99–100
voice training, 106–107
Wagner, Richard
association with homosexuality, 25, 28
Lohengrin, 141
Parsifal, 40, 157, 163
Tristan und Isolde, 157
Wells, H. G.
The Island of Doctor Moreau, 182
The Wonderful Visit, 39
Whitman, Walt, 72, 108, 131
Wilde, Oscar, 49
The Picture of Dorian Gray, 6
‘The Portrait of Mr W. H.’, 109
Woolf, Virginia
Mrs Dalloway, 164
The Voyage Out, 163–168
The Waves, 158
Wright, Cuthbert
‘The Chorister’, 110

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  • Index
  • Fraser Riddell, University of Durham
  • Book: Music and the Queer Body in English Literature at the Fin de Siècle
  • Online publication: 15 April 2022
  • Chapter DOI: https://doi.org/10.1017/9781108989541.010
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  • Index
  • Fraser Riddell, University of Durham
  • Book: Music and the Queer Body in English Literature at the Fin de Siècle
  • Online publication: 15 April 2022
  • Chapter DOI: https://doi.org/10.1017/9781108989541.010
Available formats
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  • Index
  • Fraser Riddell, University of Durham
  • Book: Music and the Queer Body in English Literature at the Fin de Siècle
  • Online publication: 15 April 2022
  • Chapter DOI: https://doi.org/10.1017/9781108989541.010
Available formats
×