Volume 33 - 2001
Contents
Book Reviews
Katalin Paksa (editor), and Imre Olsvai (chief collaborator). Corpus Musicae Popularis Hungaricae X / A Magyar Népzene Tára X: Népdaltípusok 5—Collection of Hungarian Folk Music X: Types of Folksongs 5. Budapest: Balassi Kiadó, 1997. 1208 pp., 826 tunes and song texts, list of 125 tune types, map, guide and explanation of symbols, bibliography, list of collectors and transcriptors, list of localities, musical indexes, index of texts of tunes.
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- 07 March 2019, pp. 169-170
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Helen Rees. Echoes of History: Naxi Music in Modern China. Oxford and New York: Oxford University Press, 2000. xv, 278 pp., figures, tables, musical transcriptions, appendices, bibliography, discography, compact disc recording.
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- 07 March 2019, pp. 170-171
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Constanta Cristescu. Chemari de Toaca: Repertoriul romanesc, Monographie, Tipologie si Antologie muzicala [The Call of the Toaca: Romanian Repertory, Monography, Typology and Musical Anthology]. Bucharest: Editura Academiei Romane, 1999. pp. 399, photos, illustrations, in Romanian with chapter summaries in German, English and French.
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- 07 March 2019, p. 172
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Deborah Wong. Sounding the Center: History and Aesthetics in Thai Buddhist Performance. Chicago: University of Chicago Press, 2001. Chicago Studies in Ethnomusicology. xiii, 336 pp., 63 halftones, drawing, table, glossary of Thai terms, CD.
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- 07 March 2019, pp. 172-173
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Lewis A. Erenberg Swingin' The Dream: Big Band Jazz and the Rebirth of American Culture. Chicago and London: University of Chicago Press, 1998. xxiiv, 320 pp., photographs, notes, bibliography, index.
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- 07 March 2019, p. 174
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Selina Thielemann. The Darbhanga Tradition: Dhrupada in the School of Pandit Vidur Mallik. Varanasi: Indica Press, 1997. xii, 290 pp., illustrations, interviews, appendixes, photographs, transcriptions, glossary, bibliography, discography and index.
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- 07 March 2019, p. 175
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Alejo Carpentier. Music in Cuba. Edited and with an Introduction by Timothy Brennan, translated by Alan West-Durán. Cultural Studies of the Americas. Minneapolis: University of Minneapolis Press, 2001. 302 pp., musical scores, notes, bibliography, index.
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- 07 March 2019, pp. 176-177
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Susan M. Asai Nômai Dance Drama: A Surviving Spirit of Medieval Japan. Westport, Connecticut: Greenwood Press (Contributions to the Study of Music of Dance Number 47), 1999. xvii, 248 pp., musical examples, 11 figures, appendix, glossary, bibliography, index. Nômai field video recording available from the author. - Alison McQueen Tokita. Kiyomoto-bushi: Narrative Music of the Kabuki Theatre. Basel & London: Bärenreiter (Studien zur traditionellen Musik Japans, Band 8), 1999. xxvii, 400 pp., foreword and abstract in Japanese and English, photos, diagrams, tables, musical examples, bibliography, discography, lists, index.
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- 07 March 2019, pp. 177-179
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Anna Czekanowska. Pathways of Ethnomusicology: Selected Essays. Edited by Piotr Dahlig (and the editorial committee). Warszawa: Institute of Musicology of Warsaw University, 2000. 336 pp., b&w and color photographs, music examples, list of publications. Essays in Russian, English, and German.
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- 07 March 2019, pp. 179-181
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Sw. Anand Prahlad. Reggae Wisdom: Proverbs in Jamaican Music. Jackson: University of Mississippi Press, 2001. xxiv, 302 pp., photos, appendices, references, index. - Marylin Rouse. Jamaican Folk Music—A Synthesis of Many Cultures. Lewiston: The Edwin Mellen Press (Studies in the History and Interpretation of Music, vol.66), 2000. xxiv, 305 pp., 193 musical examples, 59 tables, appendix, bibliography, index. - Olive Lewin. Rock It Come Over: The Folk Music of Jamaica, with special reference to Kumina and the work of Mrs. Imogene “Queenie” Kennedy. Kingston, Jamaica: University of the West Indies Press, 2000. xviii, 335 pp., photos, musical examples, map, references, index. - Norman C. Stolzoff Wake the Town and Tell The People: Dancehall Culture in Jamaica. Durham: Duke University Press, 2000. xxviii, 298 pp., 44 illustrations, bibliography, index.
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- 07 March 2019, pp. 181-185
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Alessandra Iyer. Prambanan: Sculpture and Dance in Ancient Java. Thailand: White Lotus, 1998. xii, 211pp., photographs, drawings, appendix, glossary, notes, index.
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- 07 March 2019, pp. 185-186
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Cross-Regional Collections
Audio Reviews
Les Danses du Monde. Le Chant du Monde. Harmonia Mundi. CNR-5741106/7. Edited by Hugo Zemp. 89 pages of notes in French. Colour and B/W photographs, line drawings, musical examples, dance notations, and maps. Bibliography. 2 discs (Disc I: 18 tracks; Disc II: 22 tracks). 156.00. 1998.
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- 07 March 2019, pp. 187-188
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The Sephardic Experience. Celestial Harmonies. 13166-2 to 13169-2. 4-CD set. Performed by The Renaissance Players. Directed and annotated by Winsome Evans. Recorded in St. Peters (Sydney, Australia). 1998-1999. - Vol. 1. Thorns of Fire. 13166-2. 33-pages of notes in English. 3 illustrations. 13 tracks. 57.58. 1998. - Vol. 2. Apples and Honey. 13167-2. 38-pages of notes in English. 3 illustrations. 14 tracks. 56.52. 1998. - Vol. 3. Gazelle and Flea. 13168-2. 38 pages of notes in English. 3 illustrations. 18 tracks. 58.11. 1999. - Vol. 4. Eggplants. 13167-2. 38 pages of notes in English. 3 illustrations. 14 tracks. 73.58. 1999.
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- 07 March 2019, pp. 188-190
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Africa
Audio Reviews
Cote d'Ivoire: Musiques des Wé (Guéré). Le Chant du Monde. Harmonia Mundi. CNR-2741105. Recorded and annotated by Hugo Zemp. 43 pages of notes in English and French. Colour and B/W photographs, 1 map. 8-item bibliography. 20 tracks recorded in the field. 67.07. 1998.
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- 07 March 2019, p. 190
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Kakraba Lobi: Song of Legaa. Master Musician from Ghana with Valerie Dee Naranjo and Barry Olsen. Lyrichord. LYR-CD-7450. Recorded by Randy Crafton. Annotated by Valerie Dee Naranjo. 14 pages of notes in English. 5 B/W photographs. No bibliography. 13 tracks. 57.57. 2000.
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- 07 March 2019, pp. 190-191
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Madagascar: Music of the Sakalava Menabe. A Tribute to Mama Sana. Inedit. W-260093. Recorded and annotated by Victor Randrianary. 21 pages of notes in English and French. Colour and B/W photographs, 1 map. 20 tracks recorded in the field. 69.21. 2000.
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- 07 March 2019, p. 191
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Niger: Peuls Wodaabe. Traditional Music Series. Inedit. W-260081. Recorded and annotated by Pierre Bois. 18 pages of notes in French, with English translation by Judith Crews. 5 B/W photographs, 1 illustration, 1 map, some musical notations. 6 tracks recorded at the Maison des Cultures du Monde (Paris). 50.04. 1997.
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- 07 March 2019, p. 192
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Rakoto Frah: Flute Master of Madagascar. Ace Records Ltd. CDORBD-027. Annotated by Ben Mandelson. 10 pages of notes in English. 2 colour and 3 B/W photographs. 9 tracks recorded in the field. 49.98. 1999.
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- 07 March 2019, pp. 192-193
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Shalom Everybody Everywhere!: Introducing the Abayudaya Jews of Uganda. Performed by the Kohavim Tikvah Choir. Kulanu. KUL-9701. Produced by Kulanu and the Abayudaya. Executive produced and annotated by Karen Primack. Notes include a message from Aaron Kintu Moses, secretary of the Abayudaya congregation. 3 colour and 3 B/W photographs. 16 tracks. 63.11. 1997.
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- 07 March 2019, p. 193
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North America
Audio Reviews
Every Tone A Testimony: An African American Aural History. Smithsonian Folkways. SFW-CD-47003. Produced, compiled, and annotated by Robert H. Cataliotti. 31 pages of notes in English. 23 photographs of LP covers, 1 painting. Bibliography. 2 discs (Disc I: 34 tracks; Disc II: 25 Tracks). 145.01. 2001.
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- 07 March 2019, p. 194
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