Odori no bigaku [Aesthetics of dance]. Tokyo: Engeki shuppansha.
1971 “A Stratificational Analysis of the Hand Gestures in Indian Classical Dancing.” Semiotica
“Nihon ni okeru buyωkenkyū” no sokuseki, Nihonbuyω wo chūshin ni [The course of dance study in Japan centred around the history of Nihon buyω].”
Ωsutoria, chiroru shū ni mirareru kekkon-buyω [Wedding dances in Tyrol, Austria]. Unpublished Master's Thesis, Ochanomizu University, Tokyo.
1970 “Kenkyū” no tebiki, ‘Buyω” no go to buyω” kenkyushi [A guide to research, the term ‘dance’ and the history of dance study].” In: Nihon no kotengeinω [Classical performing arts of Japan], vol. 6 ed. Kenkyūkai, Geinωshi, 313–335, Tokyo: Heibonsha.
1989 “Nihonbuyω” no riron, buyω no yωso, kωzω, dωsa no bunseki [Theory of Japanese dance, analysis of elements, structures and movements of dance]”, In Nihon no ongaku, Ajia no ongaku [Japanese music, Asian music] vol. 5 eds Gamω Satoaki et al., 155–184. Tokyo: Iwanami shoten.
Kindai buyωshi ron [On a modern history of dance]. Tokyo: Nihon hyωronsha.
Buyω no bigakuteki kenkyū [Aesthetic study of dance]. Tokyo: Shunyωdω.
Kyωdobuyω to bonodori [Folk dance and bon dance]. Tokyo: Tωkei shobω.
Koizumi, Fumio et al., eds. 1983
Dance and music in South Asian Drama, Chhau, Mahākālī pyākhan and Yakshagāna, Report of Asian Traditional Performing Arts 1981. Tokyo: Academia Music.
Kabuongaku ryakushi [A short history of music and dance]. Tokyo: Meiji shoin.
Nihonbuyωshi no kenkyū, kabuki buyω to minzoku buyω [A study of Japanese history of dance, kabuki dance and folk dance]. Tokyo: Tokyodω.
Nihonbuyω no kenkyū [A study of Japanese dance]. Tokyo: Nansωsha.
Nomura, Masaichi and Michiko, Suzuki, eds. 1991
Miburi to ongaku [Movements and music]. In Minzokuongaku sωsho [Anthology of ethnomusicology], Vol. 9. Tokyo: Tokyo shoseki.
The Okinawan kumiodori, an Analysis of Relationships of Text, Music and Movement in Selections from Nido Tekuichi. Master's thesis, University of Hawaii at Manoa. Ann Arbor, Michigan: University Microfilm 1317098.
Okuno, Chika and Noriko, Tagawa
1988 “Izawa Ei ni kansuru kenkyū, dansukan ni tsuite [A study of Izawa Ei, about viewpoint of Dance],” Choreologia
1989 “Ongaku to buyω niokeru yωshikiteki renkan [Relationships in styles of music and dance].” In Nihon no ongaku, Ajia no ongaku [Japanese music, Asian music] Vol. 5, eds. Gamω Satoaki et al., 225–248. Tokyo: Iwanami shoten.
1983 “Remarks on the Nature of Dance from a Musicological Viewpoint.” Dance and Music in South Asian Drama, Chhau, Mahākālī pyākhan and Yakshagāna, Report of Asian Traditional Performing Arts 1981. eds. Koizumi Fumio et al., 218–226. Tokyo: Academia Music.
Shin gakugeki ron [On the new dramatic form of music and dance]. Tokyo: Waseda daigaku shuppanbu.
1911 “Odori no ima to mukashi [Dance, present and past].” Jinruigaku zasshi [Journal of anthropology] 27/1:3-9, 27/2: 76–83, 27/3: 153–159, 27/4: 202–208, 27/5: 269–277.