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The Development of Brecht's Theory of the Epic Theatre, 1918-1933

Published online by Cambridge University Press:  14 February 2022

Werner Hecht
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Extract

The theatre of today has been significantly changed because of Brecht's influential work as a playwright, producer, and theoretician. In fact, anyone working in the theatre of today must come to grips with the phenomenon that is Bertolt Brecht. True, such an undertaking will be difficult. Brecht's achievements—literary, theoretical, and practical—are all parts of a whole which is not understandable if one part of it is examined by itself. Furthermore, as he wrote in his poem “Behauptung,” Brecht by no means “always remained the same“; both the man and his views changed. For this reason an investigation of the development of Brecht's theatrical theories apart from the rest of his work is a questionable undertaking. There are, however, two justifications for it: 1) So far nothing coherent about Brecht's early ideas concerning the theatre has been written.

Type
Research Article
Information
Tulane Drama Review , Volume 6 , Issue 1 , September 1961 , pp. 40 - 97
Copyright
Copyright © 1961 The Tulane Drama Review

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References

Notes

As it originally appeared in Theater der Zeit (Studien, Nos. 9 and 10), 1958 this article had over 200 footnotes. Because of limitations of space and the awareness that most of the sources mentioned in these notes would be unavailable to our readers, the editors have cut or revised all but the most important of them. Anyone interested in checking the original notes is urged to refer to the German text.

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20 Der Scheinwerfer, Essen, No. 6/7 (December, 1929), 5 f.

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