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Book Reviews
Strindberg and History. Edited by Birgitta Steene. Almqvist & Wiksell, Stockholm1992. 219 pp.
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- 23 January 2009, p. 82
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Engendering Culture: Manhood and Womanhood in New Deal Public Art and Theater. By Barbara Melosh. Washington and London: Smithsonian Institution Press, 1991. Pp. 297. $60 Hb; $24.95 Pb.
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- 23 January 2009, pp. 229-230
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Women and Comedy: Rewriting the British Theatrical Tradition. By Susan Carlson. Ann Arbor: The University of Michigan Press, 1991. Pp. 388.
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- 23 January 2009, pp. 149-150
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The First English Actresses: Women and Drama 1660–1700. By Elizabeth Howe. Cambridge: Cambridge University Press, 1992. Pp. 226 + illus. £35 Hb, £12.95 Pb.
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- 23 January 2009, pp. 67-68
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Antonin Artaud: Blows and Bombs. By Stephen Barber. London & Boston: Faber and Faber Ltd, 1993. Pp. 182. £14.99.
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- 23 January 2009, p. 230
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Katalog över ‘Gröna Säcken’. Strindbergs Efter-Lämnade Papper I Kungl. Biblioteket, SG NM 1–9. (Catalogue of the ‘Green Bag’: Strind-berg's Posthumous Works at the Royal Library, Sg NM 1–9). By Barbro Ståhle Sjönell. Acta Bibliothecæ Regiæ Stockholmiensis LII. The Royal Library, Stockholm1991. 372 pp.
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- 23 January 2009, pp. 82-83
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Performing Feminisms: Feminist Critical Theory and Theatre. Edited by Sue-Ellen Case. Baltimore: Johns Hopkins University Press, 1990. Pp. 327. $14.95.
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- 23 January 2009, p. 150
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Congreve, the Drama, and the Printed Word. By Julie Stone Peters. California: Stanford University Press. Pp. 286. $32.50.
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- 23 January 2009, pp. 68-69
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Free to Act: An Integrated Approach to Acting. By Mira Felner. Fort Worth: Holt, Rinehart and Winston, Inc., 1990. Pp. 262 + illus.
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- 23 January 2009, pp. 150-151
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Mexican Drama. By Rense Royaards. Amsterdam: International Theatre Bookshop, 1992. Pp. 109.
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- 23 January 2009, pp. 230-231
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The Secret Art of the Performer. A Dictionary of Theater Anthropology. By Eugenio Barba and Nicola Savarese
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- 23 January 2009, p. 83
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Acts of Supremacy: The British Empire and the Stage, 1790–1930. By J. S. Bratton, Richard Allen Cave, Breandan Gregory, Heidi J. Holder, and Michael Pickering. Manchester and New York: Manchester University Press, 1991. Pp. viii + 248 + illus. $59.95.
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- 23 January 2009, pp. 69-70
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A Stage of Their Own. By Sheila Stowell. Ann Arbor: University of Michigan Press. 1992 Pp. 176. $34.50.
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- 23 January 2009, pp. 70-71
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New Swedish Plays. Edited by Gunilla Anderman, Norvik Press, Norwich, 1992. (212 pages).
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- 23 January 2009, pp. 83-84
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Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. By Shomit Mitter. London & New York: Routledge, 1992. Pp. 179.
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- 23 January 2009, p. 231
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The Dramatic Touch of Difference: Theatre Own and Foreign. Edited by Erika Fischer-Lichte, Josephine Riley & Michael Gissenwehrer. Tübingen: Forum Modernes Theater Schiftenreihe Band 2, Gunter Narr Verlag, 1990. Pp. 287. DM68.
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- 23 January 2009, pp. 151-152
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British and Irish Women Dramatists Since 1958: A Critical Handbook. Edited by Trevor R. Griffiths and Margaret Llewellyn-Jones. Buckingham and Philadelphia: Open University Press, 1993. Pp. viii + 193. £37.50 Hb; £12.99 Pb.
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- 23 January 2009, p. 232
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Gustavian Opera: AN Interdisciplinary Reader in Swedish Opera, Dance and Theatre 1771–1809. Stockholm: Almqvist & Wiksell International. Pp. 492 + illus. SEK 460:–.
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- 23 January 2009, pp. 84-85
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Theatre Criticism. By Irving Wardle. London and New York: Routledge, 1992. Pp. 142. £25 Hb, £7.99Pb.
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- 23 January 2009, pp. 152-153
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The History of World Theater, Volume Two: From the English Restoration to the Present. By Felicia Hardison Londré. New York: Frederick Ungar/Continuum, 1991. Pp. 644 + illus. $49.50.
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- 23 January 2009, pp. 71-72
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