Theatre Research International: Volume 18 -

The National Edition of August Strindberg's Collected Works
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23 January 2009, p. 71
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The National Edition is the largest project ever undertaken in Sweden in honour of its greatest author, and proposes to publish everything produced by Strindberg with the exception of his 10,000 letters. The rate of publication is five volumes per year. Of the seventy-five titles planned, thirty-one are so far published.

Old Comedy in the French Renaissance (1576–1620). By Donald Perret. Geneva: Droz, 1992. Pp. 164.
W. D. Howarth
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23 January 2009, p. 146
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‘Othello’: New Perspectives. Edited by Virginia Mason Vaughan and Kent Cartwright. Rutherford, NJ: Fairleigh Dickinson University Press, 1991. Pp. 276 + illus. $41.50.
Margaret Loftus Ranald
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23 January 2009, pp. 63-64
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True Rites and Maimed Rites: Ritual and Anti-Ritual in Shakespeare and his Age. Edited by Linda Woodbridge and Edward Berry. Urbana and Chicago: University of Illinois Press, 1992. Pp. 303. $44.95 Hb; $15.95 Pb.
Catherine M. Shaw
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23 January 2009, pp. 224-226
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Towards a Concept of an Intimate Theatre
Bertil Nolin
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23 January 2009, pp. 71-78
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On 26 November 1907 Strindberg finally succeeded in opening a theatre of his own in Stockholm: Intima teatern. He did so with an unpublished chamber play: Pelikanen (The Pelican). The newspapers covered the event extensively. Intima teatern was referred to as ‘a literary theatre’.

Monsters of the Deep: Social Dissolution in Shakespeare's Tragedies. By David Margolies. Manchester and New York: Manchester University Press and St. Martin's Press, 1992. Pp. viii + 163. £29.95. - Titus Andronicus: Shakespeare in Performance. By Alan C. Dessen. Manchester and New York: Manchester University Press and St. Martin's Press, 1989, 1992. Pp. 123 + illus. £8.95.
David Ian Rabey
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23 January 2009, pp. 64-65
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Madness and Drama in the Age of Shakespeare. By Duncan Salkeld. Manchester: Manchester University Press, 1991. Pp. 168. £35.
Richard A. McCabe
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23 January 2009, p. 226
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Copeau: Texts on Theatre. Edited and translated by John Rudlin and Norman H. Paul. London and New York: Routledge, 1990. Pp. 273 + illus.
Judith G. Miller
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23 January 2009, pp. 146-147
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Lorca: Poet and Playwright. Essays in Honour of J. M. Aguirre. Edited by Robert Harvard. Cardiff: University of Wales Press, 1992. Pp. viii + 159. £25.
Victor Dixon
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23 January 2009, pp. 147-148
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The Making of the National Poet. Shakespeare, Adaptation and Authorship, 1660–1769. By Michael Dobson. Oxford: The Clarendon Press, 1992. Pp. x + 266. £30.
Russell Jackson
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23 January 2009, p. 227
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Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest. By Janet Adelman. London and New York, Routledge, 1992. Pp. xii + 379. £40 Hb, £11.99 Pb.
Felicity Dunworth
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23 January 2009, pp. 65-66
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Strinbergiana. Tidsskrift Utgiven Av Strindbergs-Sällskapet, 1991 OCH 1992 (Strindbergiana. Periodical published by the Strindberg Society, 1991 and 1992).
Jytte Wiingaard, Annette Mester
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23 January 2009, pp. 79-80
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Klädernas Magi. En Strindbergsstudie (The Magic of Dress: A Strindberg Study). By Hans-Göran Ekman. Gidlunds, 1991, 206 pp.
Kela Kvam, Annette Mester
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23 January 2009, pp. 80-81
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Re-interpreting Brecht: His Influence on Contemporary Drama and Film. Edited by Pia Kleber and Colin Visser. Cambridge: Cambridge University Press, 1990. Pp. 220.
Christopher Mccullough
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23 January 2009, p. 148
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The Death of the Actor: Shakespeare on Page and Stage by Martin Buzacott. London: Routledge, 1991. Pp. viii + 180. £30.
Russell Jackson
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23 January 2009, pp. 66-67
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Das Theater im Literaturstaat: Literarisches Theater auf dem Weg zur Bildungsmacht. By Ruedi Graf. Tübingen: Niemeyer, 1992. Pp. 402. DM 116.
Eda Sagarra
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23 January 2009, pp. 227-228
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Comedy: The Mastery of Discourse. By Susan Purdie. New York: Harvester Wheatsheaf, 1993. Pp. 186. £9.95.
Lue Morgan Douthit
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23 January 2009, pp. 228-229
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Strindberg and Genre. Edited by Michael Robinson. Norvik Press, Norwich, 1991. 295 pp.
Anne-Charlotte Hanes Harvey
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23 January 2009, pp. 81-82
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European Theatre 1960–1990. Edited by Ralph Yarrow. London: Routledge, 1992. Pp. 255. £35.
David Bradby
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23 January 2009, pp. 148-149
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Prologue to Performance: Spanish Classical Theater Today. Edited by Louise and Peter Fothergill-Payne. London and Toronto: Associated University Presses, 1991. Pp. 167. £25.
Gwynne Edwards
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23 January 2009, p. 67
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Volume 18 - Spring 1993

Articles

The National Edition of August Strindberg's Collected Works

Reviews

Old Comedy in the French Renaissance (1576–1620). By Donald Perret. Geneva: Droz, 1992. Pp. 164.

‘Othello’: New Perspectives. Edited by Virginia Mason Vaughan and Kent Cartwright. Rutherford, NJ: Fairleigh Dickinson University Press, 1991. Pp. 276 + illus. $41.50.

True Rites and Maimed Rites: Ritual and Anti-Ritual in Shakespeare and his Age. Edited by Linda Woodbridge and Edward Berry. Urbana and Chicago: University of Illinois Press, 1992. Pp. 303. $44.95 Hb; $15.95 Pb.

Articles

Towards a Concept of an Intimate Theatre

Reviews

Madness and Drama in the Age of Shakespeare. By Duncan Salkeld. Manchester: Manchester University Press, 1991. Pp. 168. £35.

Copeau: Texts on Theatre. Edited and translated by John Rudlin and Norman H. Paul. London and New York: Routledge, 1990. Pp. 273 + illus.

Lorca: Poet and Playwright. Essays in Honour of J. M. Aguirre. Edited by Robert Harvard. Cardiff: University of Wales Press, 1992. Pp. viii + 159. £25.

The Making of the National Poet. Shakespeare, Adaptation and Authorship, 1660–1769. By Michael Dobson. Oxford: The Clarendon Press, 1992. Pp. x + 266. £30.

Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest. By Janet Adelman. London and New York, Routledge, 1992. Pp. xii + 379. £40 Hb, £11.99 Pb.

Book Reviews

Strinbergiana. Tidsskrift Utgiven Av Strindbergs-Sällskapet, 1991 OCH 1992 (Strindbergiana. Periodical published by the Strindberg Society, 1991 and 1992).

Klädernas Magi. En Strindbergsstudie (The Magic of Dress: A Strindberg Study). By Hans-Göran Ekman. Gidlunds, 1991, 206 pp.

Reviews

Re-interpreting Brecht: His Influence on Contemporary Drama and Film. Edited by Pia Kleber and Colin Visser. Cambridge: Cambridge University Press, 1990. Pp. 220.

The Death of the Actor: Shakespeare on Page and Stage by Martin Buzacott. London: Routledge, 1991. Pp. viii + 180. £30.

Das Theater im Literaturstaat: Literarisches Theater auf dem Weg zur Bildungsmacht. By Ruedi Graf. Tübingen: Niemeyer, 1992. Pp. 402. DM 116.

Comedy: The Mastery of Discourse. By Susan Purdie. New York: Harvester Wheatsheaf, 1993. Pp. 186. £9.95.

Book Reviews

Strindberg and Genre. Edited by Michael Robinson. Norvik Press, Norwich, 1991. 295 pp.

Reviews

European Theatre 1960–1990. Edited by Ralph Yarrow. London: Routledge, 1992. Pp. 255. £35.

Prologue to Performance: Spanish Classical Theater Today. Edited by Louise and Peter Fothergill-Payne. London and Toronto: Associated University Presses, 1991. Pp. 167. £25.

Theatre Research International

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Volume 18 - Spring 1993

Articles

Reviews

Articles

Reviews

Book Reviews

Reviews

Book Reviews

Reviews