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Performing Feminism on the International Stage

Published online by Cambridge University Press:  23 January 2009

Abstract

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Type
Articles
Copyright
Copyright © International Federation for Theatre Research 1999

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References

Notes

1. Kollentai, Alexandra, Sexual Relations and the Class Struggle and Love and the New Morality. Translated by Holt, Alix (Bristol: Falling Wall Press, 1972).Google Scholar

2. Anzaldúa, Gloria, Borderlands/La Frontera (San Francisco: Spinters/Aunt Lute, 1987), p. 3.Google Scholar

3. Braidotti, Rosi, Nomadic Subjects (New York: Columbia University Press, 1994), pp. 2, 5.Google Scholar

4. Gilbert, Helen & Tompkins, Joanne, Postcolonial Drama (London & New York: Routledge, 1996), p. 118.Google Scholar

5. Onwueme, Tess, Tell It To Women (Detroit: Wayne State University Press, 1997), p. 30.Google Scholar

6. Taylor, Diana, Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's ‘Dirty War’ (Durham: Duke University Press, 1997), p. 17.Google Scholar

7. See Chow, Rey, Woman and Chinese Modernity (Minnesota: University of Minnesota Press, 1991).Google Scholar

8. See Yarbro-Bejarano, Yvonne, ‘The Female Subject in Chicane Theatre: Sexuality, “Race”, and Class’, in Case, Sue-Ellen, ed., Performing Feminisms: Feminist Critical Theory and Theatre (Johns Hopkins University Press, 1990), pp. 131–49.Google Scholar

9. Chow, Rey, Woman and Chinese Modernity, p. 32.Google Scholar

10. See Grewel, Inderpal & Kaplan, Garen, eds., Scattered Hegemonies (Minneapolis: University of Minnesota Press, 1994).Google Scholar

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